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Warm invitation to the opening of the fourth solo show ,Wendungen’ by the Frankfurt based artist Christiane Feser (*1977 in Würzburg, DE)

Opening: Wednesday, Nov 4th, 2026, 6.30 pm Exhibition: until Jan 23th, 2027
Artist Talk: Nov 22th, 2026, 3 pm

𝘗𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩𝘴, 𝘸𝘩𝘪𝘤𝘩 𝘤𝘢𝘯𝘯𝘰𝘵 𝘵𝘩𝘦𝘮𝘴𝘦𝘭𝘷𝘦𝘴 𝘦𝘹𝘱𝘭𝘢𝘪𝘯 𝘢𝘯𝘺𝘵𝘩𝘪𝘯𝘨, 𝘢𝘳𝘦 𝘪𝘯𝘦𝘹𝘩𝘢𝘶𝘴𝘵𝘪𝘣𝘭𝘦 𝘪𝘯𝘷𝘪𝘵𝘢𝘵𝘪𝘰𝘯𝘴 𝘵𝘰 𝘥𝘦𝘥𝘶𝘤𝘵𝘪𝘰𝘯, 𝘴𝘱𝘦𝘤𝘶𝘭𝘢𝘵𝘪𝘰𝘯, 𝘢𝘯𝘥 𝘧𝘢𝘯𝘵𝘢𝘴𝘺. 𝘚𝘶𝘴𝘢𝘯 𝘚𝘰𝘯𝘵𝘢𝘨, 𝘖𝘯 𝘗𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩𝘺 (1977)

Following the exhibitions ,Bedingungen‘ (2018), ,Dazwischen, ein Echo‘ (2021) and ,Über Flächen’ (2023/24), ,Wendungen’ marks a new phase in Christiane Feser’s practice. At the exhibitions centre is ,Synonyme‘, a recently created photographic series in which Feser expands her artistic exploration of perception, photography and pictorial reality by introducing a new dimension: for the first time, colour takes centre stage in her work. In ,Synonyme’, the artist engages intensively with colour spaces, exploring their perceptual psychology and (spatial-)theory.

The motifs open up pictorial spaces that resist clear categorisation and invite ever-new deductions, speculations and fantasies. What initially brings to mind mountainous landscapes, velvet drapery or digitally generated computer worlds reveals itself, on closer inspection, as a pictorial reality constructed by hand by the artist.
Feser deliberately works with the tension between recognition and deception. In doing so, she continues a central question that has run throughout her practice while also connecting to a fundamental debate in photographic theory, significantly shaped by the American cultural theorist Susan Sontag: What makes a photographic image credible? And what is the basis of our trust in what we see?
Against the backdrop of the increasing proliferation of digitally manipulated and artificially generated images, this exploration takes on particular relevance today.

Photo credit: Cristiane Feser, Synonym 12 (2025), Archival Pigment Print, variable format. Courtesy Anita Beckers Gallery © Christiane Feser taken in Galerie Anita Beckers by @galerieanitabeckers

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3 days ago

Have you heard of the Museum „Haus des Papiers“ in Berlin? In the current exhibition, which runs through December 6, you’ll also find some of my work:

The anniversary exhibition features the winners of this year’s Paper Art Awards: Dirk Krecker, Hideaki Yamanobe, and Inka Bell. The exhibition is complemented by works by the artists Astrid Busch, Christiane Feser, Cem Bora, Goekhan Erdogan, Harriet Groß, Hendrik Czakainski, Justina Moncevičiūtė, Leiko Ikemura, Sang Mi Lee, Philipp Hölzgen, and Xenia Lesniewski. In addition, two special exhibitions are on view: “Collage – Surface and Color” and “Fiber Future Lab.”

So if you don’t have any plans for the weekend yet, a visit to @hausdespapiers is definitely worth it!

Partition 115
2021
200 x 140 x 2 cm

Art work on the right: Xenia Lesniewski, XL Notes, 2005, Acryl, Graphit, Paper, @xenia_lesniewski

#photoobject #contemporaryphotography #paperwork taken in Berlin, Germany by @galerieanitabeckers

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9 days ago

Modell Konstrukt 74, 2012
Exhibited @basisfrankfurt 2012..!

Modell Konstrukt 74, 2012
Photo Object

#photoobject #contemporaryphotography
#paperwork taken in Frankfurt, Germany by @galerieanitabeckers

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18 days ago

Three small works titled Raumtest, created in 2010. Looking back, these works marked a transition between my earlier digital collages and the manually and temporally layered works of the Latent Constructs series, which I began in 2011.

Raumtest 1
2010
Photograph
29 x 21 cm

Raumtest 2
2010
Fotografie
30 x 55 cm

Raumtest 3
2010
Fotografie
30 x 20 cm

#photoobject #contemporaryphotography
#paperwork taken in Frankfurt, Germany by @galerieanitabeckers

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23 days ago

A detailed view on
Partiton 174
2026
139.4 x 100 x 2 cm

#photoobject #contemporaryphotography
#paperwork taken in Frankfurt, Germany by @galerieanitabeckers

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a month ago

Konstrukt 35
2011
Photo Object
42 x 30 cm

#photoobject #contemporaryphotography
#paperwork taken in Frankfurt, Germany by @galerieanitabeckers

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a month ago

A small, untitled work from 2018 that combines photography and poured lacquer.

Ohne Titel 2018_01
2018
56 x 39 x 1 cm

#photoobject #contemporaryphotography
#paperwork taken in Frankfurt, Germany by @galerieanitabeckers

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2 months ago

A little glimpse on Partition 173 from 2026…

#photoobject #contemporaryphotography
#paperwork taken in Frankfurt, Germany by @galerieanitabeckers

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2 months ago

on left
Christiane Feser
Holo 7, 2021
Archival Pigment Print and paper cut out
21 5/8 x 15 3/4 x 1/2 inches (55 x 40 x 1.5 cm)
Edition: 5 + 2 AP

on right
Christiane Feser
Holo 6, 2021
Archival Pigment Print and paper cut out
21 5/8 x 15 3/4 x 1/2 inches (55 x 40 x 1.5 cm)
Edition: 5 + 2 AP

Floris Neusüss and Christiane Feser
Unique Works in Photography

Von Lintel Gallery is pleased to present an exhibition of works by Floris Neusüss and Christiane Feser, two artists whose practices expand photography into sculptural and materially inventive territory. Bringing together Neusüss’s pioneering photograms and Feser’s intricate photo-objects, the exhibition foregrounds singular works that challenge the limits of the photographic image.

Floris Neusüss, a pioneer of experimental photography, is celebrated for his rigorous exploration of the photogram, creating images made without a camera through direct contact between light-sensitive paper and objects or bodies. His works are distinguished by their immediacy, tonal complexity, and physical presence, making each piece feel both indexical and deeply atmospheric. In the context of this presentation, Neusüss’s works stand out as unique impressions that turn photography into a direct record of encounter.

Christiane Feser is known for her ongoing series of photo-objects, three-dimensional photographic sculptures that occupy the space between image and object. Her work transforms the photograph into a tactile, constructed form, often emphasizing surface, layering, and spatial illusion. Each work reads as a singular object in its own right, underscoring the hand-built quality and uniqueness of her practice.

Together, Neusüss and Feser offer two distinct but complementary approaches to the photographic medium: one rooted in the direct physical trace, the other in construction and sculptural transformation. The exhibition invites viewers to consider photography not as a fixed image, but as a unique object, a material process, and a site of experimentation.

#uniquephotography #florisneusüss #chrisitianefeser #Bergamotstationartscenter taken in Von Lintel Gallery by @galerieanitabeckers

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2

2 months ago

Loops 4
2023
Two layered Photo Object
Fine Art Pigment Prints on cardboard
80 x 55 x 4 cm

#photoobject #contemporaryphotography
#paperwork taken in Frankfurt, Germany by @galerieanitabeckers

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2 months ago

At Von Lintel Gallery [@vonlintelgallery], photography takes on a more physical form.

Bringing together Floris Neusüss and Christiane Feser [@christianefeser], the exhibition explores what happens when photography moves beyond the flat image and becomes something tactile, constructed, and sculptural!

A pioneer of experimental photography, Neusüss created camera-less photograms by exposing objects and bodies directly onto light-sensitive paper, leaving behind singular traces of their presence. Feser takes a different approach, cutting, layering, and constructing photographs into intricate three-dimensional photoobjects that play with surface, depth, and perception.

Together, Neusüss and Feser offer two distinct approaches to photography that ask us to reconsider where the image ends and the object begins.

Von Lintel Gallery [@vonlintelgallery] | Santa Monica
On view through August 22

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Christiane Feser, Felder 10, 2019
Floris Neusüss, Nachtbild (52), 1988
Christiane Feser, Circles 04, 2018
Floris Neusüss, Nachtbild (290), 1991
© The Artists, Courtesy of Von Lintel Gallery by @galerieanitabeckers

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2 months ago

Modell Konstrukt 50
2011
Photo Object
42 x 30 x 3 cm

#photoobject #contemporaryphotography
#paperwork taken in Frankfurt, Germany by @galerieanitabeckers

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2 months ago