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Bethan Rowland

@bethanrperformance

21 days ago
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Posted On: October 13th 2026, 06:11 pm
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@krissycela
krissycela
@oneractive
oneractive
Absolutely not🤣🤣
Comments (12)
mackenziefowlerx 20 days ago

mackenziefowlerx

She's an icon , legend !! She is the moment ✨🤍

hayley.achterberg 21 days ago

hayley.achterberg

👏👏👏inspo

s.hwan1126 21 days ago

s.hwan1126

Niccce one Bethan

eve.b.x 21 days ago

eve.b.x

🔥🔥🔥🔥

sophiamaerowland 21 days ago

sophiamaerowland

DIVA

lizrowland_7 21 days ago

lizrowland_7

💯

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למה במכלאות הגמלים אין 🐫🐫🐫 אבל איזה אירוע הצגה!
In 1986, American supermodel Kathy Ireland posed with a baseball bat during a Sports Illustrated swimsuit photoshoot in the Dominican Republic. Wearing a white swimsuit, sneakers and a New York Mets cap, Ireland combined the glamour of 1980s fashion photography with the country’s passion for baseball. Ireland first appeared in the Sports Illustrated Swimsuit Issue in 1984 and became one of the publication’s most recognisable models. Her career reached another milestone in 1989 when she appeared on the magazine’s 25th anniversary swimsuit cover, one of its most celebrated editions. The Dominican Republic photographs were taken on September 24, 1986, by photographer John G. Zimmerman for the 1987 Swimsuit Issue. Decades later, Ireland is also recognised for building a successful business career beyond modelling, making her one of the notable figures to emerge from the magazine’s history. 📸⚾✨
This was the day Patrick announced his return to Star Trek. It’s hard, impossible really, to express how grateful I am to have shared this moment with him. Grateful in a “once in a career” kind of way. Right from our first meeting, he made it known that the only reason to play Picard again was to break new ground. His challenge was clear: Picard needed to be the man we knew and loved, but also entirely different, just as Patrick himself was 30 years after last wearing the uniform. The world of the Federation had to feel fresh and mirror many of the big issues the world faces today, issues that he wanted to face as a human and an artist, which meant interrogating an ideal to expose something more honest. He demanded truth. And in perhaps the trickiest high wire act, he wanted to reward fans with the nostalgia they would rightly demand, while subverting their expectations. More than anything, he wanted to be proud of the work because he knew that Jean-Luc Picard would be his legacy. I am heartbroken, and also deeply proud, to know that legacy lives on as of today. A legacy that also includes being fearless when it came to speaking out about the things he believed in. A legacy that includes the way he loved his wife and cared for his family. A legacy that was so beautifully evident in the way he’d snuggle up to any pitbull he saw, and the way these supposedly fearsome creatures simply snuggled back. He was magic. He was my colleague. He was my friend. He taught me what Star Trek was really about. And in the end, he was and always will be, my captain.
Таджикский боец Хафиз Сокибеков единогласным решением судей победил Никиту Подковальникова. Для Сокибекова эта победа стала 13-й в профессиональной карьере. 🎥📸: Asia+
Alexandre Texier complète un magnifique jeu de Lane Hutson! Alexandre Texier really said trick AND treat! #GoHabsGo
it feels so surreal to be typing this, but after three years of work and pain, patience and impatience, perfectionism, self-sabotage, disappointment, and a lot of unimaginable luck, “you made me / skin in linen” is finally out. thank you to everyone who has helped us along the way, especially Colin Stewart and Max Frazer, who helped us record and mix these songs almost two years ago. i am never not grateful for the opportunity to communicate with people in this very bizarre way, and i try to hold it at the same time as i hold my own suffering — performing the set is always painful and it’s so fucked to see photos and videos of myself in what has become a ritualistic cathartic performance of a dark part of my story; to try and compartmentalize inevitable criticism of the album as art from my very real experience of having my story criticized, invalidated, or ignored by my community; to resist the objectification of being a performer existing on the internet; to refuse to let this become another victim narrative. this is my dream. i didn’t expect it to be so terrifying and painful but still i choose to be here. i’m lucky to be here. at every show, i meet incredible, inspiring, and kind people. ty, gav, and gary do so much to support and care for me as i juggle it all. it’s crazy, because the project called PISS seems to me at once so tiny and so massive, entirely insignificant and important, the easiest and most impossible thing i’ve ever tried to do. as i write this, i am fighting the urge to say something self-deprecating and disparaging about the work, to shield myself instead of being vulnerable, but the truth is that PISS is the culmination of a lifetime of experiences i never thought id be able to transmute into something generative or beautiful. i’m very grateful for all the people i’ve been blessed to meet, whose tenderness gives me the courage to overcome my fears and share my work. it is still hard for me to believe that such tenderness can exist between strangers. so thank you. i am moved by the ways we make space for each other. and there will always be space for you here. and you, and you, *animated embroidery by gavin’s little sis, billy moya
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