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Taylor Goodyear

@tay_goodyear

2 months ago

Co Creator:

gearsandgrindsvegas

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daserbecllctv

244

34

Posted On: September 20th 2026, 10:58 pm

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Gears & Grinds Sundays >>>

Every 1st & 3rd Sunday from 8-11 AM

📍8359 W Sunset Rd

Comments (34)

detdetdaily

a month ago

detdetdaily

Oooh the moon still out 😮

allintrailers

2 months ago

allintrailers

👏👏👏👏

stitch.gsf

2 months ago

stitch.gsf

Would of loved to been there but windshield got impaled by a 2x4 on Wednesday when driving on the 215

laurenvorell

2 months ago

laurenvorell

This is so fun!!!

shekuni_lv

2 months ago

shekuni_lv

How cool

monday_photography

2 months ago

monday_photography

🙌

monday_photography

2 months ago

monday_photography

I see you @salmonsnakehat

_martin.ponce

2 months ago

_martin.ponce

@kaycelynns lets go first week of October!!

jasmin_ochoa__

2 months ago

jasmin_ochoa__

Omg! I missed you this morning!

vividcarculture

2 months ago

vividcarculture

🔥🔥🔥🔥

keytomyheartofficial

2 months ago

keytomyheartofficial

Wah this behind the scenes is so cool

nicoleashleyartistry

2 months ago

nicoleashleyartistry

Only the best place to have my morning coffee ☕️

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MY EYES FILL WITH SAND - “Kashmir” was written by John Bonham, Jimmy Page, and Robert Plant, originally printed as 9:41 on vinyl though its true length is 8:37. Recorded between 1973–1974 at Headley Grange with additional sessions and mixing at Olympic Sound Studios, London, the track features Robert Plant on vocals, Jimmy Page on electric guitars (six and twelve string), John Paul Jones on bass and Mellotron, John Bonham on drums, and unidentified musicians contributing strings and brass. The song’s genesis traces back to Jimmy Page’s conversation with William S. Burroughs, who encouraged him to explore the connection between rock and Arabic musical structures and even travel to Morocco for firsthand inspiration. Robert Plant later explained that the lyrics originally under the working title “Driving to Kashmir” came from a long, empty Moroccan road between Guelmin and Tan Tan, where he saw nothing for miles except a single camel and traveler, inspiring the imagery of a road stretching endlessly into a dreamlike destination. The lyrics reference distant journeys, an imagined Shangri La, and possibly the time of Rudyard Kipling, or the hippie trails through Kathmandu in the late 60s and early 70s, with critics describing the piece as “won over by the talk and song from tongues of lilting grace… whose sounds caress the ear.” Musically, “Kashmir” blends rock power with Eastern trance aesthetics, becoming a monumental piece in Led Zeppelin’s catalog. Page described how an earlier idea called “Swan Song” evolved into the final track once Bonham’s drum pattern locked in during early Headley Grange rehearsals: “It just seemed to come to life… nothing else sounded like ‘Kashmir.’ It was quite majestic, and it was just cool to be playing it.”

Only two songs in Led Zeppelin’s discography are credited solely to Bonham, Page, and Plant: “Out on the Tiles” (Led Zeppelin III) and “Kashmir.”

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