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Capri Marfa

@caprimarfa

6 days ago
Photo by Capri Marfa on October 30, 2026. May be an image of candle holder, tinsel, tinfoil and text.
Photo by Capri Marfa on October 30, 2026. May be an image of drink, wine glass, goblet and text.
Photo by Capri Marfa on October 30, 2026. May be an image of drink, strainer and text.
Photo by Capri Marfa on October 30, 2026. May be an image of mozzarella, pizza and text.
Photo by Capri Marfa on October 30, 2026. May be an image of duck, duckling, paper weight, bust, gourd and text.
Photo by Capri Marfa on October 30, 2026. May be an image of lighter, fire, hand drill, hair dryer, axe, screwdriver, tinfoil, hammer, spatula, sparkler, tongs and text.
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Posted On: October 30th 2026, 03:41 pm
Your weekend plans, sorted. New fall dishes, good drinks, and evenings at Capri.

Bar from 5 PM.
Dinner Thursday–Sunday, 6–9 PM.

Come see us. Reservations in bio.
Comments (3)
irvin_ward 6 days ago

irvin_ward

Let’s do it @_leah.ward

_leah.ward 6 days ago

_leah.ward

@irvin_ward Thanksgiving weekend

itshannah.ruth 6 days ago

itshannah.ruth

Copal @ capri 🔥

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My interest in Josefa de Óbidos, a Spanish-Portuguese 17th century painter, was the jumping-off point for my collaboration with @chelseafussflowers in her recent floral retreat in Lisbon (the retreat was called “Art, Flowers, & Gardens of Lisbon”, a title I find very evocative!). Chelsea always wants her guests to be immersed in Portuguese culture and heritage and she and I worked together to translate Josefa’s legacy into different floral experiences for her guests. On my first morning of teaching we headed out to Évora to see a few of Josefa’s paintings at the @museunfreimanueldocenaculo. We chose Évora because Lisbon’s old masters museum, the @mnaa_lisboa, is undergoing renovations and has been closed for a year, and Évora is both a short drive from Lisbon and an amazing city in its own right. I started by giving them a little talk about Josefa’s background and career and then I went on explaining each of the paintings on display. We talked about the omnipresence of religion in Baroque society, the growing importance of sugar, the seasonality of sweets and the symbolism of flowers. As in 17th century poetry, paintings were filled with metaphors and fauna and flora were often associated with Christian meaning. We identified each flower and talked about what it could have meant to 17th century viewers. In order to make this session a bit more interactive and three-dimensional, I brought along some of my paper flowers, specifically the ones I made following Josefa’s very rigorous and accurate depictions. Most of them are native to Portugal, which makes it even more interesting in terms of general knowledge and conservation. After the visit to the museum we went to @ximenamaier’s home, where we were treated to an excellent lunch, animated conversation, a talk on the history of tiles and a tile painting workshop. I’ve written more about the whole experience on my substack, the link is in my bio.
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