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Patrick M Sanderson 🧜🏼‍♂️

@patch.sanderson

2 years ago

Photo by Patrick M Sanderson 🧜🏼‍♂️ on December 29, 2024.

Photo by Patrick M Sanderson 🧜🏼‍♂️ on December 29, 2024.

Photo by Patrick M Sanderson 🧜🏼‍♂️ on December 29, 2024.

Photo by Patrick M Sanderson 🧜🏼‍♂️ on December 29, 2024.

Photo by Patrick M Sanderson 🧜🏼‍♂️ on December 29, 2024.

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Posted On: December 29th 2024, 05:51 pm

When you hurt me you hurt him.

Comments (29)

irinaashtari

5 months ago

irinaashtari

So cute 🙌

kx4inla

2 years ago

kx4inla

look at those eyes!!!

bfanq_

2 years ago

bfanq_

Patchy patch

pattydowningsanderson

2 years ago

pattydowningsanderson

My precious baby boy🩵💙🩵

alicia_unger

2 years ago

alicia_unger

You were a cherubim boy!

carl_harrisonjr

2 years ago

carl_harrisonjr

🥺

dr.colbyterry

2 years ago

dr.colbyterry

❤️❤️❤️

veronicavargasbeauty

2 years ago

veronicavargasbeauty

😍😍😍 Omg so cute

christianne_cruz

2 years ago

christianne_cruz

Wowwwwwww cutest child ever

fabiolandrade

2 years ago

fabiolandrade

🥲💕

suelavin

2 years ago

suelavin

You look the exact same !

naomichristie

2 years ago

naomichristie

Who is allowed to be this pretty as a lil boy

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Baš je potresno i strašno čitati ruske objave...jedan kaže da se probudio jutros sa saznanjem da nema ni za hranu, drugi je kaparisao stan i pare su mu bile na putu iz RF u Srbiju, 4.11 je trebalo da plati ostatak za kaparisani stan.
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MY EYES FILL WITH SAND - “Kashmir” was written by John Bonham, Jimmy Page, and Robert Plant, originally printed as 9:41 on vinyl though its true length is 8:37. Recorded between 1973–1974 at Headley Grange with additional sessions and mixing at Olympic Sound Studios, London, the track features Robert Plant on vocals, Jimmy Page on electric guitars (six and twelve string), John Paul Jones on bass and Mellotron, John Bonham on drums, and unidentified musicians contributing strings and brass. The song’s genesis traces back to Jimmy Page’s conversation with William S. Burroughs, who encouraged him to explore the connection between rock and Arabic musical structures and even travel to Morocco for firsthand inspiration. Robert Plant later explained that the lyrics originally under the working title “Driving to Kashmir” came from a long, empty Moroccan road between Guelmin and Tan Tan, where he saw nothing for miles except a single camel and traveler, inspiring the imagery of a road stretching endlessly into a dreamlike destination. The lyrics reference distant journeys, an imagined Shangri La, and possibly the time of Rudyard Kipling, or the hippie trails through Kathmandu in the late 60s and early 70s, with critics describing the piece as “won over by the talk and song from tongues of lilting grace… whose sounds caress the ear.” Musically, “Kashmir” blends rock power with Eastern trance aesthetics, becoming a monumental piece in Led Zeppelin’s catalog. Page described how an earlier idea called “Swan Song” evolved into the final track once Bonham’s drum pattern locked in during early Headley Grange rehearsals: “It just seemed to come to life… nothing else sounded like ‘Kashmir.’ It was quite majestic, and it was just cool to be playing it.”

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