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Oboy clin

@cl_inton9007

3 months ago
Photo by Oboy clin on July 21, 2026. May be an image of one or more people.
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Posted On: July 21st 2026, 07:59 am
Life is good when u get money just chase the bag and stop chasing those who don’t have vision ✌️🥹🙏🫩😳
Comments (4)
khobbybrowne 3 months ago

khobbybrowne

Solid🔥

emmanuel.amoako.3344 3 months ago

emmanuel.amoako.3344

🔥

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Something Radhi has been longing for, for so long.
If the concept of rebirth had a face, it could easily be that of Josh Homme. A face that looks as though it were carved from the rock of the American West’s deserts, much like the music he has spent years shaping with Kyuss, @queensofthestoneage and other projects. That same face graces the cover of Rumore’s October issue, marking the release of the new QOTSA album, Perfecth, on October 30 via @matadorrecords. 

Nicholas David Altea (@nicholas_d_altea) met him in Milan, the very place where, two years ago, one of the most intense and difficult periods of his career began, eventually leading to the recording in Paris of the documentary Alive In The Catacombs. A conversation about music, life, death, pain and rebirth — one that could only become a cover story. 
Interview: @nicholas_d_altea 
Photos: @rosshalfin Graphic design: @sericraft 

The new October issue of @rumoremag (#417) is out now, available at newsstands and in our online shop. 

[Click the link ⛓️ in our bio to get your copy] 
— 
Se il concetto di rinascita avesse un volto, potrebbe essere tranquillamente quello di Josh Homme. Quella faccia che sembra modellata nella roccia dei deserti dell’Ovest degli Stati Uniti, proprio come la musica che negli anni ha scolpito con Kyuss, Queens Of The Stone Age e altri progetti. Quella faccia a cui è dedicata la copertina del numero di Rumore di ottobre, in occasione dell’uscita, il 30 del mese, del nuovo album dei QOTSA, Perfecth per @matadorrecords. Nicholas David Altea l’ha incontrato a Milano, proprio dove due anni fa era iniziato uno dei periodi più intensi e difficili della sua carriera, culminato con la registrazione a Parigi del documentario Alive In The Catacombs. Una conversazione su musica, vita, morte, dolore, rinascita, che non poteva non essere una storia di copertina. Intervista: @nicholas_d_altea 
Foto: @rosshalfin Grafica e impaginazione: @sericraft 

Il nuovo numero di Rumore 417 di ottobre è disponibile in edicola e nel nostro shop. 

[Clicca sul link ⛓️ in bio per acquistarlo]
A bank once offered Daymond John a $1.3 billion credit line. He said no. What he said next is why. This will wreck your definition of "winning." What's your actual why? Not the yacht answer. The real one. 👇 Comment BIG DEAL for the full episode
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