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@ms_ingink

10 months ago

Taken just a few short hours before Bob #skeleton face planted the #christmastree ... Twice. 🙄 This is why we don't go out over the festive period - can't take Bob (or leave him) anywhere! #christmasspirit 🥃 #christmas #yule

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Posted On: December 30th 2025, 06:33 pm

Taken just a few short hours before Bob #skeleton face planted the #christmastree ... Twice. 🙄 This is why we don't go out over the festive period - can't take Bob (or leave him) anywhere! #christmasspirit 🥃 #christmas #yule

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baby mama 🍸

I’ll miss this show so much #theamazingdigitalcircus #fyp #glitch #tadc #creatorsearchinsights

@szilvesztermako has had a big year. He has photographed major celebrities from Elle Fanning to John Galliano to Rihanna, been featured on cover after cover, held a showcase in New York, and developed a distinct visual language that has made audiences declare that fashion editorial is back.

But we live in a time where the attention economy moves faster than artistic processes. Online users and some publications have noted how Makó’s plethora of cover shoots this year—there are no less than a dozen—has rendered outlets like Vogue, Elle, and Wall Street Journal homogenous.

In the same calendar year as Makó’s meteoric rise to prominence, some who so recently showered Makó’s work with praise and adoration have begun to express boredom with his aesthetic. Across social media platforms, fans, critics, and commentators began to weigh in.

“Not the fucking sad, dim box again,” one commenter said. “At this point he might as well just be Photoshopping heads onto the same outfits,” said another.

It’s worth noting that Makó reportedly eschews digital processing, AI, and CGI when creating his images. But furthermore, is the concept really the “same” across Makó’s shoots? Or are we confusing the artist’s unique authorship with our own appetite for fresh new content, delivered at faster speeds than any artist can (or should) have to produce? And in this media climate, is it possible for beloved, standout image creators to build longstanding, legacy careers? Or does the audience gobble them up too fast?

The best person to speak on this is the artist himself. We spoke to Makó about his year, the work he has done, and the peaks and valleys of finding mass acclaim in a world full of armchair critics. Swipe through to read what Szilveszter Makó has to say.

A student tried using Claude to get answers during a live Java coding exam, but the chatbot refused to help him cheat.

Claude noticed the exam timer, webcam monitoring, and signs of a live test in the screenshots.

Even when the student asked for a direct answer, Claude wouldn’t provide the code.

Instead, it offered to explain the problem and help him practice similar questions after the exam.

👉 Follow @uncover.ai to stay updated with the latest AI news

Source - riya_mishra007/X

A Halloween performance with plenty of drama from our #Strictly pros 👻

Mushroom murderer Erin Patterson’s appeal fails and her sentence increased. With the slimmest of chances ( no Ozempic pun intended) of leave being granted to appeal to the High Court, she appears destined to spend the rest of her days behind bars… #mushroom #mushroommurders #truecrime #erinpatterson