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Luíza Carvalho | WELLNESS NPC🇧🇷

@luizacarvalhowellness_

16 days ago

Co Creator:

duelreserva

Photo by Luíza Carvalho | WELLNESS NPC🇧🇷 on October 19, 2026. May be an image of one or more people, activewear, shorts, tights, sportswear and text.

Photo by Luíza Carvalho | WELLNESS NPC🇧🇷 on October 19, 2026. May be an image of one or more people, activewear, miniskirt, shorts, sportswear, tights, underwear and text.

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Posted On: October 19th 2026, 11:01 am

Tagged Users:

@duelreserva

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#fitnessmodel #model #photographer

Comments (4)

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14 days ago

whm.pro.bodybuilding.2026

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16 days ago

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badi mushkil ❤️‍🔥
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#instagramreels #explorepage✨ #reach #trending

PREUZETO- @srpska_online

It took me a while to make this video because I'm just so tired of this sh*t.

I know everyone is hurt about the sh**ting of Javits Frimpong, the African kid who was simply minding his own business. He hadn’t even been in America for that long, and now he’s gone because of senseless violence.

It’s always the helpless kids, minding their business, who get picked on and messed with by wannabe thugs. I don’t know if they targeted him because he was African, but whatever the reason, this kind of violence against Black children has to stop. All that energy used to terrorize and ruin Black children’s lives should be directed toward fighting the real threats harming our communities.

My condolences to Thomas Frimpong and his family!

#JavitsFrimpong #Bronx #StopTheViolence

@szilvesztermako has had a big year. He has photographed major celebrities from Elle Fanning to John Galliano to Rihanna, been featured on cover after cover, held a showcase in New York, and developed a distinct visual language that has made audiences declare that fashion editorial is back.

But we live in a time where the attention economy moves faster than artistic processes. Online users and some publications have noted how Makó’s plethora of cover shoots this year—there are no less than a dozen—has rendered outlets like Vogue, Elle, and Wall Street Journal homogenous.

In the same calendar year as Makó’s meteoric rise to prominence, some who so recently showered Makó’s work with praise and adoration have begun to express boredom with his aesthetic. Across social media platforms, fans, critics, and commentators began to weigh in.

“Not the fucking sad, dim box again,” one commenter said. “At this point he might as well just be Photoshopping heads onto the same outfits,” said another.

It’s worth noting that Makó reportedly eschews digital processing, AI, and CGI when creating his images. But furthermore, is the concept really the “same” across Makó’s shoots? Or are we confusing the artist’s unique authorship with our own appetite for fresh new content, delivered at faster speeds than any artist can (or should) have to produce? And in this media climate, is it possible for beloved, standout image creators to build longstanding, legacy careers? Or does the audience gobble them up too fast?

The best person to speak on this is the artist himself. We spoke to Makó about his year, the work he has done, and the peaks and valleys of finding mass acclaim in a world full of armchair critics. Swipe through to read what Szilveszter Makó has to say.

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