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4 months ago

Photo by Swan Café | Parisian Crêperie on June 09, 2026.

Photo by Swan Café | Parisian Crêperie on June 09, 2026.

Photo by Swan Café | Parisian Crêperie on June 09, 2026.

Photo by Swan Café | Parisian Crêperie on June 09, 2026.

Photo by Swan Café | Parisian Crêperie on June 09, 2026.

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Posted On: June 9th 2026, 11:14 am

Crêpes and textures of swan 🦢💙
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#swancafe #food #capetownbrunch #capetown #crêpes

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🚇🎻 Edvard Grieg – Peer Gynt, incidental music, Op. 23
Copenhagen Phil (Sjællands Symfoniorkester) – orchestra 🇩🇰
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When checked in October 2026, the original video totaled 14.8 million views on the channel of Copenhagen Phil itself. Five days after it was posted, the site Silicon Republic already counted more than 523,000 and described, among the passengers, smiles, exchanged glances, some who seemed to have tears in their eyes and the younger ones filming with their phones. In those days, NPR reported on the video in the United States. The flash mob was created in partnership with Radio Klassisk, a classical music radio station that had launched months earlier, and the video comes from the Danish production company Makropol. The video description mentions only Peer Gynt; reports by DailyGood and Grist about it identify the excerpt as Morning Mood.
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Listen again and pay attention to the final seconds, when the camera leaves the horn and moves to a violin: the sound becomes clearer and brighter, stays strong, and the video ends with the music still sounding, without fading out.
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Copenhagen Phil, called Sjællands Symfoniorkester in Danish, has about 70 permanent musicians and is based in the concert hall of the Conservatory in Frederiksberg, and it had already taken its music outside that hall the year before. At Copenhagen Central Station, it played Ravel's Boléro in a flash mob that begins with a drum and gradually adds the instruments, as Ravel does in the score, for an unsuspecting and, in large part, delighted audience, according to Limelight. By the same account, the action was planned with a rehearsal of who came in and when, to draw attention to the orchestra.
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