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Giorgio Galotti

@giorgiogalotti

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2009
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Co-founder @hypermaremma
Lecturer @ied_milano
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10 years! (of exhibitions) (1/3) “Questo essere attori é per non dimenticare che la ricerca di un’identità è sempre una strada difficile” Luigi Ghirri It was October 10th, 2015 when the programme bearing my name was launched in Turin, after a more hybrid research period. To face the weird times we lived through, the programme have evolved over the years through a more curatiorial approach becoming a nomadic initiative based on open collaborations with artists, galleries, institutions, museums and private commissions. Here just a little collection of moments✨ Images photo credits: Sebastiano Pellion di Persano, Simone Bergantini, Leonardo Morfini, Serena Eller, Flavio Pescatori, Andrea Rossetti by @giorgiogalotti
10 years! (of artists) (2/3) “How do I explain to my wife that when I look out the window I’m working?” Joseph Conrad Many things changed over the years but the truth and the vision of the artists I’ve collaborated with leaded any moment. More than 100 artists joined the programme, thank you everyone with this brief selection of memories ✨ Cover image: Anna Franceschini, performance at DAMA 2018, Turin by @giorgiogalotti
10 years! (of people) (3/3) “Quando l’arte riempirà gli stadi, scappate” Alberto Garutti People, people, people. It is impossible to organize an exhibition without people. Friends, guests, partners, journalists, curators, gallery owners, technicians and more. I want to thank all of you through this non-exhaustive selection of memories ✨ by @giorgiogalotti
Ciao Torino! We are pleased to present ULTRALIGHT, the upcoming project conceived for @nittoatpfinals 2026 featuring works and environmental intervention by 6:AM, BRH+, Alberto Garutti, Alice Guareschi, Diego Perrone, Alice Ronchi, Eugenia Vanni. A project by Giorgio Galotti and Claudia Pignatale 15—22 November, 2026 Opening 14 November 2026, h.18.00—21.00 Access by invitation only Nitto ATP Finals c/o TFH — Fondazione Teatro Ragazzi e Giovani Corso Galileo Ferraris 266/c, Torino (IT) Commissioned by: Sport e Salute and FITP – Federazione Italiana Tennis e Padel Project Manager: Andrea Pivano Light Design: Massimo Pascucci Official Supplier: Moroso Special thanks: Besana carpet lab, Galleria Fuoricampo, Hypermaremma, MMOOS., Studio Alberto Garutti, Teatro Regio Torino Images: (01) ph. credits Carlo Vannini, courtesy Teatro Regio Torino (04) Alberto Garutti, ‘Temporali’, 2015, courtesy Studio Archivio Alberto Garutti — @6am_glass @brh.studio @studio_albertogarutti @aliceguareschi @alice__ronchi @perrosdiego @eugeniavanni_ @morosofficial @besanacarpetlab @hypermaremma @claudiapignatale @giorgiogalotti @teatroregiotorino by @giorgiogalotti
Eight seasons, infinite shades, but to discover the ‘Blu stramilione’ we needed to involve one of the most emblematic artist of the scene and the increasingly wild program of Hypermaremma, which sometimes surprises even us, with an opening reception into the sea and the impossibility of taking photos by phones. Thanks to #DiegoPerrone for imagining two new works for this ever-evolving open-air museum, to Carlo for challenging the realm of the impossible, to Giulia Pollicita for the critic text and to our team for making it possible. Thanks to #Terramara who joined forces to make another dream come true with the screening of a Maremma western juxtaposed with #ClaireFontaine ‘s ‘Left & Right’. Thanks to Moreno, one of the area’s historic buttero who immersed us in his adventures with the herds of cows that still dominate these landscapes. Thanks to Bar La Mandria and Il Baretto for feeding all of us, to Gianni Talamanca and his guys to kept us safe with their sup and overall thanks to all the people staying and following us everywhere. The wild Maremma awaits you! - @hypermaremma @perrosdiego @luca_bertolo_ @foreignerseverywhere #maremma #toscana by @giorgiogalotti
Some snapshot from BAR CREMONA on the occasion of Cremona Contemporanea. Daniele Milvio and Diego Perrone conceived ‘Blind test’ at the historical Enoteca Cremona. Six characters wore six clothes made by the artists working together with a tailor to dress bottles of wines for a blind tasting. The project focuses on the power of the images, words, imagination, tastes. BAR CREMONA Daniele Milvio, Diego Perrone c/o Enoteca Cremona in collaborarion with Cremona Contemporanea 23.05 — 31.05.2026 Images: (01) ‘Primaria’, 2026, cotton (02) ‘Royal Horticultural Society’, ‘Primaria’, and ‘Garibaldino’, 2026 (06) ‘Saturnia’, 2026, velvet (09) ‘Sommelière’, 2026, leather (11) ‘Garibaldino’, 2026, silk - @cremona_contemporanea #barcremona #BarX #DanieleMilvio #DiegoPerrone #blindtest by @giorgiogalotti
If the Jury is popular my Lions go to: Venezia FC promotion party, the strike of the Pavillons, the Holy See and the Denmark, the Anish Kapoor Foundation headquarter, Luca Bertolo’s touch in the Italian one, the White Cube party and the team I had the pleasure to work with. Viva Venezia! by @giorgiogalotti
‘ALFABETI’ is now open! The project at Foro Italico conceived on the occasion of Internazionali BNL d’Italia 2026 is based on the power of words and human origins. With works and furnitures by: Alighiero Boetti, Gaia De Megni, Iammì, Front Design, Duccio Maria Gambi, Gordon Guillaumier, Diego Miguel Mirabella, Nicola Martini, Pietro Ruffo and Patricia Urquiola the path is developed from Sala delle Armi through the Foro Italico park and the corporate lounges around Stadio del tennis. We want to say thanks to all the artists, designers and partners that made it happen again Thanks to FITP and Sport e Salute which strongly believe on the connection between sport and art. ALFABETI 5–17 May 2026 a project by Giorgio Galotti and Claudia Pignatale Internazionali BNL d’Italia Sala delle Armi / Stadio del tennis / Parco Foro Italico Foro Italico, Rome (IT) Commissioned by: FITP and Sport e Salute Official supplier: Emu, Moroso Masterplan LEA: Fabrizio Graziani Light design: Massimo Pascucci Thanks to: Clima, Studio SALES, Tornabuoni Arte Ph.credits: Serena Eller (5–19) / Massimiliano Tuveri (1-4 and 20) - #ForoItalico #internazionalibnlditalia #fitp #sportesalute #alfabeti @claudiapignatale @giorgiogalotti @pietroruffoartist @gaiademegni_ @ducciomariagambi @diegommirabella @iammi.iammi @neuemartini @clima_gallery @tornabuoniart @studiosalesroma @emugroupspa @morosofficial by @giorgiogalotti
On the occasion of the 61st International Art Exhibition of La Biennale di Venezia we are pleased to welcome you on Monday May 4th at the preview of ‘ALBEDO – You see me in the twilight’, the new project by Giovanni Ozzola curated by Giorgio Galotti and Shen Qilan at Beatrice Burati Anderson in collaboration with Galleria Continua. ‘Matteo’, 2026, the latest video production realized with the support of Fondazione In Between Art Film, is presented together with a group of photographic works in close relationship with the history of the 14th-century warehouse architecture that hosts the project in Venice’s San Polo district. Thanks to Gold Note for technical support. — Giovanni Ozzola ALBEDO You see me in the twilight curated by Giorgio Galotti and Shen Qilan 5 May — 22 November 2026 opening reception: 4 May, h. 6.00pm 5—10 May opening hours: 11.00am—7.00pm (or by appointment) BEATRICE BURATI ANDERSON in collaboration with GALLERIA CONTINUA Calle de la Madonna 1976, San Polo — Venezia (IT) Ph.credits: Flavio Pescatori Courtesy the artist, Galleria Continua and Beatrice Burati Anderson — @giovanniozzola @beatriceburatianderson @galleriacontinua @giorgiogalotti @shenqilan #giovanniozzola #galleriacontinua #beatriceburatianderson #venicebiennale #venezia by @giorgiogalotti
Roma! It’s that time of the year. Thrilled to present ‘ALFABETI’, the project conceived at Foro Italico on the occasion of Internazionali BNL d’Italia 2026 with works, brand-new productions and furnitures by: Alighiero Boetti, Gaia De Megni, Iammì, Front Design, Duccio Maria Gambi, Diego Miguel Mirabella, Nicola Martini, Pietro Ruffo and Patricia Urquiola. Thanks to FITP and Sport e Salute for making it possible, again. ALFABETI 5–17 May 2026 a project by Giorgio Galotti and Claudia Pignatale Opening cocktail May 5th at h.18.30 (access by invitation only) c/o Internazionali BNL d’Italia Sala delle Armi / Stadio del tennis / Parco Foro Italico Foro Italico, Rome (IT) Commissioned by: FITP and Sport e Salute Official supplier: Emu, Moroso Masterplan LEA: Fabrizio Graziani Light design: Massimo Pascucci Thanks to: Clima, Studio SALES, Tornabuoni Arte - Image: Alighiero Boetti, ‘Alternandosi e dividendosi...nella primavera dell’anno millenovecentoottantanove’, 1989 Courtesy Tornabuoni Arte - #ibi2026 #foroitalico #fitp #sportesalute @gaiademegni_ @iammi.iammi @ducciomariagambi @diegommirabella @pietroruffoartist @neuemartini @clima_gallery @studiosalesroma @tornabuoniart @morosofficial by @giorgiogalotti
Some snapshots from BAR MILANO at Bar Basso on the occasion of Milano Art Week. The third chapter of the project ‘BAR X’ is a focus about ‘Photography’. Thanks everybody who passed by to participate and to taste the historical ‘Negroni Sbagliato’ by Mirko Stocchetto and other unique cocktails. Special thanks to Pia Bianchi and Maurizio Stocchetto for the collaboration. BAR MILANO Giovanna Silva c/o Bar Basso in colaboration with Milano Art Week 15.04 — 18.04.2026 Ph.credits: (01, 02, 10, 11, 12) Giovanna Silva (15) Milano Art Week @milanoartweekofficial - #barx #barmilano #giovannasilva #giorgiogalotti #milanoartweek by @giorgiogalotti
Puó la pace diventare il primo pensiero utopico dell’uomo? L’ottava stagione di Hypermaremma si apre con alcune domande ambigue come questa. Ambigue come la piccola cabina di #LucaBertolo apparsa su una duna della macchia mediterranea che guarda il mare. Una cabina che si mostra pacifica dall’esterno e su cui sventola una bandiera bianca controversa: un residuo di un’identità patriottica svanita o un simbolo di resa e di reinterprazione dei valori dell’uomo. Una cabina che diventa osservatorio per un orizzonte attraverso un mirino da fucile che non inquadra possibili vittime ma frammenti di realtà. Un rifugio che richiama alla memoria l’immaginario di Carlo Carrà o di Giorgio De Chirico, e delle loro ambizioni di ritrarre un presente diverso. E un pittore, tra i migliori che conosca, che pensa come uno scultore per pittori di un’epoca precedente, come avrebbe potuto fare Robert Zemeckis se fosse stato un artista visivo. Fino a Settembre 2026, in maremma. Luca Bertolo ‘Osservatorio M1’, 2026 Hypermaremma Playa La Torba, Ansedonia Ph.credits: (1,2,4) Daniele Molajoli - @luca_bertolo_ @hypermaremma #lucabertolo #hypermaremma #maremma by @giorgiogalotti

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