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![ANSICHTEN, AUSSICHTEN, EINSICHTEN
New poster for @architekturnovember @bdabawue. Under the theme Ansichten, Aussichten, Einsichten (Views, Outlooks, Insights), Architekturnovember 2026 explores the multiple meanings of the words Ansichten, Aussichten and Einsichten. An Ansicht can be an architectural drawing or a personal point of view. An Aussicht can be a view to enjoy or a prospect for the future. And Einsicht can mean looking behind the scenes, gaining a deeper understanding or recognising that we might have been wrong.
“Can architecture be neutral, or is every project a process of negotiation that takes shape between different interests?” The 11th edition of the festival examines how conflicting perspectives can become a productive force in architecture and the built environment. It is about questioning established certainties, encouraging dialogue and translating different viewpoints into shared spatial visions.
Architekturnovember opens on 2 November 2026 with Ansichtssache in Stuttgart, where invited guests will discuss established assumptions as well as changing perspectives and take a look at the future of architectural culture.
[1] wet proof, three colour offset print, 594×841mm
[2] moving poster, 1182×1682px, @cavalry.app
Design: @studiotillackknoell @steffenknoell @sventillack @studioterhedebruegge
Typeface: Mercator @sourcetype
Printing: Offizin Scheufele, Stuttgart by @sventillack](https://scontent-iad6-1.cdninstagram.com/v/t51.82787-15/849211865_18379112782233580_8244793737926383352_n.jpg?stp=dst-jpg_e35_s640x640_tt6&_nc_cat=102&ccb=7-5&_nc_sid=18de74&efg=eyJlZmdfdGFnIjoiQ0FST1VTRUxfSVRFTS5iZXN0X2ltYWdlX3VybGdlbi5DMyJ9&_nc_ohc=G5W5i3dNFoQQ7kNvwF-YIH-&_nc_oc=Adp_vrRDUkpIpMvhofL0UHKo2rohv2cNroxd-sJimypvvbvNU2cPDgYJB8FjPVElgpeXI77kVrRhB1nL7jHsMgE-&_nc_zt=23&_nc_ht=scontent-iad6-1.cdninstagram.com&_nc_gid=mCS0Q2gSVgh9c_eESA9Jfw&_nc_ss=70689&oh=00_AQSKg_2nQpnHOnHcy-9_fYzCWniViqCqpRoZfzqPiaKDcw&oe=6AF11E39)
![Phantastische Gründe
New poster for @abk_weissenhof.programm: »Phantastische Gründe. Projektpräsentation der Meisterschüler*innen im Weißenhof-Programm der Bildenden Kunst der ABK Stuttgart«, 23.10.–22.11.26 @villamerkel. With @elifcelik.de, @stefanie_flschhr, @junomg, @kimyeeun_real, Charlotte Klinger, Johannes Ocker, @safayasamin, @aniniangela64 & @hannah.zenger.
[1]: Three colour silkscreen print on 135g/sqm matte paper.
[2]: Fresh posters running along the conveyor during printing.
[3]: Printed sheet after two of three print runs
[4]: During print run 3, detail
[5]: Colour testing and matching
[6]: Colour testing and matching, detail
Design:
@studiotillackknoell (@sventillack @steffenknoell)
Print:
Three color silkscreen in DIN A0,
flawless printing by @lezardgraphique67
Font in use:
FT Kunst Grotesk
@formula.type @pierodibiase by @sventillack](https://scontent-iad3-1.cdninstagram.com/v/t51.82787-15/841865649_18378027163233580_7734335912286171723_n.jpg?stp=dst-jpg_e35_s640x640_tt6&_nc_cat=104&ccb=7-5&_nc_sid=18de74&efg=eyJlZmdfdGFnIjoiQ0FST1VTRUxfSVRFTS5iZXN0X2ltYWdlX3VybGdlbi5DMyJ9&_nc_ohc=wlVLB5S7k24Q7kNvwESDIQT&_nc_oc=AdqgMpD4lCJhSZSC9IbEN2KcCUarNJ8b5KJFlJdqwTJetacHGXxJlfTto2fatsDSW7-w_qBN_ibMiNEevsv_PD_B&_nc_zt=23&_nc_ht=scontent-iad3-1.cdninstagram.com&_nc_gid=mCS0Q2gSVgh9c_eESA9Jfw&_nc_ss=70689&oh=00_AQSTu0f0i6l32llP49fz3jY2ICdqejb5DESH1LOwptSG0Q&oe=6AF12C10)
![Green Fence
Graphic materials developed for the exhibition Green Fence by artist @gerorg_lutz_research at @kunstmuseumreutlingen. The visual identity translates the exhibition into a series of printed and moving applications, using metallic purple, silver and black alongside textured varnish and reflective vinyl. The exhibition reflects on the history of the former extermination camp Sobibor and on questions of visibility and remembrance. Taking a historical perpetrator photograph as its point of departure, Georg Lutz develops an installation that examines mechanisms of concealment and exposure.
[1]: Wet proof, 3-colour offset print in metallic purple, silver and black.
[2]: Moving poster, 1188×1682px, @cavalry.app
[3]: Invitation card, 105×210mm, 3-colour offset print with textured varnish, Video
[4]: Exhibition flyer, 105×210mm, 3-colour offset print with textured varnish
[5]: Final keyvisual, 3 colour offset print in metallic purple, silver and black.
[6]: Silver vinyl wall graphic on site.
Graphic design: @steffenknoell @sventillack
Font in use: FT Aktual @formula.type by @sventillack](https://scontent-iad6-1.cdninstagram.com/v/t51.82787-15/827590112_18376959994233580_6790103560818504635_n.jpg?stp=dst-jpg_e35_s640x640_tt6&_nc_cat=102&ccb=7-5&_nc_sid=18de74&efg=eyJlZmdfdGFnIjoiQ0FST1VTRUxfSVRFTS5iZXN0X2ltYWdlX3VybGdlbi5DMyJ9&_nc_ohc=jjMwZu0bII0Q7kNvwGsA5d4&_nc_oc=Adpo0k61cp9V3Bj0PBTWeNBEWREPsAxJGbIvs-1BRQVNjIVCUhw1OKuRtANo97Jo5aFl4Lz-KKOtU6N5GKwIc87h&_nc_zt=23&_nc_ht=scontent-iad6-1.cdninstagram.com&_nc_gid=mCS0Q2gSVgh9c_eESA9Jfw&_nc_ss=70689&oh=00_AQSMxfhXMKIDfBnIdWIJq75EcB5yjq4nTKZJIZh3tIkfQQ&oe=6AF113FB)
![“60 Jahre Schöne Bücher” (60 Years of Beautiful Books) celebrates more than 90 books from six decades of outstanding book design awarded by @stiftungbuchkunst since 1966. The selection presents exceptional examples of design, concept and production, tracing 60 years of changing approaches to typography, materials, manufacturing and the book as a designed object, while offering a special insight into the foundation’s archive.
The exhibition architecture takes the Euronorm container EG 43/32 as a readymade exhibition object and extends it with custom-designed aluminium lids, turning the standardized storage object into a modular display system. Different lid configurations allow the books to be presented flat, tilted or upright. Arranged chronologically and in stacked formations, the crates create a spatial archive of six decades of book design, based on a selection by an independent curatorial committee of experts (see below).
The books are not intended to remain untouched: visitors are explicitly invited to pick them up, browse through them and experience their typographic, material and craft qualities firsthand. The exhibition is on view from September 5 to November 1, 2026 @museumangewandtekunst, and is part of @wdc2026.
Curated by:
@jonas_deuter
Curator, @museumangewandtekunst
Oliver Elser
Curator, @architekturmuseum
@bennohvl
Junges Literaturhaus, @literaturhausfrankfurt
Ralf de Jong
Professor of Typography, @folkwang_uni
Anne Sauer
Author / @fuxbooks
Stefanie Schelleis
Head of Production, @hanserliteratur
Nora Schröder
Editor / Production Manager, @seemann_henschel_verlagsgruppe
Wanda Spangenberg
@buecherbogen_berlin
Joachim Unseld
Publisher, @frankfurter_verlagsanstalt
Chairman of the Board, Stiftung Buchkunst
Creative direction and exhibition identity:
@studiotillackknoell @sventillack @steffenknoell
Exhibition planning:
@studiotillackknoell @sventillack @steffenknoell @johanneshucht
Prototyping:
@studiotillackknoell @sventillack @steffenknoell @marynazevako
Typeface:
Theinhardt, Optimo
[1] Detail of a slanted aluminium lid displaying Petra Lejeune’s Stadtpark–Parkstadt (1982).
#graphicdesign #exhibitiondesign #selectedwork
[2] Exhibiti by @sventillack](https://scontent-iad3-1.cdninstagram.com/v/t51.82787-15/813645801_18374730937233580_5703725500309044513_n.jpg?stp=dst-jpg_e35_s640x640_tt6&_nc_cat=104&ccb=7-5&_nc_sid=18de74&efg=eyJlZmdfdGFnIjoiQ0FST1VTRUxfSVRFTS5iZXN0X2ltYWdlX3VybGdlbi5DMyJ9&_nc_ohc=_LWWuJksrEUQ7kNvwGUssVD&_nc_oc=AdrLMPoqoXVyGrycAjM_aeL3tg8AaYDhdFbDwMM2TzKk5H7vvhSMri7-b25LGAqbPw2uwDARFKxooGL5BYF68TJf&_nc_zt=23&_nc_ht=scontent-iad3-1.cdninstagram.com&_nc_gid=mCS0Q2gSVgh9c_eESA9Jfw&_nc_ss=70689&oh=00_AQTGe3bB-DBwjExSf1U7xyXSgVOdmysMD4mGA32MejR-vA&oe=6AF11C83)
![Every book is a result of decisions:
Poster design for “Stiftung Buchkunst: 60 Years of Beautiful Books (60 Jahre Schöne Bücher)” at @museumangewandtekunst, celebrating six decades of @stiftungbuchkunst and its commitment to outstanding book design; 60 years of beautiful books mean countless decisions.
Since 1966, the foundation has awarded books that bring together exceptional design, concept and production. The anniversary exhibition presents around 90 selected books in chronological order; tracing 60 years of changing approaches to typography, materials, production and the book as a designed object.
On view September 5 – November 1, 2026 at Museum Angewandte Kunst, Frankfurt, as part of @wdc2026.
See you next week :)
[1] Moving poster, 1682 × 2378 px, animated with @cavalry.app
[2] City light poster in front of Museum Angewandte Kunst, 1185 × 1750 mm
Graphic design: @steffenknoell @sventillack
Typeface: Theinhardt, Optimo
#graphicdesign #poster #selectedwork #museumangewandtekunst #wdc2026 by @sventillack](https://scontent-iad3-2.cdninstagram.com/v/t51.82787-15/787651625_18371639641233580_3892536904082393308_n.jpg?stp=dst-jpg_e35_s640x640_tt6&_nc_cat=111&ccb=7-5&_nc_sid=18de74&efg=eyJlZmdfdGFnIjoiQ0FST1VTRUxfSVRFTS5iZXN0X2ltYWdlX3VybGdlbi5DMyJ9&_nc_ohc=wCmsPNZ9PP4Q7kNvwFmTv1p&_nc_oc=AdqtxH27zsQeatT90coWe3N4m4ahTLiI-gnu2tPhd7U7weBQ9P8o07tl3b1YLBYg7xsL2FPhJaAOKMJPnmfjpLP-&_nc_zt=23&_nc_ht=scontent-iad3-2.cdninstagram.com&_nc_gid=mCS0Q2gSVgh9c_eESA9Jfw&_nc_ss=70689&oh=00_AQQzqTBGnHAjMQAhcpm993gZyIOsvzDtdkfpdQoY4kO7lg&oe=6AF11CEA)
