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Ember Dawani

@craft.em.up

a month ago

Photo by Ember Dawani on September 07, 2026. May be an image of banner and text that says 'abbys TWENTY WD Bir'.

Photo by Ember Dawani on September 07, 2026. May be an image of dress and text that says 'Abby's TWENTU COND B y'.

Photo by Ember Dawani on September 07, 2026. May be an image of text that says 'abbys TWENTY OND Bi 000 ٥٥ 22 N 3'.

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Posted On: September 7th 2026, 09:56 pm

Made this super cute last minute banner for @abby_moss22’s GOLDEN birthday!! ✨✨✨
Reach out to order one for an event today!! 🫶🏻

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Do you agree with Dhruv Rathee?

#democracy #genz #youth #constitution #freespeech

3 flights later…i made it to italy🥹✈️🇮🇹🫶🏻
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#travelwithme #travelvlog #cozyvlog #solotravel #travel

Happy to be a brunette after my blondie era😜🔥
Thankyou @envisalonspa Kanjurmaarg for giving me the much needed hair change!

Careless Whisper, Live in Paris 1988 🎶 Listen to the track via the link in bio.

George Michael: The Faith Tour in cinemas from Nov 4

#TheFaithTour
#GeorgeMichael

Follow Peek TV for all latest updates

Cameraperson: @sarakhanx._

Today we’re listening to Elegies in C minor: (Opus 1) Qula Kwedini by the late Zim Ngqawana.

Ngqawana was a remarkable composer and multi-instrumentalist whose music brought jazz into conversation with Xhosa musical traditions. He drew on his cultural heritage alongside his spiritual and philosophical interests. His work moved between intricate compositions and free improvisation.

Interestingly, Batsumi’s Itumeleng, released in 1974, is the original recording sampled in Ngqawana’s track. Decades later, The Brother Moves On returned to Batsumi’s music with Itumeleng Revisited, bringing it into conversation with a new generation of South African musicians.

Elegies in C minor: (Opus 1) Qula Kwedini draws on the traditional Xhosa song Kula kweDini, associated with important communal events surrounding initiation. As described in the National Museum’s account of Mzigojo’s solo exhibition, the sacred song is traditionally sung to herald events such as the return of young men from initiation school. Other accounts also connect it to stick-fighting traditions and the passage into manhood. Ngqawana’s interpretation brings this cultural heritage into a jazz setting.

Many of the artists I’ve already spoken about here were once members of his band!

16/31 Days of Jazzober! 🧑🏾‍🍳🎷

#jazz #southafricanjazz #africanjazz #afrojazz #zimngqawana