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DIESELR

@dieselrcorp

2 years ago
Co Creator: gdptuning
🦍 WAKE UP THE BABY STROKE It’s here — 2021 3.0L Power Stroke single tune support is now live on the GDP Commander. Whether you’re towing trailers or chasing weekend errands, this support is here to upgrade your F150 Powerstroke! 💥 Commander 🛠️ SKU: 100-06105 📦 Available Now Dieselrcorp.ca 🛒
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Posted On: April 29th 2025, 10:05 pm
🦍 WAKE UP THE BABY STROKE
It’s here — 2021 3.0L Power Stroke single tune support is now live on the GDP Commander.
Whether you’re towing trailers or chasing weekend errands, this support is here to upgrade your F150 Powerstroke!

💥 Commander
🛠️ SKU: 100-06105
📦 Available Now
Dieselrcorp.ca 🛒

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Some images linger because they expose a pattern that keeps repeating under different labels. The drive to single out and remove Jews has simply changed its language while pursuing the same end. What once stood behind swastikas now advances under other banners, calling for the same isolation. Newer phrasing may sound more acceptable in certain circles, yet the core hostility has not shifted. History shows these cycles accelerate when people look away. Naming the continuity early remains the clearest defense against watching the same exclusion take root again.
Water time❤️
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The Line We Draw Inside, we imagine safety. Outside is where we put whatever feels uncertain. The doorways in The Beautiful Collapse question that separation. Environmental change can feel distant until it reaches the places we know. We wanted to look at the comfort a boundary gives us, and the limits of that comfort. A line can mark where a room begins without deciding what stays outside. ——————————

THE BEAUTIFUL COLLAPSE We created this series to explore how we respond to a world in disarray. When an image of loss is beautiful, does it help us understand what’s happening, or make it easier to admire and move on?
 Inspired by Gothic Romanticism, we were drawn to the tension between beauty and ruin. Sand gathers until somewhere familiar no longer feels the same. There is no single dramatic moment to point to, just the growing weight of what has been allowed to accumulate.
 The finished series moves through three spaces: an entrance, a box, and a corner filled with sand. The entrance suggests the boundary we draw between ourselves and the outside world. The box turns that world into something framed and observed. In the corner, the change can no longer be kept at a distance.
 Working with Entity’s thirteen dancers, we placed the precision of trained bodies and carefully made clothing inside an environment that neither could control. The contrast matters: so much human effort, beside a force that carries on regardless. We made these photographs beautiful deliberately. As image-makers, we are part of the same culture we’re questioning. The title holds that contradiction: something can be beautiful to look at and still show something being lost. Our intention is to make room for both reactions, and to ask what remains with us after we stop looking.
—————————— ENTITY by 8EYES Commissioned by @entitycontemporarydance Produced by @8eyes.la Creative direction by @matheusrouvier & @kent_boyd Photographer: @matheusrouvier Set design: @8eyes.la Stylist: @thxmasjay Styling Assistant: @kalliecollett Dancer: @vicksroan of @entitycontemporarydance #entitycontemporarydance #8eyesla #thebeautifulcollapse #photography
COOP & KAI COMBINED FOR 68 PTS IN THE MAVS WIN VS. HOUSTON 😤
Not the Swachh Bharat Abhiyan we wanted!
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