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Humor Indie

@humorindie

22 days ago
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Posted On: October 13th 2026, 02:58 am
Criei coragem e gravei o primeiro episódio do meu podcast sobre os limites jurídicos do humor, onde eu explico as decisões judiciais envolvendo humoristas e liberdade de expressão. O primeiro episódio é sobre polêmica política pra já garantir o impulsionamento do meu canal por cancelamento. Se vc leu até aqui, aproveita a vai lá se inscrever pra me dar uma força por dó. Link na bio.
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_allrey 22 days ago

_allrey

Começou meio mal, primeiro que não houve fake news propriamente dita da GloboNews. O que rolou ali foi uma fala da jornalista Maria Cristina Fernandes sobre uma apuração verídica dela sobre um temor no meio católico sobre conexões de Flávio com pessoas que abertamente atacam a imagem da santa em questão e nunca se retrataram. Em decorrência dessa apuração verídica surgiram sim notícias falsas afirmando que Bolsonaro a tiraria do posto de padroeira e tudo mais. Sobre o post de Tabet, para ser considerado um ataque, deveria citar a pessoa em questão. Flávio vestiu a carapuça de "família miliciana" pq quis. E só mais um adendo, o TSE tem que analisar situações de forma individual, e André Mendonça "analisou" cerca de 1500 posts em uma hora. Ou a equipe é fenomenal, ou ele não cumpriu com sua função. Mais provável que seja a segunda opção, dado que posts de paróquias sobre a santa caíram nesse bolo,e foi essa uma das bases para Dino suspender os efeitos da liminar. Por fim, a decisão colegiada do TSE validou parcialmente o entendimento proposto por Tabet e acolhido por Dino, entendendo que somente podem ser tiradas do ar evidentes notícias falsas sobre o assunto.

leaugusto13 22 days ago

leaugusto13

Já tem minha audiência!

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Governments around the world are urging citizens to stockpile emergency supplies… Experts are warning about massive cyberattacks that could disrupt global supply chains. Meanwhile the Pentagon is preparing US military bases to operate off-grid for up to 90 days… and the military has reportedly been training to dig mass graves. All of this while tensions around the world continue to rise… What’s really going on here? Are we getting closer to WW3 or are we witnessing another wave of fear mongering designed to keep the masses afraid and under control?
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MY EYES FILL WITH SAND - “Kashmir” was written by John Bonham, Jimmy Page, and Robert Plant, originally printed as 9:41 on vinyl though its true length is 8:37. Recorded between 1973–1974 at Headley Grange with additional sessions and mixing at Olympic Sound Studios, London, the track features Robert Plant on vocals, Jimmy Page on electric guitars (six and twelve string), John Paul Jones on bass and Mellotron, John Bonham on drums, and unidentified musicians contributing strings and brass. The song’s genesis traces back to Jimmy Page’s conversation with William S. Burroughs, who encouraged him to explore the connection between rock and Arabic musical structures and even travel to Morocco for firsthand inspiration. Robert Plant later explained that the lyrics originally under the working title “Driving to Kashmir” came from a long, empty Moroccan road between Guelmin and Tan Tan, where he saw nothing for miles except a single camel and traveler, inspiring the imagery of a road stretching endlessly into a dreamlike destination. The lyrics reference distant journeys, an imagined Shangri La, and possibly the time of Rudyard Kipling, or the hippie trails through Kathmandu in the late 60s and early 70s, with critics describing the piece as “won over by the talk and song from tongues of lilting grace… whose sounds caress the ear.” Musically, “Kashmir” blends rock power with Eastern trance aesthetics, becoming a monumental piece in Led Zeppelin’s catalog. Page described how an earlier idea called “Swan Song” evolved into the final track once Bonham’s drum pattern locked in during early Headley Grange rehearsals: “It just seemed to come to life… nothing else sounded like ‘Kashmir.’ It was quite majestic, and it was just cool to be playing it.” Only two songs in Led Zeppelin’s discography are credited solely to Bonham, Page, and Plant: “Out on the Tiles” (Led Zeppelin III) and “Kashmir.” Clip: LIVE at Knebworth (1979)
So, why were we drawing all these bears? 🐻 I wanted to make a point. So many of us think we don’t have a style. That our work looks like everybody else’s and there’s nothing particularly recognisable about it. Now look at these bears. We all had the same brief: draw a bear drinking tea. Nobody was told what style to use. And no two are the same. I bet people who know your work could pick out your bear without seeing your name. Every drawing involves so many decisions. Our experiences influence them. Our personalities and the way we see the world find their way onto the page. Much of this happens without us even noticing. You already bring your own perspective to everything you draw. Your visual language might still be at the very beginning, but it is there. We spend so much time chasing something that we rarely stop to look at what we already have. Why do we draw this way? What keeps appearing in our work? What do we enjoy enough to explore further? Of course your style can develop. There is so much more to discover. But you already have somewhere to begin, because you are already there, making those choices. That’s what I wanted you to see. ❤️ Thank you to everyone who joined our Creative DNA Experiment. I’ve loved seeing your drawings and reading your discoveries alongside my own. There were far too many bears to include everyone, and I couldn’t find all the entries. I’m sorry if I missed yours! If you spot your drawing here, please tell us which one is yours in the comments so others can find you. If I missed you, or you’re still finishing, tag me when you share your bear. This experiment is just the beginning. On Monday I’ll introduce my Creative DNA course, where we’ll look more closely at your visual language and how you can develop it in a direction that feels right for you.
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