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Juice

@juice.visuals_

10 months ago
Photo by Juice on December 26, 2025.
Photo by Juice on December 26, 2025.
Photo by Juice on December 26, 2025.
Photo by Juice on December 26, 2025.
Photo by Juice on December 26, 2025.
Photo by Juice on December 26, 2025.
Photo by Juice on December 26, 2025.
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Posted On: December 27th 2025, 04:37 am
Hailey looks absolutely jaw dropping in her senior photos!! If interested in booking, click either link in my bio to get started!

-Juice

#photographer #seniorphoto #classof2026 #cityphotoshoot #jocophotographer
Comments (9)
sophiaapak 10 months ago

sophiaapak

she’s too baddd

dress4.1ess 10 months ago

dress4.1ess

OOOOOOOO LALALALALALAALLALAAL SENDING LOVE (i passed away) 💞💞💞🕊️

aliiii_avi 10 months ago

aliiii_avi

ITS EVERYWHERE

dmarisvibee 10 months ago

dmarisvibee

JUICE YOU WILL LEAK THIS IIS SOOOO GOD

dmarisvibee 10 months ago

dmarisvibee

MY BABYMAMA

dmarisvibee 10 months ago

dmarisvibee

OH MY GOD

kaylee_f.0212 10 months ago

kaylee_f.0212

holy moly

willy_b_sparkling 10 months ago

willy_b_sparkling

GORGEOUS STUNNING DIVA IM IN LOVE

weentrr 10 months ago

weentrr

Holyyyy

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The Line We Draw Inside, we imagine safety. Outside is where we put whatever feels uncertain. The doorways in The Beautiful Collapse question that separation. Environmental change can feel distant until it reaches the places we know. We wanted to look at the comfort a boundary gives us, and the limits of that comfort. A line can mark where a room begins without deciding what stays outside. ——————————

THE BEAUTIFUL COLLAPSE We created this series to explore how we respond to a world in disarray. When an image of loss is beautiful, does it help us understand what’s happening, or make it easier to admire and move on?
 Inspired by Gothic Romanticism, we were drawn to the tension between beauty and ruin. Sand gathers until somewhere familiar no longer feels the same. There is no single dramatic moment to point to, just the growing weight of what has been allowed to accumulate.
 The finished series moves through three spaces: an entrance, a box, and a corner filled with sand. The entrance suggests the boundary we draw between ourselves and the outside world. The box turns that world into something framed and observed. In the corner, the change can no longer be kept at a distance.
 Working with Entity’s thirteen dancers, we placed the precision of trained bodies and carefully made clothing inside an environment that neither could control. The contrast matters: so much human effort, beside a force that carries on regardless. We made these photographs beautiful deliberately. As image-makers, we are part of the same culture we’re questioning. The title holds that contradiction: something can be beautiful to look at and still show something being lost. Our intention is to make room for both reactions, and to ask what remains with us after we stop looking.
—————————— ENTITY by 8EYES Commissioned by @entitycontemporarydance Produced by @8eyes.la Creative direction by @matheusrouvier & @kent_boyd Photographer: @matheusrouvier Set design: @8eyes.la Stylist: @thxmasjay Styling Assistant: @kalliecollett Dancer: @vicksroan of @entitycontemporarydance #entitycontemporarydance #8eyesla #thebeautifulcollapse #photography
Look at me I’m the captain now 👨‍✈️ Some more awesome Flight Sim upgrades for MOZA 🤩 MOZA AT90 Yoke Base MOZA MFY Pro Yoke Handle MOZA MRP Rudder Pedals MOZA MTP Throttle
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