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01.05-20.09.26 Zachęta National Gallery
17.06-21.06.26 Art Basel Statements with sans titre gallery

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Sans titre is proud to announce the representation of Liselor Perez. We look forward to continuing our collaboration, following her first solo exhibition at the gallery earlier this year and the presentation of her work at Art Basel in June. Perez’s work will also be featured on the gallery’s booth at Art Basel Paris in October 2026, and at Art Collaboration Kyoto (ACK) in November 2026, in collaboration with PARCEL, Tokyo.

Liselor Perez (b. 1999, Montélimar, France) lives and works in Paris. She graduated from the École nationale supérieure des Beaux Arts de Paris in 2025, where she studied in the studio of Dominique Figarella, after receiving her BFA from Villa Arson in Nice in 2022. In 2023 and 2024, she also took part in a ceramics exchange program at Tokyo University of the Arts (Geidai).

This year, the artist has been selected to participate in the residency program at Villa Dufraine and had her first solo exhibition at Sans titre, Paris. In 2025, she received the 5th Rubis Mécénat Prize, through which she benefited from the critical support of guest curator Julia Marchand and a production grant for an installation presented at Saint Eustache Church in October 2025.

Perez has notably participated in group exhibitions at Zacheta National Gallery of Art, Warsaw (2026); Festival Gestes Collectifs, Paris (2026); Palais des Beaux-Arts de Paris (2025); Frac Île-de-France, Romainville (2024); La Supérette, Centre d’art contemporain de Malakoff (2025), and Sans titre, Paris (2025 and 2023).
Upcoming group exhibitions include: ArtNoble Gallery, Milan and La Galerie de l’Académie des beaux-arts - Galerie Vivienne.

Image: Liselor Perez © InstanT Productions

@iszor by @sanstitre.gallery

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19 days ago

✨ Liselor Perez @iszor, posługując się kukiełkami i lalkopodobnymi formami, przedstawia ciała, które jednocześnie pozostają obecne i wycofane, ożywione, lecz przytłumione – jakby odnosiły się do czegoś, co pozostaje nierozwiązane pod powierzchnią.

Jej prace przyglądają się dojrzewaniu, milczeniu i autocenzurze, a także temu, jak z czasem uczymy się tłumić własny głos i intensywność patrzenia na świat.

ℰ𝓃𝑔𝓁𝒾𝓈𝒽 𝓋𝑒𝓇𝓈𝒾𝑜𝓃 𝑜𝓃 𝓉𝒽𝑒 𝓃𝑒𝓍𝓉 𝓈𝓁𝒾𝒹𝑒 ➡️

„Myślę, że pytania egzystencjalne i młodzieńcza przenikliwość są czymś, czego z czasem sami sobie zabraniamy, bo po prostu łatwiej jest żyć, nie zadając zbyt wielu pytań. W moich lalkach ta kruchość istnienia jest niezwykle obecna. Ale dla mnie ta cecha nie wiąże się z wiekiem. Kiedy pracuję, często myślę o dzieciństwie i dorastaniu, ale także o kresie życia” – opowiada artystka.

✧ Pracę Liselor Perez „Petite Lampe” możecie zobaczyć na wystawie 𝒟𝑜𝒿𝓇𝓏𝑒𝓌𝒶𝓃𝒾𝑒 do końca tego tygodnia – 20 września.
______
Twórczość artystki nawiązuje do szerszych badań współkuratorki wystawy Julii Marchand @marchand.julia, poświęconych doświadczeniu dorastania, sztuce i poczuciu wyobcowania. Zagadnienia te Marchand rozwija w książce „I Am the F****** Subject: Art & Adolescence” @lenz.press.

🗓️ W najbliższy piątek (18.09) o godz. 18:00 zapraszamy na spotkanie wokół książki „I Am The F***** Subject, Art & Adolescence” z Julią Marchand i Michalem Novotným @michail_novotny.

📷 Bartosz Górka

#LiselorPerez #Zachęta

✨ Liselor Perez, using puppets and doll-like forms, presents bodies that are simultaneously present and withdrawn, animated yet muted – as if referring to something unresolved beneath the surface.

Her work explores coming of age, silence and self-censorship, as well as the way we gradually learn to suppress our own voice and the intensity with which we perceive the world.

“I think that existential questions and youthful insight are something we gradually forbid ourselves from engaging with, simply because it is easier to live without asking too many questions. In my dolls, this fragility of existence is extremely present. But for me, this quality is not connected to age. When I work, I often thin taken in Zachęta Narodowa Galeria Sztuki / Zachęta National Gallery of Art by @sanstitre.gallery

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a month ago

BOCCACCESCO🏰
Zoom sur les artistes en résidence🎀

LISELOR PEREZ @iszor
Après un DNA à la Villa Arson en 2022, Liselor Perez intègre les Beaux-Arts de Paris desquels elle sort diplômée en 2025. Elle développe une pratique qui mêle dessin, sculpture et installation. Son travail explore les espaces domestiques et intimes, qu’elle imprègne d’ironie et de fantastique. À travers des corps de poupées et des univers oniriques, elle revisite la mémoire des objets familiers et des souvenirs avec douceur et amertume. Son approche queer et féministe est sensible à la vulnérabilité des récits personnels et collectifs.

Lors de la résidence à La Villa Dufraine, Liselor Perez s’inspire d’une des nouvelles du Décaméron pour poursuivre un travail en cours de moulages de profils de poupées, en explorant diverses techniques et matériaux. En suivent également plusieurs nouveaux dessins sur le thème.

Liselor Perez a participé à des expositions à la Galerie Sans Titre (Paris), au Palais des expositions des Beaux-Arts, au Frac Île-de-France et à la maison des arts de Malakoff, site de la Supérette. Lauréate du prix Rubis Mécénat, elle a présenté une installation dans l’église Saint-Eustache. En 2026, elle propose une exposition personnelle à la Galerie Sans Titre et prend part à une exposition collective à la Zachęta National Gallery (Varsovie). La même année, elle dévoile une nouvelle œuvre monumentale pour Art Basel « Statements », toujours avec la Galerie Sans Titre.

📷
1) © Daniele Rocco
2) © Daniele Rocco
3) Travail en cours (Villa Dufraine), 2026 © Liselor Perez
4) Travail en cours (Villa Dufraine), 2026 © Liselor Perez
5) Vue d’exposition « garde-robe », 2026, Galerie sans-titre, Paris © Aurélien Mole
6) « There is no such things as inside », 2025 ©Zoé Chauvet by @sanstitre.gallery

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2 months ago

For Art Basel Statements, Sans titre presents an installation composed of a monumental five meter doll with a ghostly silicone face, a smaller figure with adult features, and a life size window framed with patterned textiles. Together, these elements stage a disquieting play of scales and proximities, where the child becomes architectural, the adult is miniaturized, and the viewer is drawn into a domestic theater with no clear exit.

Through this installation, Liselor Perez continues her exploration of the ties between intimacy, memory and identity. Her figures, fashioned from fabrics bearing bodily and domestic traces, oscillate between dolls, puppets and replica. They conjure a haunted world in which childhood, home and vulnerability become vehicles for a feminist and queer critique of the norms imposed on bodies, roles and genders. Blending softness with unease, attraction with repulsion, she transforms the booth into a theater of contradictions where viewers, caught in a web of scales and mirrors, find themselves dispossessed of their own place.

@iszor @artbasel taken in Basel, Switzerland by @sanstitre.gallery

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4 months ago

Art Basel is just around the corner and we are pleased to share a glimpse into Liselor Perez’s studio, where the artist is currently producing the monumental installation that will be presented by Sans titre in the Statements sector, booth M5.

Join us in Basel from June 18 to 21, 2026, at Messe Basel with VIP days on June 16 and 17.

@iszor @artbasel by @sanstitre.gallery

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4 months ago

On the occasion of the release of I Am The F****** Subject: Art & Adolescence (Lenz), edited by Julia Marchand, and the final day of Liselor Perez’s exhibition, whose work is featured in the publication, Sans titre is pleased to invite you to a casual cake afternoon gathering on Saturday, April 25 at 4pm.

Contemporary art approaches adolescence as a state of mind, a condition that has eroded the traditional markers of the transition into adulthood, not as a transitory phase, but as an extended mode of existence, even as a critique of a world that itself resists stabilization. Adolescence is also a form of fragility, one that inhabits the dolls of Liselor Perez.

Building on this observation, the artist and the editor will create a cake embodying this awkward and tender age.

—

Edited by Julia Marchand, in collaboration with Vittoria Morpurgo

Texts by Morgan Labar, Julia Marchand, Julie Ackermann, Anya Harrison, Giulia Mariachiara Galiano and Cecilia Larese, Vittoria Morpurgo and Robin Plus, Gaia Vincensini, Raphaëlle Serre, Linda Voorwinde, Tohé Commaret, Louise Nicolas de Lamballerie, Caroline Poggi, Jonathan Vinel, Kevin Blinderman, Mohamed Bourouissa, Michal Novotný, Laura Owens, Magda Szpecht, Thomas Liu Le Lann, Velvet Aubry, Arnaud Dezoteux, Prune Phi, Alban Diaz, Ant Łakomsk, Liselor Perez, Francesca Grilli, Camille Aleña, Joanna Kordjak, Katarzyna Kołodziej-Podsiadło

Designed by Lorenzo Mason Studio

2026, English, softcover, 11 × 18.5 cm, 160 pages

@marchand.julia @iszor @lenz.press taken in sans titre by @sanstitre.gallery

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6 months ago

« garde-robe »
A solo exhibition by Liselor Perez (@iszor ) is on view at Sans titre (@sanstitre.gallery ), Paris — until 25 April 2026.

Perez constructs the exhibition as a succession of enclosures — miniature cabinets, deep frames, closed devices, each one a sealed interior that does not speak to the others. Drawing on the eighteenth-century tradition of domestic display cabinets, she inherits both the gesture and its tension: to miniaturise a home is to become its sovereign observer, but also to keep intimacy within a controllable perimeter.

What unsettles the work is what escapes it. Hands emerge at life size inside rooms that should not contain them. The miniature is no longer a closed world. Something bodily, something mnemonic, passes through.

Discover a selection of works presented in the exhibition.

1. Liselor Perez, Un brin de lavande, 2026

2. Liselor Perez, Chiffonière, 2026

3. Liselor Perez, Au fond du tiroir, 2026

4. Liselor Perez, Sous la pile de linge, 2026

5. Liselor Perez, Mouchoir brodé (Kate et Kade), 2026

———

#Docent #DocentArt #LiselorPerez #SansTitre #ContemporaryArt

Images ©️ Courtesy of the artist and Sans titre, Paris. by @sanstitre.gallery

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7 months ago

Liselor Perez at Sans titre, Paris
“garde-robe”
March 12 – April 25, 2026
Photos: ©Aurélien Mole / all images copyright and courtesy of the artist and Sans titre, Paris
@sanstitre.gallery @iszor taken in Paris, France by @sanstitre.gallery

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7 months ago

I’m delighted to invite you to my first solo exhibition “garde‑robe” at sans titre gallery, opening Thursday March 12 from 6–9 pm and on view until April 25, 2026,
with support from CNAP @cnapfr by @sanstitre.gallery

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7 months ago

Message impersonnel, 2025
24,5 x 34,5 x 11,8 cm
crayon de couleur, boîte de miniature

© Aurélien Mole by @sanstitre.gallery

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10 months ago

Main pleurante, 2025
19 x 23,5 x 5,4 cm
crayon de couleur, boîte de miniature

vue de l’exposition de «L’âge du trait», visible jusqu’au 17 janvier à @sanstitre.gallery

Image 3 avec Jean Souverbie et Sylvano Bussotti

© Aurélien Mole by @sanstitre.gallery

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10 months ago

SUPPORT FOR ARTISTIC CREATION – RUBIS MECENAT PRIZE

Only one week left to experience Liselor Perez’s exhibition Cent sommeils!

Join us on Friday, November 28, at noon for a special walkthrough of the exhibition with curator @marchand_julia.

Cent Sommeils, Liselor Perez
Curated by @marchand_julia
Rubis Mécénat Prize 2025 with Beaux-Arts de Paris
Saint-Eustache Church
🗓️Until November 30

Credits: InstanT Productions

#rubismecenat #supportforartisticcreation #beauxartsdeparis #prixrubismecenat #liselorperez by @sanstitre.gallery

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a year ago