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Kathryn Fulp

@kathrynfulp

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Cinematographer and Photographer
Based in Florida, traveling everywhere
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New reel alert!!! The following is a sampling of my work over the last three years. I've had the pleasure of filming so many projects, a lot of which I wish I could've included (but let's be real, no one wants to watch a three minute reel). As with most things I do, this was a collaborative effort and labor of love so thank you to @mrbrianrachal for editing this and to my love and my favorite colorist @dr_shmalts for working your magic. The films and directors in this are as follows: She Holds the Tide dir. Lexi Collinsworth @lexicollinsworth Blood Rush dir. Alexey Shmalts @dr_shmalts Outtakes from Are You Listening? dir. by Karina Zelaya Trejo @bareappitite Hard Work dir. by Jessica Vitkin @vitkinj The Hand dir. by Zach Eanes @eaneszach Pas de Deux by yours truly NonProphet dir. by Faith Gilbert @effigy.fx Other work includes video which was done for @thedarlings.ilm and features @itsjustlindley and @cam.thomps , work for @winston_orz (including the music video in the beginning and a few miscellaneous shots throughout). Other work is my own personal work featuring @tototl_texotli and @corrie_beck Thank you to everyone who has trusted me behind a camera and to everyone who kindly worked with me on set. And please, can someone hire me to shoot a daylight exterior???? Here's to an incredibly bright future for all of us ❤️ by @kathrynfulp
Chat, I fear we cooked. by @kathrynfulp
Crazy tired from school and finally getting around to personal work. Some edits from a shoot with @makennaeleo by @kathrynfulp
friends, we’re heading to ireland! 🇮🇪 blood rush just got its first festival selection at the waterford international film festival! this is my first big experimental project, so it feels extra special to see it get attention a huge thank you to the whole crew - none of this would have happened without you! 🎥 by @kathrynfulp
Lovely photo from my talented friend @tototl_texotli from when she brought me to visit her family in Milpa Alta, MX. (: one of the best trips I've ever been on still by @kathrynfulp
Last shoot in the apartment in Wilmington with @itsjustlindley // thanks fb marketplace for helping me get rid of the rugs by @kathrynfulp
I'm the worst at remembering to tell people things, but on August 1st had you been in New Bern and had you been at the NC Film festival you may have seen my film! It won Honorable Mention in the Documentary category! And before that, if you had been in NYC in the East Village at the end of June, you may have also seen my film as it was a finalist! Pas de Deux was my thesis film, a short I made during my time at @uncwfilm I am now elongating into a feature length documentary about women in combat sports. Thank you to everyone who helped me make it, and let's see where else it goes! by @kathrynfulp
St. Augustine, FL on ektar, taken on my new baby (Nikon N90). Scanned and developed by @lowfivearchive by @kathrynfulp
Shooting with @corrie_beck and @alice_jette_designs , both wearing Corrie's original upcycled designs by @kathrynfulp
1,000 feet of hand-processed Kodak 3378. BLOOD RUSH A music video for Winston Orz, 2026. Shot on an ARRIFLEX SR1, this music video was built around the character of Kodak 3378, a high-contrast black-and-white sound-recording stock rarely used as a camera negative. DP Kathryn Fulp and I designed the shot list, exposure strategy, and lighting specifically for the stock’s steep contrast and limited latitude. We protected the exposure of Winston's face while letting the rest of the frame fall into deep blacks, sharp highlights, negative space, and graphic geometric forms. The visual language draws from Russian Cubism and Suprematism, using a single performance space to create something abstract, cold, and psychological. Nearly 1,000 feet of 16mm, around 30 minutes of footage, was then hand-processed in a LOMO tank using a custom development recipe I created specifically for the project. The film was scanned on a Blackmagic Cintel motion picture scanner and finished in DaVinci Resolve. Working with 3378 meant embracing its limitations. Extensive testing, precise exposure, controlled lighting, and careful hand-processing allowed the characteristics of the stock to become the foundation of the video's identity. Artist: Winston Orz @winston_orz Director, Editor, Film Processor: @dr_shmalts Director of Photography, Scanning Technician: @kathrynfulp Sound Producer: @bluekarmaofficial Mixing Engineer: @rareear 1st AC: Andrew Wellborn @awellvisuals 2nd AC: Isabella Haddon Gaffer: @_lindalowery_ Key Grip: @ajewysnek Production Design: @meburgiss #16mm #arriflex #kodak3378 #handprocessed #cinematography by @kathrynfulp
a rainy night in Savannah by @kathrynfulp
We are so excited to share this story with everyone and we need your help to do it! We have started our crowdfunding campaign with @seedandspark and yhe link is in our bio. It is there where you can find out all about the future of this project and the incentives for donating. Donate what you can and help us spread the word on our film. Make sure to follow us here and on for more updates in the weeks to come! #queerfilm #ncfilm #shortfilm #queerfilmmakers #crowdfunding by @kathrynfulp

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