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Posted On: August 6th 2026, 05:30 am
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李德雅
《蟲洞》V 2.0，2026
金屬彈簧
220L x 150H x 20D cm，尺寸可變
如果時間並非線性流逝，而是一種錯綜複雜、相互交織的結構，那會怎麼樣？這個視角揭示了過去、現在與未來這三個時間維度彼此的關聯，且可同時被感知。時間構成了某種形態跟空間制衡；在不同門洞間的轉換，交織出了一個可無限延展的網 。
此作品呈現了一系列金屬彈簧在牆上的各種形態與朝向。作品探討自由意志、宿命論與接納等概念，那怕預知未來也並不會從本質上削弱我們選擇的意義，而是可能改變我們對這些選擇的理解 。
Zoe Lee
Portals V 2.0, 2026
Metal springies
220L x 150H x 20D cm, size variable
What if the concept of time were non-linear, indicating that it is not a linear progression but a complicated, interwoven fabric? This perspective illustrates that all temporal moments — past, present, and future — are interrelated and concurrently accessible. The times formed the shapes that metaphorically restrict the spaces, transitioning from one portal to another, resulting in an infinite web.
This artwork references the endless traces of movement produced by an array of prefabricated metal springies in diverse configurations and orientations affixed to the wall. It questions the concepts of free will, predestination, and acceptance, demonstrating that foreknowledge of the future does not inherently undermine the significance of our choices but may rather alter our comprehension of them.
《蟲洞》V 2.0，2026
金屬彈簧
220L x 150H x 20D cm，尺寸可變
如果時間並非線性流逝，而是一種錯綜複雜、相互交織的結構，那會怎麼樣？這個視角揭示了過去、現在與未來這三個時間維度彼此的關聯，且可同時被感知。時間構成了某種形態跟空間制衡；在不同門洞間的轉換，交織出了一個可無限延展的網 。
此作品呈現了一系列金屬彈簧在牆上的各種形態與朝向。作品探討自由意志、宿命論與接納等概念，那怕預知未來也並不會從本質上削弱我們選擇的意義，而是可能改變我們對這些選擇的理解 。
Zoe Lee
Portals V 2.0, 2026
Metal springies
220L x 150H x 20D cm, size variable
What if the concept of time were non-linear, indicating that it is not a linear progression but a complicated, interwoven fabric? This perspective illustrates that all temporal moments — past, present, and future — are interrelated and concurrently accessible. The times formed the shapes that metaphorically restrict the spaces, transitioning from one portal to another, resulting in an infinite web.
This artwork references the endless traces of movement produced by an array of prefabricated metal springies in diverse configurations and orientations affixed to the wall. It questions the concepts of free will, predestination, and acceptance, demonstrating that foreknowledge of the future does not inherently undermine the significance of our choices but may rather alter our comprehension of them.
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