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Posted On: July 20th 2026, 05:10 pm
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13—18.07.2026
École d’été • Summer school
INES COX, NANA ESI & SHARON VAN OVERMEIREN
Ravisius Textor
Nevers • Bourgogne • France
How can we build a museum without building a museum?
This summer school approaches the replica as a way to access something that cannot be accessed — not as a copy, but as a shift, a translation that moves sideways rather than forward.
We work through models, doubles, reductions, enlargements, repetitions; through gestures that stretch or compress, multiply, simplify or complicate. Forms and ideas emerge through making; thinking does not come first but moves within the process. The replica may take different forms — physical or digital, object or image, model or interface.
As a point of reference, we look at a local collection in Nevers: small boxed scenes made in verre filé, where entire worlds are constructed out of fine threads of glass, shells and paper.
With this in mind, 14 students gathered during a week of scorching heat to brainstorm, exchange ideas, and create objects that will be exhibited in Ravisius Textor starting in September.
— Alec Baldin, Rietveld Academie, DE • NL @aalecbaldin
— Ileana Brault, Master Fonderie de l’image, FR @ileanabrault
— Eva Claycomb, Estonian Academy Of Art Talinn, USA • EE @evaclaycomb
— Francine Delorme, Ensba Lyon, FR @fransssine
— Toon de Reuse, Sint Lucas Ghent, BE @toondereuse
— Julius Geyer, Rietveld academie, DE • NL @juliusgeyer
— Yibo Jiang, Ensad Paris CN • FR @yi.bo.jiang
— Alice Marion, Ensad Paris, FR @4licen0iram
— Rémi Mugnier, Esadhar Le Havre, FR @bleuserpent
— Anatole Prost, Rietveld academie, FR • NL @anatole_prost
— Ethan Anthony Read, EEstonian Academy Of Art Talinn, UK • EE @ethananthonyread
— Yedan Yang, Ensba Lyon, CN • FR @yyeeedan
— Chloé Gourvennec, Estonian Academy Of Art Talinn, FR • EE @gourvei
@ines_cox @___olympia @sharon_0v0_
École d’été • Summer school
INES COX, NANA ESI & SHARON VAN OVERMEIREN
Ravisius Textor
Nevers • Bourgogne • France
How can we build a museum without building a museum?
This summer school approaches the replica as a way to access something that cannot be accessed — not as a copy, but as a shift, a translation that moves sideways rather than forward.
We work through models, doubles, reductions, enlargements, repetitions; through gestures that stretch or compress, multiply, simplify or complicate. Forms and ideas emerge through making; thinking does not come first but moves within the process. The replica may take different forms — physical or digital, object or image, model or interface.
As a point of reference, we look at a local collection in Nevers: small boxed scenes made in verre filé, where entire worlds are constructed out of fine threads of glass, shells and paper.
With this in mind, 14 students gathered during a week of scorching heat to brainstorm, exchange ideas, and create objects that will be exhibited in Ravisius Textor starting in September.
— Alec Baldin, Rietveld Academie, DE • NL @aalecbaldin
— Ileana Brault, Master Fonderie de l’image, FR @ileanabrault
— Eva Claycomb, Estonian Academy Of Art Talinn, USA • EE @evaclaycomb
— Francine Delorme, Ensba Lyon, FR @fransssine
— Toon de Reuse, Sint Lucas Ghent, BE @toondereuse
— Julius Geyer, Rietveld academie, DE • NL @juliusgeyer
— Yibo Jiang, Ensad Paris CN • FR @yi.bo.jiang
— Alice Marion, Ensad Paris, FR @4licen0iram
— Rémi Mugnier, Esadhar Le Havre, FR @bleuserpent
— Anatole Prost, Rietveld academie, FR • NL @anatole_prost
— Ethan Anthony Read, EEstonian Academy Of Art Talinn, UK • EE @ethananthonyread
— Yedan Yang, Ensba Lyon, CN • FR @yyeeedan
— Chloé Gourvennec, Estonian Academy Of Art Talinn, FR • EE @gourvei
@ines_cox @___olympia @sharon_0v0_
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