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TashinaViola | Somatic & Yogic Bodywork

@tashinaviola

2 months ago
Photo by TashinaViola | Somatic & Yogic Bodywork on September 15, 2026. May be an image of yoga and text that says 'SPRING RETREAT YOGA YOGARITUALE·NATUR RITUALE NATUR Tashinaliola Viela'.
Photo by TashinaViola | Somatic & Yogic Bodywork on September 15, 2026. May be an image of text that says 'SPRING RETREAT YOGA YOGARITUALE·NATUR RITUALE NATUR 19. 19.-21.MÄRZ20 21.MÄRZ 2027 ZWEISIMMEN, BERN Tashina TashinaViola lashina Viela'.
Photo by TashinaViola | Somatic & Yogic Bodywork on September 15, 2026. May be an image of poster and text that says 'SPRING RETREAT DASIST MIT DABEI: 2'NÄCHTE IM SEMINARHAUS DAO MIT ALPENBLICK TÄGLICH 2-3 SESSIONS MIT YOGA, RITUALE, BREATHWORK UND VIEL NATUR FÜR DEINE ERHOLUNG NACHHALTIGE UND VEGANE ERNÄHRUNG KOSTEN: DOPPELZIMMER CHF 680. EINZELZMMER-CHF-750. (AUSGEBUCHT) ANMELDUNG BIS 31.: WWW.TASHINAVIOLA.COM TASHINAVIOLA@GMAIL.COM'.
Photo by TashinaViola | Somatic & Yogic Bodywork on September 15, 2026. May be an image of campsite, outdoors and text.
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Posted On: September 15th 2026, 12:01 pm
SPRING RETREAT 🌿✨🌈

Ich lade euch ganz herzlich zum Spring Retreat im März 2027 ein. Zusammenkommen umgeben von wunderbarer Natur, Yoga und Bewegung, Klangbad und Singen, Workshops und Rituale und wunderbare Erholung in der Sauna.
Diese Räume sind immer so heilsam, unglaublich magisch und bleiben noch ganz lange im Herzen und Körper in Erinnerung.

Es sind nur noch Doppelzimmer frei.

Schau dir gerne die Slides an, wo du die wichtigsten Infos findest. Falls du noch weitere Fragen hast, melde dich gerne bei mir. Der Anmeldeschluss ist am 31.Oktober - melde dich darum gerne bald bei mir, falls du auch mit dabei sein möchtest.

Mit viel Vorfreude und Liebe,
Tashina

#retreat #retreatswitzerland #yogaferien #healing
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On this day in 2011, I previewed the forthcoming release of Lucifer Rising and Other Sound Tracks via my website. When I was approached to do a soundtrack for Kenneth Anger’s film Lucifer Rising, he had a half-hour edit of the first part and I suggested that he should come to my house in Plumpton and set up a playback system in my studio for his 35mm film. As it was running, I started introducing my recorded music, instrument by instrument. The glue between music and images was superb; it seemed as though they were running in sync, even though they were two separate entities that had been brought together. I continued working on the soundtrack, doubled it in length and delivered it over to Kenneth Anger. He initially included it on a partial cut of the film that was shown at film festivals and various other events. Then it got bootlegged. I decided to release the work that I had created for this project in March 2012.
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