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Yüzonbir, Lalin Mercan’ın solo sergisine ev sahipliği yapacağını duyurmaktan mutluluk duyar. “içimizde biz olmayan bir şey” sergisi, kurgu icra etmenin alternatif gerçeklikler üretme ve yeni perspektifler kurma olasılığı ile ilgilenir. Hikaye intergalaktik bir gezginin kamp alanında geçer. Sergi 13.03-17.04.26 tarihleri arasında görülebilir. 

Açılış 13.03.2026
18:00-20:30
YÜZONBİR
İMÇ 5. Blok
No 5556 Kat 2 taken in İMÇ ÇARŞISI by @yuzonbir.space
17
7 months ago
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Yasolim için single cover, acaba şu an, 2026 🫀 by @yuzonbir.space
5
8 months ago
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gelecekgünler serisi, 2025 

kağıt üstüne kurşun kalem, kuru boya, jel kalem ve akrilik jel medyum, alüminyum, pvc izolasyonlu çamaşır ipi, poliüretan döküm tavuk bacağı heykeli, oto boyası

𝗳𝘂𝘁𝘂𝗿𝗲𝗱𝗮𝘆𝘀 𝘀𝗲𝗿𝗶𝗲𝘀, 𝟮𝟬𝟮𝟱

𝗴𝗿𝗮𝗽𝗵𝗶𝘁𝗲, 𝗰𝗼𝗹𝗼𝗿𝗲𝗱 𝗽𝗲𝗻𝗰𝗶𝗹 𝗮𝗻𝗱 𝗵𝗲𝗮𝘃𝘆 𝗴𝗲𝗹 𝗺𝗲𝗱𝗶𝘂𝗺 𝗼𝗻 𝗽𝗮𝗽𝗲𝗿 𝗺𝗼𝘂𝗻𝘁𝗲𝗱 𝗼𝗻 𝗮𝗹𝘂𝗺𝗶𝗻𝗶𝘂𝗺, 𝗽𝘃𝗰 𝗶𝘀𝗼𝗹𝗮𝘁𝗲𝗱 𝗰𝗹𝗼𝘁𝗵𝗲𝘀𝗹𝗶𝗻𝗲, 𝗽𝗼𝗹𝘆𝘂𝗿𝗲𝘁𝗵𝗮𝗻𝗲 𝗰𝗮𝘀𝘁 𝗰𝗵𝗶𝗰𝗸𝗲𝗻 𝗳𝗼𝗼𝘁 𝘀𝗰𝘂𝗹𝗽𝘁𝘂𝗿𝗲, 𝗮𝘂𝘁𝗼 𝗽𝗮𝗶𝗻𝘁

1- manyetik uçurtma / 𝗺𝗮𝗴𝗻𝗲𝘁𝗶𝗰 𝗸𝗶𝘁𝗲
2- yuvarlanan sanat yatağı / 𝗿𝗼𝗹𝗹𝗶𝗻𝗴 𝗮𝗿𝘁 𝗯𝗲𝗱
3- uçuş hattı / 𝗹𝗶𝗻𝗲 𝗼𝗳 𝗳𝗹𝗶𝗴𝗵𝘁
4- müzik tutmak, yoğun çiftleşme / 𝗳𝗶𝘀𝗵𝗶𝗻𝗴 𝗺𝘂𝘀𝗶𝗰, 𝗶𝗻𝘁𝗲𝗻𝘀𝗶𝘃𝗲 𝗯𝗿𝗲𝗲𝗱𝗶𝗻𝗴
5- kaldıraç tuzağı / 𝘁𝗿𝗮𝗽𝗽𝗶𝗻𝗴 𝗹𝗲𝘃𝗲𝗿𝗮𝗴𝗲

Exhibited in the show süperendişe—meaning “superanxiety” in Turkish—at Kiralık Depo,“futuredays” is a series of symbolically dense, layered drawings that reflect on speculative futures and embodied unease rooted in wishful anticipation.

The series draws from a late-19th-century set of paper cards envisioning the year 2000 through scenes of technological advancement. Commissioned by the French toy manufacturer Armand Gervais for the 1900 Paris World’s Fair and illustrated by Jean-Marc Côté, the cards were first distributed in cigarette packs before later circulating as postcards.

By combining abstracted, night-vision-like re-renderings of these speculative scenes, AI-generated anatomical fragments rendered in fleshy tones, asemic symbols reminiscent of crop circles borrowed from the 1996 animation segment Prometheus and Bob, and chicken-foot hangers emerging from custom paddings evocative of a soft-room in a mental institution, the series evokes the entangled nature of temporality, anticipation, nostalgia, and inevitability—unfolding in space like a subdued fever dream. 📸: @zeynepfiratphotos by @yuzonbir.space
5
a year ago
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@muveddetnisanyildirim’ın deseni “Ofelya” ile J. D. Nasio - Jacques Lacan’ın Kuramı Üzerine Beş Ders için kapak tasarımı + alt , 2025 by @yuzonbir.space
4
a year ago
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into unexpected abysses/ beklenmedik uçurumlara, 2023

uv print on chiffon, lapis lazuli, red jade, pvc/ şifon üzerine uv baskı, lapis lazuli, kırmızı yeşim, pvc by @yuzonbir.space
3
a year ago
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downward dog (LET GO ANGER AND JEALOUSY) 09.09.09 / aşağı bakan köpek (ÖFKE VE KISKANÇLIĞI GERİDE BIRAK) 09.09.09 

• yoga matı, inci boncuk, iğne,9 dk. yoga seansı  vr video kaydı, 639hz uyku müziği 

• yoga mat,mdf, pearl beads, pins, 9-minute yoga session VR video recording, 639hz sleep music

many thanks for cimcime yoga.mp4 @formless905 👹🫂🫀👨‍🏭🪼🧚 (( Berkin Gülten ))

🪅📸 @zeynepfiratphotos taken in Kiralık Depo by @yuzonbir.space
6
a year ago
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ilahi hırıltı, 2024 @studio.barbare by @yuzonbir.space
3
a year ago
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@ccan.yildirim'ın 'özgürlük antrenmanı' çizimi ile tim ingold - çizgiler için kapak tasarımı (+alternatif renkler)
çeviren: @deniz.ciftci by @yuzonbir.space
7
a year ago
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sergimizin son üç günü 🍎 by @yuzonbir.space
2
2 years ago
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Detail. Can Yıldırım & Lalin Mercan, aerial end milking (futuredays series), 2025
graphite, colored pencil and heavy gel medium on paper mounted on aluminium, pvc isolated clothesline, polyurethane cast chicken foot sculpture, auto paint

havadar bitiş sağması (gelecek günler serisi), 2025 
kağıt üstüne kurşun kalem, kuru boya, jel kalem ve akrilik jel medyum, alüminyum, pvc izolasyonlu çamaşır ipi, poliüretan döküm tavuk bacağı heykeli, oto boyası

22.5cm x 30cm x 6mm

#süperendişe Perşembe’den Pazar’a 13:00-19:00 arası ziyarete açık. 

📸 @zeynepfiratphotos by @yuzonbir.space
0
2 years ago
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Michel Serres - İnsanlanma için kapak tasarımı + alternatif deneme, 2024 @liverayayinevi by @yuzonbir.space
0
2 years ago
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Kiralık Depo is very excited to announce ‘süperendişe’, a duo exhibition of new works by artists Lalin Mercan and Can Yıldırım. The exhibition brings together installation, video, sculpture and drawing exploring individual and collective sources of unease and coping reflexes. Taking inspiration from niche media outlets, popular consumer culture, mechanisms of control and fabricated desires, ‘süperendişe’ circles around its subject matter and imitates the entangled relationship between cause and effect.

The opening is on Thursday, January 23rd, from 17:00 to 20:00. Hope to see you there!! :-)

Can Yıldırım (b.1995) received his BFA from Interdisciplinary Sculpture department at Maryland Institute College of Art in 2017. Previous shows include Neo Ordinary, 9th Çanakkale Biennial MAHAL(2024);  Capriole Art Week, Lecce, IT (2023);  Don’t Worry We’re Side By Side There Are No Giants, Nor Their Shoulders, IMÇ 5533, TR (2021) among others.
 
Lalin Mercan (b.1992) attended Goldsmiths University where she studied BA Fine Art. Previous shows include Sense of Earth, Barbare Studios, Tekirdağ (2024); Home, na+ctrl, Barınhan, İstanbul (2024), Body Art Resistance, Karşı Sanat, İstanbul (2023) among others. taken in Istanbul, Turkey by @yuzonbir.space
21
2 years ago
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