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ryanpoyer

@ryanpoyer

a year ago

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Posted On: August 25th 2025, 01:24 am

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@sohohouse

“Life on a Chain” with @peteyorn last night @sohosb 🙌 ⛓️

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📸: @rafaeltenorioftg

ازون دوتا که فقط بلدن بپیچونن 😂🤦‍♂️
خاطره سم پژمان جمشیدی از پیچوندن سام درخشانی و کامبیز دیرباز :))) وقتی همشون عین خیالشونم نیس که قرار دارن!
#پژمان_جمشیدی #قرار #خاطره #بیخیال #خنده

سام درخشانی، کامبیز دیرباز و پژمان جمشیدی از چهره‌های شناخته‌شده سینما و تلویزیون ایران هستند. سام درخشانی متولد ۳۱ تیر ۱۳۵۴ در تهران است که با بازی در آثاری مانند «پژمان» و «آوای باران» به شهرت رسید. کامبیز دیرباز، متولد ۱۲ شهریور ۱۳۵۴، فارغ‌التحصیل رشته بازیگری است و با نقش‌آفرینی در فیلم «دوئل» و سریال‌هایی مانند «نابرده رنج» محبوبیت زیادی کسب کرد. پژمان جمشیدی نیز متولد ۲۰ شهریور ۱۳۵۶ در تهران است که پیش از ورود به دنیای بازیگری، فوتبالیستی حرفه‌ای بود و سابقه حضور در تیم پرسپولیس و تیم ملی ایران را دارد. او با بازی در سریال کمدی «پژمان» به شهرت رسید و با حضور در فیلم‌هایی مانند «خوب، بد، جلف» و «دینامیت» جایگاه ویژه‌ای در سینمای کمدی پیدا کرد. این سه هنرمند با استعداد و نقش‌آفرینی‌های متنوع خود، لحظات خاطره‌انگیزی برای مخاطبان ایرانی رقم زده‌اند.

simply enough🩵 #hoco

“AI can’t emote for me.”

I asked Taylor Momsen if AI could ever fit into The Pretty Reckless, one of the most analog bands out there.

Could AI ever make a song that hits you like a real one?

@taylormomsen @theprettyreckless @lippsservicepod @spinmag

A little explanation about whats been happening. Instagram had put little blocks in place, temporarily stopping me from commenting on photos and chats. It could lead to permanent disabling my account. I was tired of this and I tried to start over again and deleting this account, but considering the amount of work i put in it and the love i have received from all of you. I decided to give it another go. Im sorry if it has been confusing these last few days ❤️❤️

This crimson clay, and these crimson pots I’ve been making on an extremely small scale haven’t been the easiest objects to get right and I’m still struggling to replicate my first few tests, despite following the recipes I jot down initially.

They also require a very subtlety different approach as with all the added flux in this clay that gives it that vibrant red colour, it also makes it more susceptible to slumping in the kiln if thrown or trimmed too finely. Both of which are traits I normally cherish, which means I’m having to purposefully craft these with a bit more heft in them but even this isn’t fixing the issue entirely and I reckon the blend of clay bodies I’m using needs another, stronger, addition.

The problem is, the more this blend is diluted, the less the red shows in the final product, this means the other, perhaps more straightforward solution is firing them at a lower temperature, which is exactly why I’ve been firing them on the lowest shelf and towards the front of that layer, as typically it always fires a touch cooler. Whereas in my preliminary tests, I fired a collection of these pots all of the kiln and those on the upper shelves definitely showed more signs of movement in their walls.

They didn’t all slump, some just began to bend and sort of lose their shapes, which in some ways can be rather delightful, provided the movement occurs in a way that feels perhaps balanced or aesthetically interesting. But there are times where it looks as if the pot is beginning to melt, or have a stroke, with one specific corner of the vessel slouching.

The whole idea with these pots was to make them with a red clay, coat them with a red glaze and also insert fragments of bronze into the material when it was still soft and malleable, which once fired turn into red blossoms on the surface. Red on red on red.

But I still need some time to perfect things. Perhaps perfect is the wrong word as that isn’t really what I’m looking for in my work, rather I’m looking to find that delicate line where there’s a degree of error in the pots that’s still deemed acceptable.

#pottery #clay #satisfying #glazing #craft