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@cdtam.natalrn

a year ago

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Posted On: October 10th 2025, 12:36 am

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grupo_corpo

a year ago

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Kök közlar

CTFU 😂 😂 😂 They mad mad on a planet that their genetics doesn't match😂😂😂 Go back to your planet or should eye say, "Cave" #sunblood #eyeamnotblack #Neuromelanin #starfamily #stemcells

✧ 𝘒𝘪𝘭𝘭𝘦𝘳 𝘘𝘶𝘦𝘦𝘯 • 52 𝘺𝘦𝘢𝘳𝘴
𝘖𝘤𝘵𝘰𝘣𝘦𝘳 11, 1974

❀༉ Fifty-two years ago today, Killer Queen / Flick of the Wrist was released in the UK as a double A-side single. Written by Freddie for Sheer Heart Attack, Killer Queen reached No. 2 in the UK and No. 12 in the US, introducing Queen to a whole new audience.

❀༉ Elegant, theatrical, and wonderfully cheeky, this song has so much of Freddie’s personality woven into it. The harmonies, Brian’s guitar, and the way Freddie delivers every line…so much detail tucked into three minutes.

Freddie explained: “The words came first, and the sophisticated style I wanted to put across came first.”

❀༉ In her book, Mary Austin remembers Freddie writing Killer Queen at the piano, playing a few chords, pausing to write, then returning to them. After years of trying to establish himself, she felt he was beginning to trust his own abilities. She remembers a lighter, happier Freddie during this period…skipping rather than walking, suggesting friends come for dinner, and talking about plans for tomorrow.

❀༉ Mary also shares a lovely champagne memory. Before an EMI executive and his girlfriend visited their flat, she bought a bottle of Moët & Chandon. Freddie worried one bottle wouldn’t be enough, then forgot to chill it, so it was served warm! Mary went without a glass, worried there wouldn’t be enough to go around. She doesn’t know whether that bottle inspired the lyric, but I love hearing this little memory alongside it. 🥂

❀༉ As the song found its audience, Mary remembers his relief and excitement. Watching him on Top of the Pops, she saw him stepping into a more confident stage persona…prepared, energised, and completely in control.

Brian later called Killer Queen “the turning point.” Fifty-two years later, we’re still enjoying every delicious little detail.

📖 Mary Austin’s recollections from A Life in Lyrics • Link in bio
🎬 Footage: @officialqueenmusic
🎞️ Edited by me for creative/fan purposes
© Queen Productions Ltd.
⚠️ Tribute only-no copyright infringement intended.

#Freddiemercury #Queen #KillerQueen #SheerHeartAttack #ClassicQueen

Solid P3 in Singapore! 💪🏻🇸🇬

After a tricky beginning of the weekend, where we had to work super hard to optimize this new package. I’m super happy about the step we did on race day.

Happy with the race too, I managed to keep a strong pace and find more at the end when it mattered. The temperatures were brutal and I had to give absolutely everything to push all the way to the end 🥵

Massive thank you to the fans that showed an incredible support here in Singapore, I can’t wait to be back next year! ❤️

See you all in Austin 💪🏻🇺🇸

Solid P3 in Singapore! 💪🏻🇸🇬

After a tricky beginning of the weekend, where we had to work super hard to optimize this new package. I’m super happy about the step we did on race day.

Happy with the race too, I managed to keep a strong pace and find more at the end when it mattered. The temperatures were brutal and I had to give absolutely everything to push all the way to the end 🥵

Massive thank you to the fans that showed an incredible support here in Singapore, I can’t wait to be back next year! ❤️

See you all in Austin 💪🏻🇺🇸

Solid P3 in Singapore! 💪🏻🇸🇬

After a tricky beginning of the weekend, where we had to work super hard to optimize this new package. I’m super happy about the step we did on race day.

Happy with the race too, I managed to keep a strong pace and find more at the end when it mattered. The temperatures were brutal and I had to give absolutely everything to push all the way to the end 🥵

Massive thank you to the fans that showed an incredible support here in Singapore, I can’t wait to be back next year! ❤️

See you all in Austin 💪🏻🇺🇸

Solid P3 in Singapore! 💪🏻🇸🇬

After a tricky beginning of the weekend, where we had to work super hard to optimize this new package. I’m super happy about the step we did on race day.

Happy with the race too, I managed to keep a strong pace and find more at the end when it mattered. The temperatures were brutal and I had to give absolutely everything to push all the way to the end 🥵

Massive thank you to the fans that showed an incredible support here in Singapore, I can’t wait to be back next year! ❤️

See you all in Austin 💪🏻🇺🇸

Solid P3

here n there

This crimson clay, and these crimson pots I’ve been making on an extremely small scale haven’t been the easiest objects to get right and I’m still struggling to replicate my first few tests, despite following the recipes I jot down initially.

They also require a very subtlety different approach as with all the added flux in this clay that gives it that vibrant red colour, it also makes it more susceptible to slumping in the kiln if thrown or trimmed too finely. Both of which are traits I normally cherish, which means I’m having to purposefully craft these with a bit more heft in them but even this isn’t fixing the issue entirely and I reckon the blend of clay bodies I’m using needs another, stronger, addition.

The problem is, the more this blend is diluted, the less the red shows in the final product, this means the other, perhaps more straightforward solution is firing them at a lower temperature, which is exactly why I’ve been firing them on the lowest shelf and towards the front of that layer, as typically it always fires a touch cooler. Whereas in my preliminary tests, I fired a collection of these pots all of the kiln and those on the upper shelves definitely showed more signs of movement in their walls.

They didn’t all slump, some just began to bend and sort of lose their shapes, which in some ways can be rather delightful, provided the movement occurs in a way that feels perhaps balanced or aesthetically interesting. But there are times where it looks as if the pot is beginning to melt, or have a stroke, with one specific corner of the vessel slouching.

The whole idea with these pots was to make them with a red clay, coat them with a red glaze and also insert fragments of bronze into the material when it was still soft and malleable, which once fired turn into red blossoms on the surface. Red on red on red.

But I still need some time to perfect things. Perhaps perfect is the wrong word as that isn’t really what I’m looking for in my work, rather I’m looking to find that delicate line where there’s a degree of error in the pots that’s still deemed acceptable.

#pottery #clay #satisfying #glazing #craft