Instagram story viewer> @_agustinafiona> Post
Agustina Venturelli 🎀(_agustinafiona)'s profile avatar

Agustina Venturelli 🎀

@_agustinafiona

a month ago
Download
10
Posted On: September 14th 2026, 10:46 pm
Ojalá sanes
eso que pensás y sobrepensás ❤️‍🩹💐💫

#running #terapi #ansiedad #sanar
Comments (10)
guan_ruey a month ago

guan_ruey

Uh yo pienso en mi bolsillo 💸 necesito que sane mucho 😆

aguss.coach a month ago

aguss.coach

🔥🙌

agusabbatella a month ago

agusabbatella

😍😍😍

deen29salazar a month ago

deen29salazar

Pienso en montaña cada vez que salgo a correr por Buenos Aires y no sabes como la extraño 😢

lapipanosemancha a month ago

lapipanosemancha

❤️‍🩹🫂

More posts

Dear beauty diary... @sephora_india @houseofsephora House of Sephora was such a vibe, and clearly, the beauty lover in me had the best time!✨💄 One fabulous evening, @prpundit 🫶SO many favourite brands, lots of glam, laughter, girl time & some lovely surprises along the way! 💃🏻 P.S. Came home with some serious beauty goodies! Can’t wait to explore them all... and yes, a little What’s in My Sephora Bag haul is coming your way!✨✨✨ #HouseOfSephora #Sephoralndia #BeautyDiaries
atlanta !! you showed UP 🥹 thank you for singing every word, dancing with us, and filling the whole arena with your energy!! we love you 🩷
Today we’re listening to Elegies in C minor: (Opus 1) Qula Kwedini by the late Zim Ngqawana. Ngqawana was a remarkable composer and multi-instrumentalist whose music brought jazz into conversation with Xhosa musical traditions. He drew on his cultural heritage alongside his spiritual and philosophical interests. His work moved between intricate compositions and free improvisation. Interestingly, Batsumi’s Itumeleng, released in 1974, is the original recording sampled in Ngqawana’s track. Decades later, The Brother Moves On returned to Batsumi’s music with Itumeleng Revisited, bringing it into conversation with a new generation of South African musicians. Elegies in C minor: (Opus 1) Qula Kwedini draws on the traditional Xhosa song Kula kweDini, associated with important communal events surrounding initiation. As described in the National Museum’s account of Mzigojo’s solo exhibition, the sacred song is traditionally sung to herald events such as the return of young men from initiation school. Other accounts also connect it to stick-fighting traditions and the passage into manhood. Ngqawana’s interpretation brings this cultural heritage into a jazz setting. Many of the artists I’ve already spoken about here were once members of his band! 16/31 Days of Jazzober! 🧑🏾‍🍳🎷 #jazz #southafricanjazz #africanjazz #afrojazz #zimngqawana
🤎🤎Sasti
Punk is not dead 🤘🏻🤘🏻🎸🎸
#trendingreels #trend #natural #naturalbeauty #goodmorning
back to up