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Posted On: July 16th 2024, 05:47 pm
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Digital Couture ✕\/ byMarcelMuntyanu
Fully made using artworks of incredible analog glitch artist Sky Goodman @sci_fi_mascara
As the metahuman model, stunning ai, 3d artist and elegant beauty - Olga Fedorova @olgamikhfedorova
Digital Couture by MarcelMuntyanu
Talking about these lines, I love them so much cause I`m a big fan of curves as an “aesthetic element of mathematical beautyness’. Sky Goodman uses these curves to make their 3d models look more individual
So I can`t resist adding a little erotic element to the magnificent Olga Fedorova.
MultySneakers. It`s impossible to choose only one of the generated sneakers of Sky Goodman so I found a way how to exhibit a collection in one. Using baroque as a universal symbol I framed all sneakers in one.
It`s impossible to make a moving fabric animation in GLB file format directly so I used some tricks to create this imitation of wind from the fan.
I also created this fabric in a low poly style to emphasize the deliberate unreality of this physical simulation, which is only possible in the digital aesthetic space
Fully made using artworks of incredible analog glitch artist Sky Goodman @sci_fi_mascara
As the metahuman model, stunning ai, 3d artist and elegant beauty - Olga Fedorova @olgamikhfedorova
Digital Couture by MarcelMuntyanu
Talking about these lines, I love them so much cause I`m a big fan of curves as an “aesthetic element of mathematical beautyness’. Sky Goodman uses these curves to make their 3d models look more individual
So I can`t resist adding a little erotic element to the magnificent Olga Fedorova.
MultySneakers. It`s impossible to choose only one of the generated sneakers of Sky Goodman so I found a way how to exhibit a collection in one. Using baroque as a universal symbol I framed all sneakers in one.
It`s impossible to make a moving fabric animation in GLB file format directly so I used some tricks to create this imitation of wind from the fan.
I also created this fabric in a low poly style to emphasize the deliberate unreality of this physical simulation, which is only possible in the digital aesthetic space
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