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Dr.João Alves de Melo

@joaoalves_de_melo

5 years ago

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Posted On: February 21st 2022, 12:05 pm

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SAMSAT MAPPAYUKKI JANGAN MEMBUAT MASYARAKAT MARAH. INGAT ORANG KE SANA UNTUK MEMBAYAR PAJAK.

Seorang warga mengeluhkan dugaan pungutan liar saat mengurus pembayaran pajak kendaraan di Samsat Mappanyukki, Makassar.

Menurut keterangannya, ia diarahkan ke loket di jendela lantai dua untuk pengesahan STNK sebelum melakukan pembayaran. Di lokasi tersebut, ia mengaku diminta membayar sejumlah uang, lalu STNK diberi stempel. Alasan yang disampaikan kepadanya, pengurusan harus dilakukan langsung oleh orang yang namanya tercantum di STNK.

Warga tersebut mempertanyakan pungutan itu karena, berdasarkan pengalamannya, biaya serupa tidak dikenakan ketika membayar melalui aplikasi maupun layanan drive thru.

Keluhan ini masih berdasarkan keterangan pelapor. Diharapkan pihak Samsat memberikan penjelasan mengenai prosedur pengesahan STNK serta dasar biaya yang diminta, sekaligus menindaklanjuti apabila ditemukan pungutan di luar ketentuan.

Sekelompok massa mendatangi area konser Andrea Bocelli di JIExpo Kemayoran, Jakarta Pusat, Selasa (3/11/2026) malam.

Sempat terjadi kericuhan saat sejumlah massa berusaha merangsek masuk ke area JIExpo diduga untuk menghentikan jalannya konser.

Aksi penolakan tersebut diduga berkaitan dengan kontroversi penggalangan dana yang pernah dilakukan oleh Penyanyi Opera asal Italia tersebut pada 2010 lalu untuk membantu
m!lit3r Isr4 el.

🎥 @abyansyah.p

#JakartaTerkini

The boy was fifteen, and his crime was a song. In February 2016, in Mosul, Ayham Hussein was caught listening to Western pop music on a portable CD player in his father’s grocery store in the Nabi Younis marketplace. ISIS fighters dragged him before a Sharia court, which sentenced him to death. On February 16, 2016, he was beheaded in a public square in the center of the city, and his body was handed to his family the same day. There was no law on the books banning Western music. The court invented the crime and then carried out the sentence, and the locals who watched were outraged, not ecstatic.

That is what a theocracy does to a child who hums the wrong tune. It does not fine him. It does not lecture him. It puts his head on the ground in front of his neighbors and calls it justice. The men who did it believed music was a temptation and a corruption of the heart, a distraction from the remembrance of God, and they enforced that belief with a sword. A fifteen-year-old with a CD player was a threat to their order, and their order answered the only way it knows how.

The execution happened in Mosul, Iraq, in February 2016, not in Michigan and not last week. The post ties it to Michigan anyway, and the tie is not the date. Michigan just elected a senator whose campaign courted voters in mosques where recorded sermons praised Hamas and Hezbollah, and Dearborn has become the city where crowds gather to cheer the same cause. The boy in Mosul has been dead ten years. The question the post asks is whether the court that killed him is a foreign horror or a domestic future, and whether the voters who just rewarded its apologists have already answered it.

Notes on 7 Years Of Recording Production

-I am most proud of my drum production improvement. We really knocking round here.
From getting my ass back on the drum kit, to teaching myself timpani, to unlocking new programming systems…
The thing that used to challenge me the most within my production, is now flowing like wataaa, and has become my favorite shit to do

-I tried, but Im still recording everything on the Shure 58. Vocals, Piano, Drums, Tambourines, Guitar.
My engineers who used to get stressed about this don’t even sweat it no more. I think we all know now when we pull out all the right mics, something happens within the playing that just don’t be bussinn.

-I gave up on the click track entirely. Tap ya foot sis.

-I have been writing, producing, and recording predominantly in Miami (S/O El Portal and Little Haiti) but have been fucking around and making a ton of shit in Upstate New York, Midtown, Atlanta, Los Angeles, and Paris as well. These days I need to be producing in the south, and I can’t write lyrics unless I’m sweating a lil bit.

-Speaking of the soufff, most folks I been musically collaborating with lately reside in atllllll

-Me and my recording engineer brothers Nino and Blue still go together real bad. It’s just been me and them 90% of the time in the room over these past 7 years and their energy gives me so much charge. Me and Nino been rocking since Solo Star era. Blue and I since the True sessions but I think these sessions we have gotten to know each other the most. It’s crazy how much they have seen me grown and how much trust there is between us. They both move as slow and as fast as I do and for that I am forever grateful.

-I rarely get bounces at the end of the sessions no mo. My ears require breathing a lot more and all that obsessive retention and studying and microing in I used ta do, no longer serves me.

-I now like waking up mad early to edit drums, bass and keys in the quiet morning light when my monkey brain is more settled.

-I listened back to my piano on Scales from ASATT and have presently been trying to match that energy on the keys even though that joint was out of tune. The spirit is alive and well.

Hella blisters on my feet but it was worth it

"أتمنى أن تجدوا جزءاً من حكاياتكم في كل أغنية".. 🎶 بعد أيام من التشويق، اليسا تصدر ألبومها الجديد "اليسار" 🤩

@elissazkh

#أغاني_أغاني #اليسا