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Johnson

@lifeasdq

5 years ago
Came in the game with everything I wanted…
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Posted On: February 17th 2022, 08:59 pm
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Came in the game with everything I wanted…
Comments (16)
hustlemantherapper 6 months ago

hustlemantherapper

Dm me

ravis1796 3 years ago

ravis1796

𝐒𝐞𝐧𝐝 𝐓𝐡𝐢𝐬 𝐏𝐢𝐜 👉 @fashion.ig.models

_keywest 5 years ago

_keywest

😎

lifeasdq 5 years ago

lifeasdq

👏👏👏

lifeasdq 5 years ago

lifeasdq

Lol

_beerandee_ 5 years ago

_beerandee_

Ok Spanish Fly👏

tmacsause 5 years ago

tmacsause

Come on Miami Vice/Cabo 🔥😂

fuxnawesome 5 years ago

fuxnawesome

Look at this guy. 🤤

msblueyedgirl 5 years ago

msblueyedgirl

Mr GQ 😜

_ohlayya 5 years ago

_ohlayya

The shirt🔥🔥

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Boy George London, 1988. An oversized jacket, layers of beads, a prominent cross and one of the most recognisable faces in British pop. Long before international fame, George was making and adapting his own clothes. His mother, a seamstress, helped with some of his early outfits, whilst George experimented with cutting, sewing and putting different pieces together. David Bowie, punk, disco and London's club scene all helped shape George's approach to dress. As the frontman of Culture Club, George brought his distinctive style and soulful voice to audiences around the world. Do You Really Want to Hurt Me?, Time (Clock of the Heart) and Karma Chameleon were amongst the band's biggest hits. His appearance attracted enormous attention, but the music was just as memorable. Following Culture Club's initial run, George continued recording as a solo artist. His reggae influenced version of Everything I Own reached No.1 in Britain in 1987. The following year, he released No Clause 28, a song opposing Section 28, which restricted local authorities in how they could address homosexuality. It was during this period of George's solo career that Brad photographed him in London. Before establishing himself as a photographer, Brad had worked as a projectionist for silent film star Gloria Swanson. The influence of classic cinema stayed with him, particularly its use of light and shadow, which became such an important part of his own photography. In this photograph, the quiet intensity of George's gaze and the richness of the grey tones are beautifully rendered in Brad's monochrome palette. Photography: Brad Branson Subject: @boygeorgeofficial London, 1988 #BradBranson #BoyGeorge #CultureClub #BritishPop #MusicPhotography
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