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Imperial Range

@imperialcommercialcooking

6 years ago
Ready to work! #Repost @csmetals ・・・ New imperial ready for installation! @imperialcommercialcooking !
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Posted On: December 12th 2020, 02:12 am
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Ready to work! #Repost @csmetals
・・・
New imperial ready for installation! @imperialcommercialcooking !

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Nech sa deje, čo sa deje, toto je môj najobľúbenejší čas na svete. A keď týchto miniľudí dostaneme na kopec za drobné čoko-podplácanie, svieti slnko, aj keď je zamračené. Lepšie to už byť nemôže. ❤️ Dúfam, že aj vám sa darí nachádzať svoje ostrovčeky radosti. Veľmi ich potrebujeme.
A message from London!
dead cute, the girls get it 🕸️💕 Ootd @rebelathleticgirls @rebelathletic #rebellevel #reel #monsterhigh #foryou #halloween Monster High, Halloween fashion, Halloween photoshoot, creepy couture, high fashion dolls, doll aesthetic, rebel athletic girls, Halloween inspiration, spooky glam, fashion model, cheer model, cheer influencers, fashion photoshoot, best friend photoshoot, besties, girls fashion, teen fashion, cheerleading, allstar cheer, cheer fashion, cheerleader lifestyle, Rebel Athletic, Rebel Athletic girls, Monster High aesthetic, doll-inspired outfits, Halloween outfit ideas, Instagram Reels
Céline Dion, a return in CHANEL Haute Couture.   An homage to this memorable moment on the 69th Academy Awards red carpet in CHANEL Spring Summer 1997 Haute Couture, Céline Dion opened her final Paris shows of 2026 in a custom CHANEL Haute Couture dress, imagined by Matthieu Blazy. She also wore a CHANEL High Jewellery necklace inspired by the one she wore in 1997—the COMÈTE necklace, an emblematic 1932 design from Gabrielle Chanel’s one and only High Jewellery collection. To complete the look, a pair of black satin pumps created by Massaro, a Maison d’art resident at le19M.   #CHANELHauteCouture #CHANELHighJewelry @CelineDion @Le19M @AtelierMontex @Massaro_Paris
Today we’re listening to Elegies in C minor: (Opus 1) Qula Kwedini by the late Zim Ngqawana. Ngqawana was a remarkable composer and multi-instrumentalist whose music brought jazz into conversation with Xhosa musical traditions. He drew on his cultural heritage alongside his spiritual and philosophical interests. His work moved between intricate compositions and free improvisation. Interestingly, Batsumi’s Itumeleng, released in 1974, is the original recording sampled in Ngqawana’s track. Decades later, The Brother Moves On returned to Batsumi’s music with Itumeleng Revisited, bringing it into conversation with a new generation of South African musicians. Elegies in C minor: (Opus 1) Qula Kwedini draws on the traditional Xhosa song Kula kweDini, associated with important communal events surrounding initiation. As described in the National Museum’s account of Mzigojo’s solo exhibition, the sacred song is traditionally sung to herald events such as the return of young men from initiation school. Other accounts also connect it to stick-fighting traditions and the passage into manhood. Ngqawana’s interpretation brings this cultural heritage into a jazz setting. Many of the artists I’ve already spoken about here were once members of his band! 16/31 Days of Jazzober! 🧑🏾‍🍳🎷 #jazz #southafricanjazz #africanjazz #afrojazz #zimngqawana
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