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Posted On: June 20th 2025, 08:56 am
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Michael Turinsky is a political artist and theorist from Vienna. In Munich, he has previously shown his works Heteronomous male (2018) and Precarious Moves (2022) as part of Grenzgänger Festival. Turinsky has critically reflected on his self-imposed term „Inclusive Dance“ and hence introduced the term „Crip Choreography“ for his work. In doing so, he contributed to a movement of artists who voice their own needs and demand substantial awareness for „all-abled arts“. Instead of integrating work into rigid institutional structures, Turinsky negotiates a common consciousness between each other such as defined by the term “Crip Time”.
Sandra Chatterjee is a political artist who has been active for many years in Munich’s Independent performing arts scene. Her choreographic and scholarly work operates at the intersection of theory and practice, engaging with performance, dance and the body through the lenses of gender, postcolonial and migration studies. She is dedicated to incorporating often ignored senses into dance – such as smell. She demonstrated the political aspect of this topic in works like Smells of Racism (2021 & 2025) and SWEAT – Smells of Labour (2023). Together with Sarah Bergh, Chatterjee founded CHAKKARs – Moving Interventions, an initiative committed to anti-discriminatory approaches to dance from BIPOC and post-migrant perspectives – or in other words: from critical, intersectional, anti-racist, queer, anti-classist and post-/decolonial viewpoints.
Together we will talk about how notions of time are negotiated through anti-ableist and decolonizing theories and practices.
date: June 25’th, 2025
open doors: 18.30 h
start: 19.30 h
entry: free
location: @einfach.gold
accessibility: +49 151 59843110 | you can also write an email before to: [email protected]
*** this project is funded by @kulturreferat.muenchen ***
Michael Turinsky is a political artist and theorist from Vienna. In Munich, he has previously shown his works Heteronomous male (2018) and Precarious Moves (2022) as part of Grenzgänger Festival. Turinsky has critically reflected on his self-imposed term „Inclusive Dance“ and hence introduced the term „Crip Choreography“ for his work. In doing so, he contributed to a movement of artists who voice their own needs and demand substantial awareness for „all-abled arts“. Instead of integrating work into rigid institutional structures, Turinsky negotiates a common consciousness between each other such as defined by the term “Crip Time”.
Sandra Chatterjee is a political artist who has been active for many years in Munich’s Independent performing arts scene. Her choreographic and scholarly work operates at the intersection of theory and practice, engaging with performance, dance and the body through the lenses of gender, postcolonial and migration studies. She is dedicated to incorporating often ignored senses into dance – such as smell. She demonstrated the political aspect of this topic in works like Smells of Racism (2021 & 2025) and SWEAT – Smells of Labour (2023). Together with Sarah Bergh, Chatterjee founded CHAKKARs – Moving Interventions, an initiative committed to anti-discriminatory approaches to dance from BIPOC and post-migrant perspectives – or in other words: from critical, intersectional, anti-racist, queer, anti-classist and post-/decolonial viewpoints.
Together we will talk about how notions of time are negotiated through anti-ableist and decolonizing theories and practices.
date: June 25’th, 2025
open doors: 18.30 h
start: 19.30 h
entry: free
location: @einfach.gold
accessibility: +49 151 59843110 | you can also write an email before to: [email protected]
*** this project is funded by @kulturreferat.muenchen ***
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