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Matt Ansell

@mattanselldesign

a year ago

Part 2 of the shots from the pits at Drift Matsuri

#driftmatsuri #drifting #nissansilvia #ps13 #silvia #s13 #racecar #drift #motorsport #automotivephotography

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Posted On: November 29th 2025, 06:15 pm

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@driftmatsuri

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Part 2 of the shots from the pits at Drift Matsuri

#driftmatsuri #drifting #nissansilvia #ps13 #silvia #s13 #racecar #drift #motorsport #automotivephotography

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james.scxtt77

a year ago

james.scxtt77

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My interest in Josefa de Óbidos, a Spanish-Portuguese 17th century painter, was the jumping-off point for my collaboration with @chelseafussflowers in her recent floral retreat in Lisbon (the retreat was called “Art, Flowers, & Gardens of Lisbon”, a title I find very evocative!).

Chelsea always wants her guests to be immersed in Portuguese culture and heritage and she and I worked together to translate Josefa’s legacy into different floral experiences for her guests.

On my first morning of teaching we headed out to Évora to see a few of Josefa’s paintings at the @museunfreimanueldocenaculo. We chose Évora because Lisbon’s old masters museum, the @mnaa_lisboa, is undergoing renovations and has been closed for a year, and Évora is both a short drive from Lisbon and an amazing city in its own right.

I started by giving them a little talk about Josefa’s background and career and then I went on explaining each of the paintings on display. We talked about the omnipresence of religion in Baroque society, the growing importance of sugar, the seasonality of sweets and the symbolism of flowers. As in 17th century poetry, paintings were filled with metaphors and fauna and flora were often associated with Christian meaning. We identified each flower and talked about what it could have meant to 17th century viewers.

In order to make this session a bit more interactive and three-dimensional, I brought along some of my paper flowers, specifically the ones I made following Josefa’s very rigorous and accurate depictions. Most of them are native to Portugal, which makes it even more interesting in terms of general knowledge and conservation.

After the visit to the museum we went to @ximenamaier’s home, where we were treated to an excellent lunch, animated conversation, a talk on the history of tiles and a tile painting workshop.

I’ve written more about the whole experience on my substack, the link is in my bio.

Such a fun night! Thank you @theemmys.tv and congratulations to all the winners and nominees for their hard work and dedication 💕 Here are a few snaps from the evening. Love ya @therealstafford @welcometolaurasworld the amazing #francescajames our one and only @fvalentinigh and my darling @braedynbruner 💕

PLEAKLEY IS IN THE BUILDING, I REPEAT, PLEAKLEY IS IN THE BUILDING
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#halloweencostume #funnycostume #costume #halloween #funny

“Tyrannosaur” changed Olivia Colman’s life.

In several interviews, the Oscar-winning actress for The Favourite has said that playing Hannah, a woman experiencing domestic violence, not only launched her into the world of cinema but also led her to become a patron of Tender, a British charity that uses the arts and theatre to educate young people about healthy relationships and abuse prevention.

Watching Paddy Considine’s film (or perhaps even just this scene from the Reel), it’s easy to understand its impact. With the rawness and honesty so characteristic of independent cinema, Tyrannosaur begins as the story of a man (Peter Mullan) seeking redemption, but evolves into the account of two people tormented by violence.

In Joseph’s (Peter Mullan) case, the violence lies within him: a widowed alcoholic consumed by rage. In Hannah’s case, it is inside her own home: despite being a kind-hearted woman, her days are marked by an abusive relationship.

To prepare for the role, Colman consulted Refuge, a charity dedicated to combating domestic violence, to ensure that her portrayal of trauma and abuse would be authentic. The actress said she felt enormous pressure to get it right, so that people who had survived similar situations wouldn’t feel that her performance was false or artificial.

An extraordinary actress by nature, Olivia got it absolutely right: her performance in Tyrannosaur proves to be as delicate as it is devastating.

Tyrannosaur (2011)
Directed by Paddy Considine
Written by Paddy Considine

#movies

👙: @mochawearoficial

Idk blush 😜

#village
#nature
#smile
#love
#fyp