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Capri Woss

@capriwoss.art

7 days ago

Apple Garamond font on hand assembled scrap wood substrate with homemade paper and acrylic and oil paint. Not sure of the title. not sure if it’s finished.

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Posted On: October 29th 2026, 06:24 pm

Apple Garamond font on hand assembled scrap wood substrate with homemade paper and acrylic and oil paint. Not sure of the title. not sure if it’s finished.

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capriwoss.art

7 days ago

capriwoss.art

I painted the letters by the way

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My interest in Josefa de Óbidos, a Spanish-Portuguese 17th century painter, was the jumping-off point for my collaboration with @chelseafussflowers in her recent floral retreat in Lisbon (the retreat was called “Art, Flowers, & Gardens of Lisbon”, a title I find very evocative!).

Chelsea always wants her guests to be immersed in Portuguese culture and heritage and she and I worked together to translate Josefa’s legacy into different floral experiences for her guests.

On my first morning of teaching we headed out to Évora to see a few of Josefa’s paintings at the @museunfreimanueldocenaculo. We chose Évora because Lisbon’s old masters museum, the @mnaa_lisboa, is undergoing renovations and has been closed for a year, and Évora is both a short drive from Lisbon and an amazing city in its own right.

I started by giving them a little talk about Josefa’s background and career and then I went on explaining each of the paintings on display. We talked about the omnipresence of religion in Baroque society, the growing importance of sugar, the seasonality of sweets and the symbolism of flowers. As in 17th century poetry, paintings were filled with metaphors and fauna and flora were often associated with Christian meaning. We identified each flower and talked about what it could have meant to 17th century viewers.

In order to make this session a bit more interactive and three-dimensional, I brought along some of my paper flowers, specifically the ones I made following Josefa’s very rigorous and accurate depictions. Most of them are native to Portugal, which makes it even more interesting in terms of general knowledge and conservation.

After the visit to the museum we went to @ximenamaier’s home, where we were treated to an excellent lunch, animated conversation, a talk on the history of tiles and a tile painting workshop.

I’ve written more about the whole experience on my substack, the link is in my bio.

Anyone else feeling slightly overstimulated by short form content these days? 🫪

Mera saubhagyaa hai tu❤️

London girl +44ever 🇬🇧

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