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SeaBath

@takeahseabath

5 days ago

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Posted On: October 13th 2026, 12:30 am

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It takes much time and effort to put together a song. From writing, to recording, to creating the artwork and then releasing. We are overjoyed to bring to you our next single, "Come Alive".

See you this Friday! ⭐

#seabathmusic #seabath #caribbeanindie #trinidadandtobago

Our “Son”shine is 1 🌞✨🧡
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Photography @talesofcandybabies
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#explore #firstbirthday #babyboy #birthdayboy #trending 🧿

liv + me = <3 foreverrrr

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Richard Meier completed the Douglas House in Harbor Springs, Michigan, in 1973. Commissioned by James and Jean Douglas, the four storey residence occupies a steep, wooded slope overlooking Lake Michigan.

The house is approached from the road by a narrow, 43 foot bridge connecting to an entrance at roof level. From here, the interior descends through four floors, with bedrooms, a double height living room, dining spaces and exterior decks arranged towards the lake. Internal and external staircases connect the levels, while extensive glazing opens the western elevation to the surrounding trees and water.

The two principal facades have different treatments. The eastern elevation, facing the road, is clad in white painted redwood with square openings and narrow horizontal windows. The western elevation uses large glass panels, projecting balconies and exposed staircases to provide views across Lake Michigan.

The Douglases originally approached Meier after seeing his Smith House, completed in Connecticut in 1967. Their initial site was rejected after a homeowners association objected to the proposed white exterior. The subsequent waterfront location allowed Meier to develop the house around its unusually steep terrain.

How does entering a house at its highest level change the relationship between its rooms and the surrounding landscape?

Would you prefer the enclosed, private elevation facing the road or the extensively glazed side overlooking the lake?

In Iran, something as simple as taking a ballet class can put your life at risk. After the 1979 Iranian Revolution, ballet was banned and the Iranian National Ballet Company was dissolved.

Known as the “Persian Swan,” Tara Ghassemieh became the first Iranian-American principal dancer at Golden State Ballet. Through Dancers of Iran, an organization connecting dancers inside and outside the country, she has secretly taught ballet to students inside Iran using virtual classes and underground networks, reaching young people who put their safety on the line simply to dance.

For women and girls in Iran, the restrictions on dance are part of a much larger fight for freedom. Women face strict dress codes, discrimination in education and employment, and restrictions on their ability to travel and make decisions about their own lives. In 2022, following the death of 22-year-old Mahsa Amini in morality police custody, the Woman, Life, Freedom movement sparked nationwide protests. Iranian authorities responded with a violent crackdown that left hundreds dead and thousands arrested.

Ghassemieh has used her art to bring attention to their fight. She created The White Feather, a ballet telling the story of Iran’s disbanded National Ballet Company, and has used her platform to amplify the voices of Iranian women. In an interview with DanceOn, Ghassemieh opened up about supporting the movement and the risks that have come with speaking out. Her Instagram account was recently hacked and held for ransom, and she believes her advocacy made her a target. For Ghassemieh and her students, dance is a form of self-expression, freedom, joy and resistance.

📸: @leegumbs.photography

SeaBath

@takeahseabath

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