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CATERCLEAN HORECA

@caterclean_horeca

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Posted On: January 31st 2025, 07:57 pm
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Settimana di workshop a tema Nefel by Interchem, ringraziamo di ❤️ i nostri clienti che ci hanno onorato della loro presenza 😍

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Ранее в соцсетях распространилось видео, на котором служба отлова помещает собак в специальную машину. Как выяснилось, жители 4-го микрорайона жаловались на агрессивных собак-подростков, однако ловцы животных забрали четырех спокойных и социализированных собак. Благодаря неравнодушным горожанам и волонтерам фонда «Шанс» животных удалось освободить. Всех четверых прочипировали и временно разместили в приюте.
2000’s Alizée 1. Moi… Lolita 2. J’en ai marre ! 3. La Isla Bonita (Madonna cover) 4. Gourmandises 5. J’ai pas vingt ans ! 6. À contre-courant 7. Ella, elle l’a (France Gall cover) Alizée, the French phenomenon of the early 2000s. Discovered by Mylène Farmer, she became an international pop sensation at just 16 with her hit “Moi… Lolita” in 2000. A CLASSIC !! Her debut album Gourmandises surpassed 4 million copies worldwide and went multi-platinum. Fun fact: In 2003, Alizée covered Madonna’s La Isla Bonita on French television. The performance went viral, particularly in Mexico! She said many times that it’s her favorite song and she still performs it live, including at her concert earlier this year ! "J’en ai marre !" (2003) confirmed Alizée’s success after Moi Lolita. The song became a major hit in France and across Europe !
Kada veedhi kalakalakkum
“ربي امسح على قلبه”.. 💬 دعاء أحلام لمبارك الهاجري، تطلب فيه من الله أن يصبّره ويقوّي قلبه ويرحم فقيده علي بن مبارك الهاجري
Thailand's welcome for Israeli tourists sours ➤ Follow @jerusalem_report for more stories like this. Israeli tourists in Thailand are facing rising hostility, from viral confrontation videos to "No Israelis" signs in shops, concentrated on Phuket and islands like Koh Samui and Koh Phangan. Israel's ambassador has met Thai officials over disinformation, and Chabad leaders report a surge in antisemitic content online. Read more at the link in the bio.
Contemporary literature is dying.  If you’ve been following me for a while, you’ll know that my favorite (somewhat cheeky) claim is that contemporary literature sucks, and, in many ways, it does. Ben Lerner is an emotionless hack, Ottessa Moshfegh’s writing has no soul, and Sally Rooney never graduated from kindergarten. Even sadder is the fact that these writers represent the supposed upper echelon of literary prowess—as BookTok romantasy girls will often remind us, it only goes downhill from there. But unlike most writers who make up the contemporary literary establishment, I am not a nihilist but an optimist—I believe in the power of humanity, and this (admittedly) naive outlook has convinced me time and time again that these writers deserve a chance. That is why I’ve actually subjected myself to literary abominations such as The Topeka School, My Year of Rest and Relaxation, and Normal People, among others: every time I dive into these novels, I hope to stumble on a gem that might restore my faith in the contemporary literary milieu.  That’s why this past weekend, I really tried to give Anne Carson a chance.  Unless you live under a rock, you’ve probably heard by now that this past Thursday, Canadian poet Anne Carson took home the Nobel Prize in Literature. Before the big news, I’d only ever read If Not, Winter—Carson’s translations of the poems of Sappho—so I went into our newest Nobel laureate’s work with an open mind—and trust me, I really wanted to like her. Her Wikipedia page, for one, paints her as a serious literary scholar—versed in the likes of Homer, Euripides, Sophocles, Emily Dickinson, and Franz Kafka—and in a recent viral interview with The New Yorker, Carson even states that she doesn’t read contemporary novels—she reads old books.  For a moment, I thought I’d found a kindred spirit in the literary world—or, at least, a rare anomaly: a classically educated writer who desires to preserve rather than to destroy the literary tradition—but after reading dozens and dozens of Carson’s poems, I was not merely disappointed but downright devastated. Carson’s poems are really, really bad. Continue reading on my Substack.
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