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djhellerman

@djhellerman

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๐ŸŽง Wannabe disc jockey ๐ŸŽง
Deputy Director & Senior Curator @mocacleveland
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When Youโ€™re Between The Devil And The Deep Blue Sea @the_silicon_don @mocacleveland ๐Ÿฆˆ โ€ผ๏ธ by @djhellerman
OPENING RECEPTION BROOKLYN, NY - THURSDAY, SEPTEMBER 3, 5โ€“8PM โ€œBody/Land Exchangeโ€ by Jody Pinto โ€œTwo structures face each other. They are alike yet different. They are connected by a body-land exchange. It is a transfusion of rain through a sluice system. They are dependent upon each other for life. A second exchange occurs when the project is watered by hand. It is aliveโ€”it has thirst.โ€ โ€” Jody Pinto Art Lot is proud to present โ€œBody/Land Exchangeโ€ in partnership with moCa Cleveland. This exhibition takes place in tandem with โ€œJody Pinto: Body/Land,โ€ the artistโ€™s first retrospective and first solo museum exhibition hosted by moCa Cleveland. Both shows are on view August 28, 2026โ€“March 7, 2027. ๐Ÿ“moCa Cleveland: โ€œJody Pinto: Body/Landโ€ opening reception August 28, 6-9PM ๐Ÿ“Art Lot, Brooklyn: โ€œBody/Land Exchangeโ€ opening reception September 3, 5-8PM @artlotbrooklyn @jody.pinto @mocacleveland @mncatalano @djhellerman #artlot #jodypinto #mocacleveland #mariecatalano #djhellerman by @djhellerman
Art Lot is thrilled to announce โ€œBody/Land Exchange,โ€ a new outdoor sculpture by Jody Pinto produced in partnership with moCa Cleveland and concurrent with the artistโ€™s first institutional retrospective curated by Marie Catalano and DJ Hellerman. Drawing on her series of architectural sculptures from the late 1970s entitled โ€œHeart Chambers,โ€ Pinto will show a pair of structures connected by a weather-responsive duct system, each dependent on the other in a shared ecology of survival. Pintoโ€™s five-decade practice emerged from the 1970s Land Art movement and spans sculpture, drawing, ephemeral outdoor installations, landscape interventions, and public art. As founder of Women Organized Against Rape (WOAR) in 1973, Pinto linked feminist activism with a lifelong commitment to working in public space. Her concept of โ€œbody/landโ€ connects bodily and environmental forms and systems such as veins and irrigation, hair and plant growth, and cycles of injury and healing. Since the 1990s, she has completed more than fifty international public commissions, exploring municipal space as a form of public theater. โ€œBody/Land Exchange,โ€ August 28, 2026 โ€“ March 7, 2027 Photo: Jody Pinto with โ€œHeart Chamber for Gertrude and Angelo,โ€ 1978, cement block, organic pigment, timber, metal, rain. Installation at the Institute of Contemporary Art, Philadelphia, PA. More details to come. Stay tuned! @jody.pinto @mocacleveland @mncatalano @djhellerman #jodypinto #mocacleveland #mariecatalano #djhellerman by @djhellerman
@galerie.kandlhofer presents @marc___henry first book monograph: โ€œMarc Henry - The Early Worksโ€. One hundred selected paintings are paired with the composition from 72 different authors, which through poetries, short stories, lists or academic texts, interpret the paintings. Edited and published by @malelingueedizioni in collaboration with REBIS REBIS (@gaddoamunni & @delfi.patt ). โ€œ๐˜๐˜ฏ ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ด๐˜ฆ๐˜ฏ๐˜ด๐˜ฆ, ๐˜”๐˜ข๐˜ณ๐˜ค ๐˜ช๐˜ด, ๐˜ง๐˜ช๐˜ณ๐˜ด๐˜ต ๐˜ฐ๐˜ง ๐˜ข๐˜ญ๐˜ญ, ๐˜ข ๐˜ค๐˜ฐ๐˜ญ๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ฐ๐˜ณ ๐˜ฐ๐˜ง ๐˜ข๐˜ฑ๐˜ฑ๐˜ข๐˜ณ๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด. ๐˜๐˜ฏ๐˜ฅ๐˜ฆ๐˜ฆ๐˜ฅ, ๐˜ต๐˜ฉ๐˜ฆ ๐˜ต๐˜ณ๐˜ถ๐˜ฆ ๐˜ค๐˜ฐ๐˜ญ๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ฐ๐˜ณ ๐˜ฅ๐˜ฐ๐˜ฆ๐˜ด ๐˜ฏ๐˜ฐ๐˜ต ๐˜ค๐˜ฉ๐˜ฐ๐˜ฐ๐˜ด๐˜ฆ; ๐˜ฉ๐˜ฆ ๐˜ช๐˜ด ๐˜ค๐˜ฉ๐˜ฐ๐˜ด๐˜ฆ๐˜ฏ. ๐˜๐˜ฆ ๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ณ๐˜ท๐˜ฆ๐˜ด ๐˜ฐ๐˜ฃ๐˜ซ๐˜ฆ๐˜ค๐˜ต๐˜ด ๐˜ข๐˜ด ๐˜ฐ๐˜ฏ๐˜ฆ ๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ณ๐˜ท๐˜ฆ๐˜ด ๐˜ข ๐˜ด๐˜ฆ๐˜ค๐˜ณ๐˜ฆ๐˜ต, ๐˜ฏ๐˜ฐ๐˜ต ๐˜ง๐˜ฐ๐˜ณ ๐˜ต๐˜ฉ๐˜ฆ๐˜ช๐˜ณ ๐˜ท๐˜ข๐˜ญ๐˜ถ๐˜ฆ, ๐˜ฃ๐˜ถ๐˜ต ๐˜ฃ๐˜ฆ๐˜ค๐˜ข๐˜ถ๐˜ด๐˜ฆ ๐˜ง๐˜ฐ๐˜ณ ๐˜ฉ๐˜ช๐˜ฎ, ๐˜ญ๐˜ฐ๐˜ด๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ฆ๐˜ฎ ๐˜ธ๐˜ฐ๐˜ถ๐˜ญ๐˜ฅ ๐˜ฎ๐˜ฆ๐˜ข๐˜ฏ ๐˜ญ๐˜ฐ๐˜ด๐˜ช๐˜ฏ๐˜จ ๐˜ข ๐˜ฎ๐˜ฆ๐˜ข๐˜ฏ๐˜ช๐˜ฏ๐˜จ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ธ๐˜ฐ๐˜ณ๐˜ญ๐˜ฅ. ๐˜ˆ๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ค๐˜ข๐˜ต๐˜ข๐˜ญ๐˜ฐ๐˜จ๐˜ถ๐˜ฆ โ€“ ๐˜ฉ๐˜ช๐˜ด ๐˜ง๐˜ช๐˜ณ๐˜ด๐˜ต ๐˜ณ๐˜ฆ๐˜ต๐˜ณ๐˜ฐ๐˜ด๐˜ฑ๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ท๐˜ฆ ๐˜ฎ๐˜ฐ๐˜ฏ๐˜ฐ๐˜จ๐˜ณ๐˜ข๐˜ฑ๐˜ฉ๐˜บ โ€“ ๐˜ฉ๐˜ข๐˜ด ๐˜ฑ๐˜ณ๐˜ฆ๐˜ค๐˜ช๐˜ด๐˜ฆ๐˜ญ๐˜บ ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ง๐˜ถ๐˜ฏ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ: ๐˜ต๐˜ฐ ๐˜ฑ๐˜ญ๐˜ข๐˜ค๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ๐˜ด๐˜ฆ ๐˜ข๐˜ฑ๐˜ฑ๐˜ข๐˜ณ๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด ๐˜ด๐˜ช๐˜ฅ๐˜ฆ ๐˜ฃ๐˜บ ๐˜ด๐˜ช๐˜ฅ๐˜ฆ.โ€ ๐˜Ž๐˜ข๐˜ฅ๐˜ฅ๐˜ฐ ๐˜ˆ๐˜ฎ๐˜ถ๐˜ฏ๐˜ฏ๐˜ช - ๐˜—๐˜ณ๐˜ฆ๐˜ง๐˜ข๐˜ค๐˜ฆ ๐˜›๐˜ฉ๐˜ฆ ๐˜ฆ๐˜ฎ๐˜ฐ๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ข๐˜ญ ๐˜ค๐˜ฐ๐˜ณ๐˜ฆ ๐˜ฐ๐˜ง ๐˜๐˜ฆ๐˜ฏ๐˜ณ๐˜บ'๐˜ด ๐˜ธ๐˜ฐ๐˜ณ๐˜ฌ ๐˜ญ๐˜ช๐˜ฆ๐˜ด ๐˜ช๐˜ฏ ๐˜ช๐˜ต๐˜ด ๐˜ฅ๐˜ฆ๐˜ฎ๐˜ข๐˜ฏ๐˜ฅ ๐˜ง๐˜ฐ๐˜ณ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ท๐˜ช๐˜ฆ๐˜ธ๐˜ฆ๐˜ณ'๐˜ด ๐˜ฑ๐˜ข๐˜ณ๐˜ต๐˜ช๐˜ค๐˜ช๐˜ฑ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ. ๐˜›๐˜ฉ๐˜ฆ๐˜ด๐˜ฆ ๐˜ฑ๐˜ข๐˜ช๐˜ฏ๐˜ต๐˜ช๐˜ฏ๐˜จ๐˜ด ๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ฏ๐˜ต ๐˜ต๐˜ฉ๐˜ฆ๐˜ฎ๐˜ด๐˜ฆ๐˜ญ๐˜ท๐˜ฆ๐˜ด ๐˜ข๐˜ด ๐˜ฉ๐˜ฐ๐˜ญ๐˜ญ๐˜ฐ๐˜ธ๐˜ฆ๐˜ฅ-๐˜ฐ๐˜ถ๐˜ต ๐˜ฏ๐˜ข๐˜ณ๐˜ณ๐˜ข๐˜ต๐˜ช๐˜ท๐˜ฆ๐˜ด, ๐˜ง๐˜ข๐˜ค๐˜ต-๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜บ๐˜ฆ๐˜ต ๐˜ถ๐˜ฏ๐˜ท๐˜ฆ๐˜ณ๐˜ช๐˜ง๐˜ช๐˜ข๐˜ฃ๐˜ญ๐˜ฆ, ๐˜ข๐˜ด๐˜ฌ๐˜ช๐˜ฏ๐˜จ ๐˜ธ๐˜ฉ๐˜ฆ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ธ๐˜ฆ ๐˜ข๐˜ณ๐˜ฆ ๐˜ด๐˜ฆ๐˜ฆ๐˜ช๐˜ฏ๐˜จ ๐˜ข ๐˜ต๐˜ณ๐˜ถ๐˜ต๐˜ฉ ๐˜ฐ๐˜ณ ๐˜ฎ๐˜ฆ๐˜ณ๐˜ฆ๐˜ญ๐˜บ ๐˜ข ๐˜ง๐˜ข๐˜ค๐˜ต ๐˜ด๐˜ต๐˜ณ๐˜ช๐˜ฑ๐˜ฑ๐˜ฆ๐˜ฅ ๐˜ฐ๐˜ง ๐˜ค๐˜ฐ๐˜ฏ๐˜ต๐˜ฆ๐˜น๐˜ต. ๐˜›๐˜ฉ๐˜ฆ๐˜บ ๐˜ฑ๐˜ข๐˜ต๐˜ช๐˜ฆ๐˜ฏ๐˜ต๐˜ญ๐˜บ ๐˜ธ๐˜ข๐˜ช๐˜ต ๐˜ง๐˜ฐ๐˜ณ ๐˜ข ๐˜ท๐˜ช๐˜ฆ๐˜ธ๐˜ฆ๐˜ณ ๐˜ต๐˜ฐ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฑ๐˜ญ๐˜ฆ๐˜ต๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ๐˜ฎ โ€“ ๐˜ต๐˜ฐ ๐˜ฑ๐˜ณ๐˜ฐ๐˜ซ๐˜ฆ๐˜ค๐˜ต ๐˜ง๐˜ฆ๐˜ฆ๐˜ญ๐˜ช๐˜ฏ๐˜จ, ๐˜ด๐˜ต๐˜ฐ๐˜ณ๐˜บ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฎ๐˜ฆ๐˜ข๐˜ฏ๐˜ช๐˜ฏ๐˜จ ๐˜ช๐˜ฏ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜ฆ๐˜ช๐˜ณ ๐˜ฎ๐˜ฆ๐˜ต๐˜ช๐˜ค๐˜ถ๐˜ญ๐˜ฐ๐˜ถ๐˜ด๐˜ญ๐˜บ ๐˜ค๐˜ฐ๐˜ฏ๐˜ด๐˜ต๐˜ณ๐˜ถ๐˜ค๐˜ต๐˜ฆ๐˜ฅ ๐˜ฃ๐˜ถ๐˜ต ๐˜ง๐˜ถ๐˜ฏ๐˜ฅ๐˜ข๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต๐˜ข๐˜ญ๐˜ญ๐˜บ ๐˜ถ๐˜ฏ๐˜ด๐˜ต๐˜ข๐˜ฃ๐˜ญ๐˜ฆ ๐˜ธ๐˜ฐ๐˜ณ๐˜ญ๐˜ฅ๐˜ด. ๐˜‹๐˜‘ ๐˜๐˜ฆ๐˜ญ๐˜ญ๐˜ฆ๐˜ณ๐˜ฎ๐˜ข๐˜ฏ - ๐˜”๐˜ข๐˜ณ๐˜ค ๐˜๐˜ฆ๐˜ฏ๐˜ณ๐˜บ: ๐˜ˆ ๐˜ž๐˜ฐ๐˜ณ๐˜ญ๐˜ฅ ๐˜ฐ๐˜ง ๐˜ ๐˜ฆ๐˜ข๐˜ณ๐˜ฏ๐˜ช๐˜ฏ๐˜จ. Editor: @philipphindahl by @djhellerman
๐Ÿบ ๐ŸŒ• by @djhellerman
A proper 2025 send off with @mimicmuseum by @djhellerman
ยปShored Against My Ruinsยซ curated by @djhellerman at @galerie.kandlhofer is on view until October 4! Participating artists: Franco Andrรฉs, King Cobra, Maxime Cavajani, TR Ericsson, Peter Gallo, Karl Karner, Maja Ruznic @fuhhrranco @p_e_t_e_r_g_a_l_l_o @majaruz @the_silicon_don @maximecavajani @karnerkarl @trericsson More information about the exhibition is available on our website. #fragmentedsubjectivity #curatedby2025 by @djhellerman
curated by podcast: @djhellerman discusses the upcoming exhibition ยปShored Against My Ruinsยซ at @galerie.kandlhofer The curated by podcast is available via Spotify and our website. @fuhhrranco @the_silicon_don @trericsson @p_e_t_e_r_g_a_l_l_o #fragmentedsubjectivity #curatedby2025 by @djhellerman
Curated by DJ Hellerman For this yearโ€™s Curated by 2025: Fragmented Subjectivity, Galerie Kandlhofer is honored to invite renowned curator DJ Hellerman. Hellerman is Deputy Director & Senior Curator at moCa Cleveland and previously served as Chief Curator & Director of Curatorial Affairs at The Fabric Workshop & Museum in Philadelphia. His curatorial practice is defined by visionary, artist-centered projects and collaborative partnerships. In his exhibition โ€šShored Against My Ruinsโ€™ Hellerman will present works by Franco Andrรฉs, Maxime Cavajani, TR Ericsson, Peter Gallo, King Cobra, Karl Karner, Maja Ruznic. Curated by September 9 โ€“ October 4, 2025 Galerie Kandlhofer Opening Days: September 5โ€“7, 2025 Image credit: 1) 2) Courtesy DJ Hellerman #GalerieKandlhofer #CuratedBy2025 #FragmentedSubjectivity #DJHellerman #ViennaArtScene #ViennaContemporaryArt #ContemporaryArtExhibition #ArtCurator #moCaCleveland #FrancoAndrรฉs #MaximeCavajani #TREricsson #PeterGallo #KingCobra #KarlKarner #MajaRuznic #ViennaArt by @djhellerman
Franco Andrรฉs, King Cobra, TR Ericsson and Peter Gallo will be part of the exhibition ยปShored Against My Ruinsยซ curated by @djhellerman at @galerie.kandlhofer More information about the exhibition is available on our website. @fuhhrranco @the_silicon_don @trericsson @p_e_t_e_r_g_a_l_l_o Image credits: 1.&2. Franco Andrรฉs, Doing Away With Lamentation, 2025, oil on linen, 35.6 x 55.9 x 3.8 cm | Courtesy the artist 3. TR Ericsson Between the Clock and the Bed, 2023 graphite, resin and funerary ashes on raw linen 16 parts; dimensions variable | Courtesy the artist and TOTAH by @djhellerman
@itsgala A Hand In Nature! ๐Ÿ’ซ @leilanilynch_ @mocacleveland ๐Ÿ“ธ @american_spirit by @djhellerman
It was gorgeous. โœจ @harminderjudge Bootstrap Paradox @mocacleveland @thesundaypainter @galerie.kandlhofer @jhavericontemporary ๐Ÿ“ธ @american_spirit by @djhellerman

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