Posted On: September 8th 2026, 03:03 pm
@resonantanpa “Over time I've simply developed a way of working that involves scratching, pricking, scraping away and repairing. To me, those are all productive gestures. A puncture, for example, is no more or less a mark than a brushstroke. Because these gestures have become so ordinary within my own practice, I sometimes forget that they can still seem disruptive. A pin through a painting feels like such a modest act, yet it continues to carry a surprising amount of meaning. Stepping back, I suppose the work has always circled around a tension between order and disorder, control and letting go. I'm interested in seeing what happens when a painting is disrupted, not because I want to destroy it, but because the disruption often produces something I couldn't have anticipated.“
P1:
Coopoil on paper, 68 × 51 cm, 2026
P2:
Tele
oil on paper, 72 × 51 cm, 2025
P3:
Para
oil on paper, 64 × 45 cm, 2025