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Gear partner - CANON ( @shutter_edge)
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#reels #trending #kolkata #explore #maakali
[ maa kali, trending, kolkata, explore kolkata, reels, kolkata reels, matangi devi, maa matangi]
7 hours agosirdarah._
Sadhak ba sadharon manusher etho khabar maa ke bhog dewa hoye na bhogoban er etho bhog maa ke dewa hoye manush e khawa murgir haar maach er kata mayer bhog na bhul information please choraben na
a day agomariya.meenakshi.sanyal
Ma Meenakshi Devi is also Ma Matangi also ma Parvati…. 🥹 Ma Matangi was born through leftovers, hence offering her leftovers is what she loves… when Narayan and Ma Lakshmi visited Kailash to pay respect to Mahadev and Ma Parvati… they were greeted and there was a feast. While having food, few food particles fell from both Mahadev and Vishnu s hand, and then from there she was born, asking for more leftovers. Ma Matangi is also Tantra Saraswati… and she has many forms… She is also one of the DusMahavidiya… Joy Maaa
a day agof.r.i.e.n.d.l.y._evil_guy_05_
Ei devi er pujo saraswati pujo te toh hye?... Mne amadr bangali der jeidin saraswati pujo hye oidin k..
2 days agoharakutir
Hya AI er tola , tao atotai common ei knowledge je kichu gyani pondit ra setao jane na . Tader jnno eta abar dilam . Er por issue hole ami exact page er chobio dite pare kintu tao eder haga bondho hbe na The exact textual verses (Dhyāna Slokas) and page-level citations linking Matangi to Tantra Saraswati are found in the following standard critical editions of these Tantric scriptures: 1. Tantrasāra (by Krishnananda Agamavagisha) in Section / Chapter: Ucchiṣṭa-Mātanginyāḥ Dhyānam (The Meditation on Ucchista Matangi) Exact Verse Reference: > śūlaṁ kapālaṁ dakṣe tu vāme tu pāśāṅkuśam > dhyāyet kṛṣṇāṁ triṇetrāṁ indu-kalā-vibhūṣitām... > Context: This verse outlines her form as the dark/blue deity holding the skull-cup and weapon attributes, explicitly identified in the commentary as the esoteric goddess of speech (Vāk) who commands the linguistic and artistic powers corresponding to Saraswati. 2. Purashcharyārṇava (by King Pratapaditya / Compiled by Mahamahopadhyaya Ragunatha Tarkavagisha). Section / Volume Reference: Vol. 2, Taranga (Wave) VIII – Mahāvidyā-Sādhana Prakaraṇa (Section on Matangi) Exact Textual Focus: Outlines the Dhyana of Rāja-Mātangī (emerald-green complexion, holding the Vīṇā and sitting on a jewelled throne, accompanied by a parrot). Prescribes the root mantra starting with the Aim (ऐं) bīja—the exact seed syllable (bīja mantra) shared identically with Goddess Saraswati to govern higher learning, music, and poetry. 3. Śāradātilaka Tantra (by Lakshmanadesikendra) Section / Chapter: Paṭala XIII (Chapter 13, dedicated to Matangi / Shyamala mantras) Exact Verse Focus: The description of Śyāmalā (Matangi) holding the vīṇā and counting beads, invoked for mastery over the sixty-four fine arts (kalās), matching the exact functional domain of Vedic Saraswati translated into a fierce, esoteric Tantric framework.
2 days agoharakutir
Jara ato referneces bujhbe na , akdom basic net cholle eta google korben : Doya kore bhul bolar age and amader comment section e hagar age porashona kore hagben. Shows very poorly of you 😂
2 days agoharakutir
Here are the primary scriptural texts that explicitly reference Goddess Matangi as Tantra Saraswati (or Ucchista Saraswati): Tantrasāra (Krishnananda Agamavagisha) – Outlines the mantras and worship of Ucchista-Matangini as the esoteric form of Saraswati governing the arts and speech. Śāradātilaka Tantra (Lakshmanadesikendra) – Details the iconography of Raja-Matangi holding the Veena, mirroring Saraswati. Purashcharyārṇava (King Pratapaditya) – Classifies Matangi under the Daśa Mahāvidyās and associates her with the root knowledge bīja mantra (Aim). Rudrayāmala Tantra – Connects Matangi's cosmic role to the manifest power of Vāk (speech) and higher esoteric learning. Śyāmalādaṇḍakam (Attributed to Kalidasa) – A poetic hymn to Matangi celebrating her as the supreme bestower of mastery over poetry, music, and the Veena.
2 days agokafka_210022
প্রথমত মা মাতঙ্গী তান্ত্রিক সরস্বতী নন.. বরং মা তারা নীল সরস্বতীরূপে পূজিত হন.. হাতে বীণা আছে বলেই ওনাকে সরস্বতী বলে চালিয়ে দেওয়া যায় না..
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