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sliceofliffeee

@sliceofliffeee

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Photo by @sliceofliffeee on October 28, 2026. May be an image of chihuahua and text.
Photo by @sliceofliffeee on October 28, 2026. May be an image of sparrow, ocean, coast and text.
Photo by @sliceofliffeee on October 28, 2026. May be an image of lego and text.
Photo by @sliceofliffeee on October 28, 2026. May be an image of bandage and text.
Photo by @sliceofliffeee on October 28, 2026. May be an image of standing, sweater, miniskirt, cardigan, boots and text.
Photo by @sliceofliffeee on October 28, 2026. May be an image of plate, skewer, chopsticks and text.
Photo by @sliceofliffeee on October 28, 2026. May be a doodle of napkin, sketch and text.
Photo by @sliceofliffeee on October 28, 2026. May be an image of chow mein, fried rice, chopsticks, noodles and text.
Photo by @sliceofliffeee on October 28, 2026. May be an image of one or more people and text.
Photo by @sliceofliffeee on October 28, 2026. May be a selfie of one or more people, people smiling, people kissing and text.
Photo by @sliceofliffeee on October 28, 2026. May be an image of garbage, plastic bag, flower, carnation, curb and text.
Photo by @sliceofliffeee on October 28, 2026. May be an image of roe, sashimi, caviar and text.
Photo by @sliceofliffeee on October 28, 2026. May be an image of one or more people, train and text.
Photo by @sliceofliffeee on October 28, 2026. May be an image of scotch egg and text.
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Posted On: October 28th 2026, 02:46 pm
3 lucky girls walk into a bar…

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This reel examines the decolonisation of Malaya and the formation of Malaysia through the lens of historical materialism, arguing that the 1957 transfer of sovereignty constituted a management buyout rather than genuine liberation. Drawing on Sukarno’s critique of Nekolim, the archival record of the Indonesian Confrontation, and the structural continuities of imperial extraction from rubber to semiconductors, it interrogates whether postcolonial statehood represents a transformation of the system or merely a relocation of its governing mechanisms. #malaysia #antiimperialism #socialism #decolonisation #indonesia
“घुंगरू पायाला नाई गं, काळजाला बांधून नाचावं!” सादर आहे ‘फुलवरा’चा पहिला टीझर. अस्सल मराठमोळी लावणी… संस्कृतीचा ठेवा, काळजाचा ठेका! झी स्टुडिओज् आणि अथांश कम्युनिकेशन्स निर्मित ‘फुलवरा’ संकल्पना आणि दिग्दर्शन : रविंद्र हरिश्चंद्र जाधव @ravijadhavofficial कथा, पटकथा, संवाद आणि गीते : ईश्वर ताराबाई अंधारे #IshwarTarabaiAndhare संगीत : हर्ष-विजय @harshvijaymusicals निर्माते : झी स्टुडिओज् @zeestudiosofficial मेघना रविंद्र जाधव @meghana_jadhav छायांकन : वासुदेव अरुण राणे @vaasudop_ संकलन : जयंत जठार @jjayant02 कला दिग्दर्शन : संतोष फुटाणे @maratheemanus.6 नृत्य दिग्दर्शक : आशिष पाटील @ashishpatil_the_lavniking उमेश जाधव @umeshjaadhav वेशभूषा : मेघना रविंद्र जाधव @meghana_jadhav सचिन लोवलेकर @sachinfido रंगभूषा : विशाल विजय शिंदे #VishalShinde केशभूषा : सुप्रिया बाखले @supriyabakhale05 चित्रीकरणस्थळी ध्वनिमुद्रण : राशी बुट्टे @butte_rashi निर्मिती प्रमुख : जयेश नारायण सावंत @jayeshnarayansawant ध्वनी संकल्पना आणि ध्वनी मिश्रण : Sound Design & Mixing: प्रणाम पाणसरे (साउंड आयडियाझ स्टुडिओज्) @PranamPansare (Sound Ideas Studios) डिजिटल रंगसंस्करण स्टुडिओ: जी अँड जी स्टुडिओ G & G Studio प्रसिद्धी संकल्पना व रचना : ट्रू ब्लु डिझाईन कंपनी @truebluedesignco विपणन व सर्जनशील सल्लागार : पूर्णस्य मीडिया आणि एंटरटेंमेंट @purnasyaofficial दृक्‌श्राव्य प्रसिद्धी : जस्टराइट स्टुडिओज एनएक्स #justrightstudioznx समाजमाध्यम प्रसिद्धी : वैभव शेटकर @vaibhavshetkar जनसंपर्क : अमृता छाया माने (अवदुंबर एंटरटेंमेंट) @amrutamane48 (Avadumbar Entertainments) झी स्टुडिओज् टीम विपणन प्रमुख : अमीत भुवन @meetmojo महसूल व वितरण प्रमुख : गिरीश जोहर @girish.johar वितरण : सादिक चितळीकर @sadikchitalikar वित्त प्रमुख : निलेश देवड़ा @deorahnilesh कायदेशीर सल्लागार : सुचेता बर्मन #SuchetaBarman #फुलवरा Phulwara १४जानेवारी२०२७ अस्सलमराठीलावणी
1st ‘Run the Ranch’ was LEGENDARY 🤘👟🌴❤️‍🔥 Using our backyard for this gathering was a DREAM COME TRUE 🤟 Together we raised $15,000 for @charitywater ( WATER IS LIFE ) for those in need 🙏 When @gigimeyerpruett and I bought the property, we dreamed of these moments. But tbh after buying, we entered one of the TOUGHEST seasons of marriage/life yet.. but thank GOD we have amazing friends who brought us out, and now we are doubling down on COMMUNITY 🫂 🌎 Thank you to all the racers, captains, sponsors and volunteers. The team work made the dream work 👏 and we couldn’t have asked for a more ICONIC Run the Ranch 🤟 more abundance to come 🌊 📸 All photos by @katemaddox.photography @kate_k8mw 🙏 Thank you to all Sponsors 🤝 @liveelevatedlife @avaipropertysolutions @tamiamitrailcatering @bloomjuicerytonic @hydrojug @vuoriclothing @promix @foreignwaters__ @clifbar @slatemilk @941sportscardsofficial @centrfit @intakebreathing @goodwipes @compoundboardshop @strivesoda @thehopeyoder
The boys are back December 22. After eight sold-out weeks, Else Went’s DEGENERATES, directed by Emma Rosa Went, returns to Playwrights Horizons from Dec 22 through Jan 24 in our Judith O. Rubin Theater thanks to generous support from Alex Levy, Juliet Moser, Mark Musico, Sean Walsh & Henry Tisch, Scott C. McDonald and Lindsay Pizzi. Get tickets at phnyc.org or through the link in our bio.
BESOK OFFICIAL TRAILER! 👀❤️ Tika lagi menghadapi masalah segunung, eh… urusan hati ikut bikin pusing juga? 👀💘 PAY LATER Season 2 — mulai 5 November di @visionplusid! #PayLaterTheSeries #TikaBalikLagi #AmandaManopo #VisionPlusOriginals #VisionPlus
⁨ شو بتعملوا اذا بطل في كهرباء؟ #adipec • شكرا أدنوك على فرصة التعاون •⁩
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