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Eric Durkee

@1morproject

3 years ago

Photo by Eric Durkee on March 24, 2024.

Photo by Eric Durkee on March 24, 2024.

Photo by Eric Durkee on March 24, 2024.

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Posted On: March 25th 2024, 02:16 am

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@mccormick.clark

mccormick.clark

The new owners have really taken this to the next level.
Harder, better, faster, stronger
Reposted from @mccormick.clark

Comments (3)

darnryan

3 years ago

darnryan

I like they kept your wrap

castillomotorsportshq

3 years ago

castillomotorsportshq

Lt swapped it?

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📺: @musadcomedian

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There are moments when singing stops being a performance and becomes a communal act of healing.
On December 3, 1995, the world of the arts gathered at the Kennedy Center to honor Sidney Poitier—the groundbreaking artist who dismantled Hollywood racial barriers with unmatched dignity. To close his tribute, operatic soprano Jessye Norman stepped into the spotlight.
Norman was an artist of rare stature. Trained in the classical lieder and Wagnerian traditions, she never severed her connection to the spirituals she sang as a young girl in Augusta, Georgia.
Joined by a choir of over a hundred singers dressed in ordinary street clothes, Norman delivered John Newton’s “Amazing Grace” with awe-inspiring vocal architecture. Her sound was neither forced nor thin; it moved like rolling thunder through the Opera House, filling every acoustic corner without needing electronic enhancement.
In the Presidential Box, Bill Clinton and Sidney Poitier wiped away tears. Two years later, Norman would return to this very stage to receive the Kennedy Center Honors herself.
Decades later, this recording reminds us why Jessye Norman remains an irreplaceable titan in vocal history: she reminded the world that music’s greatest purpose is to dignify our shared humanity.

#JessyeNorman #AmazingGrace #KennedyCenterHonors #SidneyPoitier #OperaHistory

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අපි දෙන්නා චුට්ටක් මේ තෙමෙන්න හදන්නේ🤭❤️
@villa_aroma_minuwangoda

@olandria arrives to the @cfda awards show
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