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25 days ago
Co Creator: jen_kratochvil l.auraamann aa_oeo exilegram basyyyma
Photo by SHEDHALLE Zürich on October 12, 2026. May be a black-and-white image of one or more people, people standing and text.
Photo by SHEDHALLE Zürich on October 12, 2026. May be a black-and-white image of macrame, brick wall and text.
Photo by SHEDHALLE Zürich on October 12, 2026. May be a graphic of one or more people, top and text.
Photo by SHEDHALLE Zürich on October 12, 2026. May be an image of screen and text.
Photo by SHEDHALLE Zürich on October 12, 2026. May be an image of one or more people, makeup, bra, chemise and text.
Photo by SHEDHALLE Zürich on October 12, 2026. May be an image of carpet and text.
Photo by SHEDHALLE Zürich on October 12, 2026. May be a black-and-white image of smoking, cigarette, chaise lounge and text.
Photo by SHEDHALLE Zürich on October 12, 2026. May be art of sculpture and text.
Photo by SHEDHALLE Zürich on October 12, 2026. May be art of text.
Photo by SHEDHALLE Zürich on October 12, 2026. May be an illustration of text.
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Posted On: October 12th 2026, 04:11 pm
Shedhalle “Hellenalgia, Vol. 1: Exhausted”

Opening 21. October 2026 / Show Dates 22. October – 22. November

Introducing the artists…

Kazuko Miyamoto, born in Tokyo and based in New York since the 1960s, assisted Sol LeWitt while building her own practice. Her string constructions stretch cotton string between industrial nails, carrying Minimalism’s line into space. A member of A.I.R. Gallery, she later founded Gallery Onetwentyeight. @exilegram

Anna Moreno, working between Barcelona and The Hague, builds moving-image installations, montages and speculative fictions around a society’s picture of its own future. She returns to historical moments that never quite finished: modern aspirations still standing, and still inhabited. @aa_oeo

Basyma Saad, artist and writer born in Beirut and trained in architecture, works across film, performance, sculpture, essays and fiction. With dark humour and close attention to forms of struggle, her work turns to mourning, spontaneity and surplus. @basyyyma

Erwin Thorn, Viennese artist active from the late 1950s, took the canvas apart from its frame outwards, letting painting become relief, sculpture and conceptual work. White was a beginning for him, not an end. He called his stance Anlehnung und Distanz: leaning on and holding apart at once. #ErwinThorn @lombardi_kargl

Albert Welti, Zürich-born painter and etcher of the Symbolist generation, moved in Arnold Böcklin’s orbit and filled Swiss landscapes with centaurs and dreams. His Landsgemeinde mural for the Federal Palace in Bern was completed by others after his death in 1912. #AlbertWelti @stadtzh

Curated by Jen Kratochvil @jen_kratochvil & Laura Amann Marín @l.auraamann

Curatorial Assistant: Lola Knechtel Subirós @loolaaaa__

Graphic Design by @day.shift.office

Generously supported by @stadtzh

With sincere thanks to Kunstsammlung Stadt Zürich for the loans of Albert Welti.
Comments (3)
fatimasalsaid 16 days ago

fatimasalsaid

@basyyyma 🌹🌹🌹🌹

lombardi_kargl 21 days ago

lombardi_kargl

💫💫💫

basyyyma 25 days ago

basyyyma

we're cooking 😇

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