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Immanuel Tommy

@tommynuel

22 days ago

God doesn’t owe. Serve Him.

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Posted On: October 14th 2026, 11:48 am

God doesn’t owe. Serve Him.

Comments (12)

_ebunlomo

15 days ago

_ebunlomo

🤍

pecks_ola

21 days ago

pecks_ola

❤️❤️🫂

franklyofure

21 days ago

franklyofure

❤️‍🩹❤️‍🩹❤️‍🩹

trentchucks_

21 days ago

trentchucks_

❤️❤️❤️

taiwo_ash

22 days ago

taiwo_ash

Brother, give us the details of the testimony naw, so that our faith can be stirred 🔥❤️

kokoyisha

22 days ago

kokoyisha

❤️❤️❤️

boluonasanya

22 days ago

boluonasanya

Oh My! 🤗🤗🤗🤗❤️❤️❤️

pastoremmanuelsa

22 days ago

pastoremmanuelsa

❤️❤️

niidl_x_treds

22 days ago

niidl_x_treds

❤️

josephineamoako_

22 days ago

josephineamoako_

❤️❤️❤️

jameztobi

22 days ago

jameztobi

❤️❤️❤️❤️❤️

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⁨ כמיטב המסורת: כולנו חיכינו לתחפושת השנתית של היידי קלום, שנחשבת לסלבריטאית שהכי משקיעה בהאלווין 🎃

אחרי שבשנים האחרונות התחפשה לאי.טי, מדוזה, מומיה ותולעת-
השנה היא מציגה במסיבה השנתית שלה בניו יורק תחפושת של כף יד כרותה ומדממת 🖐️👻

מה דעתכם?⁩

Keerthy Suresh is one of the most celebrated and versatile actresses in South Indian cinema, known for her incredible acting prowess and expressive eyes. She made her mark as a lead actress with films like Idhu Enna Maayam and gained massive acclaim for her stellar portrayal of the legendary actress Savitri in the biographical film Mahanati. Her phenomenal performance in Mahanati earned her the prestigious National Film Award for Best Actress, cementing her status as a powerhouse performer. Over the years, she has showcased her remarkable range by starring in successful commercial entertainers, gripping thrillers, and critically acclaimed dramas across Tamil, Telugu, and Malayalam industries. Beyond her on-screen success, she is widely adored by fans for her graceful demeanor, down-to-earth personality, and effortless style. With a dedicated following and numerous blockbuster projects to her credit, Keerthy Suresh continues to shine as a leading icon of contemporary Indian cinema.

في سابقة تاريخية، حققت الفلسطينية الأمريكية عبير قواس فوزاً تاريخياً بعضوية مجلس شيوخ ولاية نيويورك عن الدائرة 12، لتصبح أول امرأة فلسطينية أمريكية محجبة تصل إلى الهيئة التشريعية للولاية.

وعلّقت قواس على انتصارها بعبارة «لقد صنعنا التاريخ»، بعدما تغلبت على حملات تشويه استهدفتها من شخصيات يمينية وحسابات مؤيدة للاحتلال، في سباق انتخابي حظيت خلاله بدعم أنصار عمدة نيويورك زهران ممداني ومنظمة الاشتراكيين الديمقراطيين.

وتنحدر كواس من عائلة فلسطينية هُجّرت عام 1948 إلى الأردن قبل انتقالها إلى الولايات المتحدة، حيث وُلدت في نيويورك. وشكّلت تجربة عائلتها مع اللجوء والهجرة، واحتجاز والدها وترحيله لاحقاً إلى الأردن، جانباً أساسياً من دوافعها السياسية.

وخاضت قواس الانتخابات بشعار «تمويل الكرامة ومحاربة الدمار»، داعيةً إلى تحسين الرعاية الصحية والنقل والسكن، وحماية المهاجرين، ووقف تمويل الحرب الإسرائيلية على غزة، وتوجيه الأموال العامة نحو احتياجات السكان بدلاً من الحروب.

Dosta ste jahali ovaj narod, sad će narod da jaše.

Patokratija - vlast poremećenih nastaje kada psihopate i poremećeni pojedinci preuzmu vlast i nameću svoj sistem vrednosti. Normalni ljudi su marginalizovani, dok vlast funkcioniše po logici poremećenih umova, kroz strah, laž i propagandu. Društvo tada postaje nesposobano za empatiju ili pravdu.

Ponerologija od grčke reči poneros (zlo, pokvarenost), nauka o zlu u društvenim i političkim sistemima.

Ideologije (nacionalna, verska) tada služe samo kao paravan za lične poremećaje i želju za kontrolom. Psihopate ih koriste da opravdaju nasilje i prikriju svoju pokvarenost (kad nas zovu ustašama baš oni koji smanjuju broj žrtava u Jasenovcu🤦🏻‍♂️).

Kolektivna kontaminacija se dešava kada je društvo dugo pod patokratijom i ljudi nesvesno usvajaju psihopatske obrasce, moralne vrednosti se izvrću, jezik gubi smisao (laž postaje „istina“, okrutnost „nužnost“) pa dolazimo do masovnih manipulacija i totalitarizma. Ovo se naziva psihološkom inverzijom - kriterijumi dobra i zla se obrću.

Poremećene psihopate su obično mali % društva, ali su idealni saradnici spoljnom faktoru za zavođenje hibridnog/posredničkog (neo)kolonijalizma kakav je u Srbiji i zato su njega odabrali i pomogli ga u dolasku na vlast. Hulja koristi tuđe slabosti, ideologiju koristi za moć, ljude tretira kao alat, nameće strah i propagandu, i sistem počinje da odražava njegove unutrašnje osobine: psihopatiju, surovost i represiju. Tada obični ljudi prilagođavaju svoje ponašanje da prežive postajući „pseudopsihopate“ koje usvajaju laž, poslušnost, bezosećajnost kao obrasce ponašanja.

Nijedan drugi političar u Srbiji ne bi svesno radio da večno zatruje zemlju i vodu domovine, da preda sve institucije na Kosmetu i aktivno radi na iseljavanju stanovništva iz pokrajine, da napravi manjak od milion ljudi u Srbiji za vreme svog mandata, što belom kugom, što odlivom stanovništva koji su posledice pre svega loših uslova života u patokratiji.

Oporavak društva je moguć tek kad se zlo prepozna kao psihološki fenomen, a ne ideološko/politički, i kada se ojača moralna i emocionalna

The Diagnosis of a Dead Generation

A blob-shaped patient walks into the doctor's office feeling old, and the physician, rather than checking blood pressure or running labs, simply asks about musical taste. The answer, a love of mid-2000s emo, gets scribbled onto the clipboard as a terminal prognosis: patient is basically dead. The joke lands because everyone who grew up with My Chemical Romance and Fall Out Boy on repeat knows exactly what it feels like to watch their defining cultural moment get carbon-dated in real time.

Rome had a version of this. The older patrician class clung to the Republic's traditions, its rhetoric, its music, its civic ceremonies, long after Augustus had rewritten the entire operating system of the state. To the new imperial generation, loving the old forms was not nostalgia, it was a clinical indicator that you were a relic. Suetonius and Tacitus both document how the language of the Republic was kept alive in Senate chambers while meaning absolutely nothing to anyone under forty in the street outside.

Every empire cycles through this. The Ottomans had their janissaries who refused modernization and paid with their lives for it in 1826. The Persians under Darius III were still tactically brilliant by the standards of a previous century, which is precisely why Alexander's oblique cavalry charge at Gaugamela read like a doctor writing "patient is basically dead" on a very large clipboard.

The prank is that every generation believes its cultural peak was the real one, the permanent one, the one history would recognize as correct. Rome believed that too. Rome is a ruin.

#AncientRome #BreadAndCircuses #HistoryRepeats