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Posted On: July 23rd 2026, 11:59 am
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We are thrilled to announce a new display as part of our Tannery Projects!
„The Party Never Stops” delves deeper into my exploration of spatial perception. This work immerses the viewer in a dynamic party scene, centering on a couple on the dance floor, creating their own space in a busy environment. We are able to manipulate spaces through our body language, and by doing so, can change the narrative of a setting. I’ve chosen to reimagine this environment through a romantic lens, depicting the couple with such intimacy that they merge into a single entity
John Lloyd @johnlloyd909 is a London-based painter working primarily in oil on canvas and mixed media. His practice begins with black-and-white archival photography from the 1950s and 1960s, which serves as a starting point for exploring colour, memory, and perception. Working initially without colour allows Lloyd to experiment freely with palette, using colour to shift mood and meaning rather than simply describe reality. Selected images are digitally manipulated in Photoshop, removed from their original context, and then translated into layered paintings.
This display is a part of Tannery Projects - Tannery Arts’ occasional exhibition and events programme run by and for Tannery Artists. It is available to view until the 6th of September outside of Drawing Room gallery.
„The Party Never Stops” delves deeper into my exploration of spatial perception. This work immerses the viewer in a dynamic party scene, centering on a couple on the dance floor, creating their own space in a busy environment. We are able to manipulate spaces through our body language, and by doing so, can change the narrative of a setting. I’ve chosen to reimagine this environment through a romantic lens, depicting the couple with such intimacy that they merge into a single entity
John Lloyd @johnlloyd909 is a London-based painter working primarily in oil on canvas and mixed media. His practice begins with black-and-white archival photography from the 1950s and 1960s, which serves as a starting point for exploring colour, memory, and perception. Working initially without colour allows Lloyd to experiment freely with palette, using colour to shift mood and meaning rather than simply describe reality. Selected images are digitally manipulated in Photoshop, removed from their original context, and then translated into layered paintings.
This display is a part of Tannery Projects - Tannery Arts’ occasional exhibition and events programme run by and for Tannery Artists. It is available to view until the 6th of September outside of Drawing Room gallery.
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