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John (JesKa)

@tocalt

a year ago
Photo by John (JesKa) on July 31, 2025.
Photo by John (JesKa) on July 31, 2025.
Photo by John (JesKa) on July 31, 2025.
Photo by John (JesKa) on July 31, 2025.
Photo by John (JesKa) on July 31, 2025.
Photo by John (JesKa) on July 31, 2025.
Photo by John (JesKa) on July 31, 2025.
Photo by John (JesKa) on July 31, 2025.
Photo by John (JesKa) on July 31, 2025.
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Posted On: July 31st 2025, 04:32 pm
random dump...

just match my freak ☝️🙂‍↕️
Comments (6)
anatigercosplays a year ago

anatigercosplays

Peak 🫦✨

cuyuchdee14 a year ago

cuyuchdee14

Heartthrob

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“𝐁𝐄𝐋𝐋𝐈𝐍𝐆𝐇𝐀𝐌 𝟏𝟏𝐓𝐇, 𝐍𝐎 𝐖𝐎𝐑𝐃𝐒” 🤐🔇 José Mourinho reacts on the 2026 Ballon d’Or for Madrid 🫵🏼 🌕 “Harry Kane is a great player. I am very happy for him. He deserves the Ballon d’Or, it’s the cherry on top of his career”. 🇫🇷 “Mbappé is unique. We have the Ballon D’Or every year… but the best player in the history of the World Cup is 𝐎𝐍𝐄”. 🏴󠁧󠁢󠁥󠁮󠁧󠁿 “Bellingham at 11th left me with no words, no comment”. 𝐃𝐨 𝐲𝐨𝐮 𝐚𝐠𝐫𝐞𝐞 𝐨𝐫 𝐝𝐢𝐬𝐚𝐠𝐫𝐞𝐞? 👍🏼👎🏼
All caught up
❗ Our 𝑺𝑻𝑨𝑹𝑻𝑰𝑵𝑮 𝑿𝑰 for tonight’s #UCL match 💫
𝑽𝒆𝒍𝒗𝒆𝒕 𝑯𝒐𝒖𝒓 ☾ Full look: @dolcegabbana Photography: @diegoarmandome Styling: @boudayluca
The Line We Draw Inside, we imagine safety. Outside is where we put whatever feels uncertain. The doorways in The Beautiful Collapse question that separation. Environmental change can feel distant until it reaches the places we know. We wanted to look at the comfort a boundary gives us, and the limits of that comfort. A line can mark where a room begins without deciding what stays outside. ——————————

THE BEAUTIFUL COLLAPSE We created this series to explore how we respond to a world in disarray. When an image of loss is beautiful, does it help us understand what’s happening, or make it easier to admire and move on?
 Inspired by Gothic Romanticism, we were drawn to the tension between beauty and ruin. Sand gathers until somewhere familiar no longer feels the same. There is no single dramatic moment to point to, just the growing weight of what has been allowed to accumulate.
 The finished series moves through three spaces: an entrance, a box, and a corner filled with sand. The entrance suggests the boundary we draw between ourselves and the outside world. The box turns that world into something framed and observed. In the corner, the change can no longer be kept at a distance.
 Working with Entity’s thirteen dancers, we placed the precision of trained bodies and carefully made clothing inside an environment that neither could control. The contrast matters: so much human effort, beside a force that carries on regardless. We made these photographs beautiful deliberately. As image-makers, we are part of the same culture we’re questioning. The title holds that contradiction: something can be beautiful to look at and still show something being lost. Our intention is to make room for both reactions, and to ask what remains with us after we stop looking.
—————————— ENTITY by 8EYES Commissioned by @entitycontemporarydance Produced by @8eyes.la Creative direction by @matheusrouvier & @kent_boyd Photographer: @matheusrouvier Set design: @8eyes.la Stylist: @thxmasjay Styling Assistant: @kalliecollett Dancer: @vicksroan of @entitycontemporarydance #entitycontemporarydance #8eyesla #thebeautifulcollapse #photography
‌ 👈🏻 لطفا ورق بزنید ... ‌ 📷 عکس های اختصاصی از " گلشید بحرایی " عزیز ‌ ‌ 📸 photo by : @khaharanedarya ‌ #گلشیدبحرایی #گلشید_بحرایی #عکس #خواهران_دریا
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