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Mohammad Abdallah

@moabdalla777

7 months ago
Co Creator: specialsolutions_ asocialsagency
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Posted On: April 12th 2026, 12:12 pm
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Comments (5)
hussamalsharif_jewelry 7 months ago

hussamalsharif_jewelry

👏👏

its_moe1 7 months ago

its_moe1

👏👏👏👏

zaid.ajj 7 months ago

zaid.ajj

😍😍😍😍

sultanalajjouri 7 months ago

sultanalajjouri

👏

moabusair 7 months ago

moabusair

🔥🔥🔥

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HEART OF STONE My first time inside a quarry, standing inside a mountain. Marble underfoot, overhead, everywhere. The movement of the stone flowing through it all in one continuous gesture. I felt so small. Nature on this scale is almost impossible to take in. My team and I came to Bergamo with @arca.ww to select stone for my studio’s project, sending slab photos back to the studio in real time. We’re studying dimensions and thickness, exploring cuts that give the stone depth and reveal its movement from different angles. Thinking through where that movement continues across a joint, where it turns a corner, and where a change in direction could create something unexpected. I’ve worked with stone for years. Seeing it here, at its source, was humbling in a way I hadn’t expected. More from Carrara soon. XK Photographer: @piergiorgiosorgetti Brand Partner: @arca.ww Styling: @vanessa_coyle Dress: @muglerofficial Vintage Shoes: @balenciaga by @nicolasghesquiere Hair and Makeup: @lazovska_
It started out with a kiss, how did it end up like this? It was only a kiss! It was only a kiss! BABES!! Our official coverage of ACOSH starts tomorrow!!! ACOSH: Reaction Live Show is dropping Monday, 11/2! Available wherever you get your podcasts. We had so much fun doing our first ever live show and hope there will be many more to come! It had banter, hijinks, and theories galore! Link in bio. Happy listening! #acotar #acosh #bookstagram #romantasy #bookpodcast
He once stood next to greatness... now he conquers the world with it 💪 #F1 #Formula1
#sarujaanu
Šiandien 100-metį švenčiantis Valdas Adamkus yra mano vaikystės prezidentas. Ir, kartu su žmona Alma, mano pirmas vakarietiškos elegancijos pavyzdys. Nors 2003 m. interviu žurnalui „Žmonės“ Alma Adamkienė sakė, kad elegancijos neišmoksi, savo pavyzdžiu Adamkai bent kelioms lietuvių kartoms parodė, ką ji iš tiesų reiškia. Anuomet svarbūs buvo ne tik į Lietuvą atnešti JAV politinės kultūros standartai. Už jų slypėjo laikysena – šviesus požiūris į pasaulį, empatija, pagarba ir gebėjimas įkvėpti. Puikiai suprantu, kad šiandien Adamkų įvaizdį, ypač iš pirmosios kadencijos, vertiname 2026-ųjų kategorijomis. Matome tai, ką dabar vadiname tylia prabanga, ką laikome klasikiniu konservatyviu stiliumi ar ką atpažįstame kaip Vašingtonui būdingus estetinius kodus. Vis dėlto dešimtajame dešimtmetyje ta reikšmė buvo gerokai gilesnė. Adamkų elegancija tarsi sakė, kad vakarietiška kultūra Lietuvai nėra svetima ar nepasiekiama – kad ji čia pat, tereikia truputį pasitempti ir nebijoti mokytis. Manau, kad 1998-aisiais išsirinkti tokį prezidentą Lietuvai, tebestovėjusiai kultūrų (jei ne civilizacijų) kryžkelėje, nepaprastai pasisekė. Žinoma, vakarietišką Lietuvos kursą formavo gausybė šviesių žmonių, tačiau Adamkai šiai krypčiai suteikė aiškų bei įtikinamą pavidalą. Ir leido patikėti, kad žvelgdama į elegantišką, tarp laisvojo pasaulio lyderių stovinčią porą matau ir savo ateitį. Nuotraukos: BNS, ELTA, LRT, 15min, iš asmeninio Valdo Adamkaus archyvo
There is something extraordinary about ‘Mother Mary Comes to Me’: the way Arundhati Roy holds the contradictions of a woman who could be both a force of nature and a source of deep hurt. Mary Roy was a formidable feminist who challenged the world and carved out a place for herself, yet the same fierce, uncontained spirit could wound those closest to her. Arundhati writes of her with a startling honesty that neither diminishes her mother’s achievements nor conceals the wreckage left behind. What emerges is an inheritance of extraordinary complexity: a daughter shaped by the very person she has struggled to understand, carrying both her mother’s fire and the scars of its burning. The memoir asks what it means to love someone who has hurt you, to recognise their humanity without denying your own pain, and to live with the knowledge that tenderness and cruelty can inhabit the same person. It is a portrait of motherhood, memory, rage and resilience, and of how the private lives behind public triumphs are rarely as simple as the world imagines. Perhaps its greatest achievement is that it makes room for a woman to be a revolutionary and a deeply flawed mother, and for a daughter to tell the truth about both.
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