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đŸ–Œïž EXPOSITION Samuel Gross vous invite Ă  dĂ©couvrir l’exposition qu’il a orchestrĂ©e Ă  la Fondation Opale, SOUS LES REFLETS DU MONDE, et nous donne un aperçu de ce qui le fascine chez les deux artistes qu’il a choisi de prĂ©senter : Sally Gabori et Forrest Bess. â„č Si vous avez envie d’en apprendre davantage, nous vous proposons une visite commentĂ©e avec le curateur dimanche 24 aoĂ»t, de 11h Ă  12h, au tarif de CHF 15.- + billet d’entrĂ©e. RĂ©servation conseillĂ©es via notre billetterie en ligne. ___________________________________ đŸ–Œïž EXHIBITION Samuel Gross invites you to discover the exhibition he has curated at Fondation Opale, BENEATH THE REFLECTIONS OF THE WORLD, and offers a glimpse into what fascinates him about the two artists he chose to present: Sally Gabori and Forrest Bess. â„č If you’d like to learn more, join us for a guided tour with the curator on Sunday, August 24, from 11 am to 12 pm, at the price of CHF 15.– + admission fee. We recommend booking in advance through our online ticketing service. đŸŽ„ @lumento_films
đŸ–Œïž EXPOSITION Samuel Gross vous invite Ă  dĂ©couvrir l’exposition qu’il a orchestrĂ©e Ă  la Fondation Opale, SOUS LES REFLETS DU MONDE, et nous donne un aperçu de ce qui le fascine chez les deux artistes qu’il a choisi de prĂ©senter : Sally Gabori et Forrest Bess. â„č Si vous avez envie d’en apprendre davantage, nous vous proposons une visite commentĂ©e avec le curateur dimanche 24 aoĂ»t, de 11h Ă  12h, au tarif de CHF 15.- + billet d’entrĂ©e. RĂ©servation conseillĂ©es via notre billetterie en ligne. ___________________________________ đŸ–Œïž EXHIBITION Samuel Gross invites you to discover the exhibition he has curated at Fondation Opale, BENEATH THE REFLECTIONS OF THE WORLD, and offers a glimpse into what fascinates him about the two artists he chose to present: Sally Gabori and Forrest Bess. â„č If you’d like to learn more, join us for a guided tour with the curator on Sunday, August 24, from 11 am to 12 pm, at the price of CHF 15.– + admission fee. We recommend booking in advance through our online ticketing service. đŸŽ„ @lumento_films
#forrestbess #bettyparsons #visionaryart #outsiderart #eggprices
#forrestbess #bettyparsons #visionaryart #outsiderart #eggprices
Wonderful visit to ✹ Vital Signs: Artists and the Body ✹ at MoMA with artist @lauriehellermarcus đŸ„° Featuring works by women and gender-expansive artists, Vital Signs brings fresh perspectives to MoMA’s collection. From Maria Lassnig to Frida Kahlo and Betye Saar; Lynn Hershman Leeson to Hannah Höch; Marisol to Claude Cahun; Forrest Bess to Birgit JĂŒrgenssen; Senga Nengudi to Belkis AyĂłn, and many others, this show delves into identity, the body, and our connections to the world. Highly recommend! đŸ–Œïž On view through Feb 22, 2025 #VitalSigns #MoMA #MariaLassnig #FridaKahlo #BetyeSaar #LynnHershmanLeeson #HannahHöch #Marisol #ClaudeCahun #ForrestBess #BirgitJĂŒrgenssen #SengaNengudi #BelkisAyon #ArtAndIdentity #NYCExhibitions
Wonderful visit to ✹ Vital Signs: Artists and the Body ✹ at MoMA with artist @lauriehellermarcus đŸ„° Featuring works by women and gender-expansive artists, Vital Signs brings fresh perspectives to MoMA’s collection. From Maria Lassnig to Frida Kahlo and Betye Saar; Lynn Hershman Leeson to Hannah Höch; Marisol to Claude Cahun; Forrest Bess to Birgit JĂŒrgenssen; Senga Nengudi to Belkis AyĂłn, and many others, this show delves into identity, the body, and our connections to the world. Highly recommend! đŸ–Œïž On view through Feb 22, 2025 #VitalSigns #MoMA #MariaLassnig #FridaKahlo #BetyeSaar #LynnHershmanLeeson #HannahHöch #Marisol #ClaudeCahun #ForrestBess #BirgitJĂŒrgenssen #SengaNengudi #BelkisAyon #ArtAndIdentity #NYCExhibitions
As a queer woman working in a male-dominated art world, Betty Parsons remained steadfast in her vision and values. Through her New York gallery, Parsons played a pivotal role in shaping Abstract Expressionism in the United States, championing artists who would go on to define the movement - including Barnett Newman, Jackson Pollock, Mark Rothko and Clyfford Still, whom she later referred to as the “giants” for the monumental impact they would have. She was one of the first gallerists to represent women, African American, Latin American, Asian and LGBTQ+ artists, such as Forrest Bess, Barbara Chase-Riboud, Agnes Martin, Roberto Matta, Kenzo Okada, and Alfonso, providing them with crucial platforms early on in their careers. Crucially, when asked by the 'giants' in 1961 to drop her wider roster of artists to focus on boosting their careers, Parsons responded, 'Sorry, I have to follow my own lights - no.' Discover the work of this visionary New York gallerist at Betty Parsons: Sheer Energy, on display at the De La Warr Pavilion until Sunday 18 January. ★★★★ – The Guardian ★★★★ – The i Paper Learn more and plan your visit at dlwp.com Betty Parsons: Sheer Energy is supported by The Bridget Riley Art Foundation, The Spencer Wills Trust, Alison Jacques, and Alexander Gray Associates, New York. Exhibition realised in collaboration with The Betty Parsons and William P. Rayner Foundation, represented by @alisonjacquesgallery, and @alexandergrayassociates. Video by James Cosens.
As a queer woman working in a male-dominated art world, Betty Parsons remained steadfast in her vision and values. Through her New York gallery, Parsons played a pivotal role in shaping Abstract Expressionism in the United States, championing artists who would go on to define the movement - including Barnett Newman, Jackson Pollock, Mark Rothko and Clyfford Still, whom she later referred to as the “giants” for the monumental impact they would have. She was one of the first gallerists to represent women, African American, Latin American, Asian and LGBTQ+ artists, such as Forrest Bess, Barbara Chase-Riboud, Agnes Martin, Roberto Matta, Kenzo Okada, and Alfonso, providing them with crucial platforms early on in their careers. Crucially, when asked by the 'giants' in 1961 to drop her wider roster of artists to focus on boosting their careers, Parsons responded, 'Sorry, I have to follow my own lights - no.' Discover the work of this visionary New York gallerist at Betty Parsons: Sheer Energy, on display at the De La Warr Pavilion until Sunday 18 January. ★★★★ – The Guardian ★★★★ – The i Paper Learn more and plan your visit at dlwp.com Betty Parsons: Sheer Energy is supported by The Bridget Riley Art Foundation, The Spencer Wills Trust, Alison Jacques, and Alexander Gray Associates, New York. Exhibition realised in collaboration with The Betty Parsons and William P. Rayner Foundation, represented by @alisonjacquesgallery, and @alexandergrayassociates. Video by James Cosens.
#AlfredoVolpi’s “Untitled” from the series “Hourglasses” (1964), donated by the Colección Patricia Phelps de Cisneros, is on view in gallery 407 at The Museum of Modern Art (@themuseumofmodernart, New York). The gallery brings together international midcentury artists who developed personal systems of signs, from diagrams and glyphs to idiosyncratic geometries. Volpi’s work is on view alongside works by #EtelAdnan, #ForrestBess, #AlfredJensen, #AbdiasNascimento, #RubemValentim (also donated by CPPC), and others. Visit MoMA.org to learn more about this installation and to plan your visit. Video: Installation views of the gallery “Sign Posts” in the exhibition “Collection 1940s–1970s” featuring Alfredo Volpi (1896–1988, Brazil), “Untitled” from the series “Hourglasses,” 1964. Gouache on canvas, 56 1/4 × 27 1/2 in. (142.9 × 69.9 cm). The Museum of Modern Art, New York. Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund in honor of Peter Tinoco. #coleccioncisneros
#AlfredoVolpi’s “Untitled” from the series “Hourglasses” (1964), donated by the Colección Patricia Phelps de Cisneros, is on view in gallery 407 at The Museum of Modern Art (@themuseumofmodernart, New York). The gallery brings together international midcentury artists who developed personal systems of signs, from diagrams and glyphs to idiosyncratic geometries. Volpi’s work is on view alongside works by #EtelAdnan, #ForrestBess, #AlfredJensen, #AbdiasNascimento, #RubemValentim (also donated by CPPC), and others. Visit MoMA.org to learn more about this installation and to plan your visit. Video: Installation views of the gallery “Sign Posts” in the exhibition “Collection 1940s–1970s” featuring Alfredo Volpi (1896–1988, Brazil), “Untitled” from the series “Hourglasses,” 1964. Gouache on canvas, 56 1/4 × 27 1/2 in. (142.9 × 69.9 cm). The Museum of Modern Art, New York. Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund in honor of Peter Tinoco. #coleccioncisneros
Latest trip down south to Wellington Dam! Was a great 2 nights fishing and hanging out with mates, was able to catch a few red fin perch and record plenty of content for a YouTube video this Sunday! â€ïžđŸđŸ€™ - - - - - - - - #4wding #4wdaction #4wding #4wdaustralia #4wdtouring #4wdingdownunder #4wdingwa #4wdinglife #offroading #offroadingdaily #forrest #forrestbess #forrestphotography #dametraveler #dam #bushvideos #westaus #westaustralia #wellingtondam #wellingtondamcollie
Latest trip down south to Wellington Dam! Was a great 2 nights fishing and hanging out with mates, was able to catch a few red fin perch and record plenty of content for a YouTube video this Sunday! â€ïžđŸđŸ€™ - - - - - - - - #4wding #4wdaction #4wding #4wdaustralia #4wdtouring #4wdingdownunder #4wdingwa #4wdinglife #offroading #offroadingdaily #forrest #forrestbess #forrestphotography #dametraveler #dam #bushvideos #westaus #westaustralia #wellingtondam #wellingtondamcollie
We love the art of Mirdidingkingathi Juwarnda Sally Gabori, feel blessed to have her work in the collection, and look much forward to visit this incredible exhibition of Gabori’s paintings, Fondation Opale (@fondationopale ) put together from BĂ©rengĂšre Primat‘s exquisite collection! #Repost @fondationopale ・・・ _____________ đŸ–Œïž EXHIBITION Curator Samuel Gross (@gross_samuel) invites you to discover the exhibition BENEATH THE REFLECTIONS OF THE WORLD at Fondation Opale. This exhibition is devoted to two outstanding figures in contemporary painting: Australian Aboriginal artist Mirdidingkingathi Juwarnda Sally Gabori (ca. 1924-2015) and American painter Forrest Clemenger Bess (1911-1977). Separated by the oceans, these two artists share a common ability to bring out reflections of inner worlds, hidden beneath the surface of the visible. Sally Gabori and Forrest Bess, two self-taught artists with radically different backgrounds and careers, have explored their own personal visions of the world through painting. Their works, vibrant and imbued with symbolism, testify to an inseparable connection between memory, identity and landscape. âžĄïž Exhibition BENEATH THE REFLECTIONS OF THE WORLD 📆 Currently on show at Fondation Opale, until 16 November 2025 đŸŽ„ @lumento_films #arndtcollectionrecommends #sallygabori #mirdidingkingathijuwarndasallygabori
We love the art of Mirdidingkingathi Juwarnda Sally Gabori, feel blessed to have her work in the collection, and look much forward to visit this incredible exhibition of Gabori’s paintings, Fondation Opale (@fondationopale ) put together from BĂ©rengĂšre Primat‘s exquisite collection! #Repost @fondationopale ・・・ _____________ đŸ–Œïž EXHIBITION Curator Samuel Gross (@gross_samuel) invites you to discover the exhibition BENEATH THE REFLECTIONS OF THE WORLD at Fondation Opale. This exhibition is devoted to two outstanding figures in contemporary painting: Australian Aboriginal artist Mirdidingkingathi Juwarnda Sally Gabori (ca. 1924-2015) and American painter Forrest Clemenger Bess (1911-1977). Separated by the oceans, these two artists share a common ability to bring out reflections of inner worlds, hidden beneath the surface of the visible. Sally Gabori and Forrest Bess, two self-taught artists with radically different backgrounds and careers, have explored their own personal visions of the world through painting. Their works, vibrant and imbued with symbolism, testify to an inseparable connection between memory, identity and landscape. âžĄïž Exhibition BENEATH THE REFLECTIONS OF THE WORLD 📆 Currently on show at Fondation Opale, until 16 November 2025 đŸŽ„ @lumento_films #arndtcollectionrecommends #sallygabori #mirdidingkingathijuwarndasallygabori
Forrest Bess: Out of the Blue Let’s begin with ‘Forrest Bess: Out of the Blue’. There is a reflective and contemplative nature to this exhibition. Perhaps because upon entry into the first room, you are immediately thrown into a dark space. The walls are painted black, which was apparently something that Bess wanted to be a part of the viewer’s experience.He wrote in a letter to Betty Parsons - an influential art dealer who represented Bess - that he wanted his works to be hung in a ‘dead black gallery’. As a viewer, it made me go inward and view the artworks in a thoughtful way. The presentation of the artworks also pushed this. You are confronted by the art works in a chronological way, with a noticeable distance between them, and a spotlight shining on each work, encouraging you to look at each individual artwork separately and privately. The subject matter of the work also suggests this, depicting signs and symbols drawn from an exploration of his own subconscious. It asks the viewer to be reflective. Bess was also influenced by cultural, spiritual and mythological systems, and we see evidence of this in the glass display cases in the centre of each room displaying various letters, articles and books exploring aboriginal cosmology, medieval alchemy, Eastern philosophy and Jungian psychoanalysis. Within his work, Bess addresses gender and sexuality, driven by his own personal experience as a gay man. He was an American artist, born in Texas and lived a life of isolation and seclusion. We also get a sense of this through the layout of this exhibition. The darkness of the walls might also relate to the loneliness he felt. Forrest Bess: Out of the Blue 📆 Until 15 Jan 2023 📍 @camdenartcentre #forrestbess #camdencentre #london #artexhibition #whatsonlondon
Forrest Bess: Out of the Blue Let’s begin with ‘Forrest Bess: Out of the Blue’. There is a reflective and contemplative nature to this exhibition. Perhaps because upon entry into the first room, you are immediately thrown into a dark space. The walls are painted black, which was apparently something that Bess wanted to be a part of the viewer’s experience.He wrote in a letter to Betty Parsons - an influential art dealer who represented Bess - that he wanted his works to be hung in a ‘dead black gallery’. As a viewer, it made me go inward and view the artworks in a thoughtful way. The presentation of the artworks also pushed this. You are confronted by the art works in a chronological way, with a noticeable distance between them, and a spotlight shining on each work, encouraging you to look at each individual artwork separately and privately. The subject matter of the work also suggests this, depicting signs and symbols drawn from an exploration of his own subconscious. It asks the viewer to be reflective. Bess was also influenced by cultural, spiritual and mythological systems, and we see evidence of this in the glass display cases in the centre of each room displaying various letters, articles and books exploring aboriginal cosmology, medieval alchemy, Eastern philosophy and Jungian psychoanalysis. Within his work, Bess addresses gender and sexuality, driven by his own personal experience as a gay man. He was an American artist, born in Texas and lived a life of isolation and seclusion. We also get a sense of this through the layout of this exhibition. The darkness of the walls might also relate to the loneliness he felt. Forrest Bess: Out of the Blue 📆 Until 15 Jan 2023 📍 @camdenartcentre #forrestbess #camdencentre #london #artexhibition #whatsonlondon
‘Inside though, it was beautiful’, a day of academic, artistic and curatorial reflections on the life and work of Forrest Bess, organised by Camden Arts Centre. The director, Martin Clark, will be joined by Caspar Heinemann, Cyle Metzger, Chuck Smith, Archie Squire and Mark Turner to share presentations, talks and screenings. To book a ticket for the symposium at 1pm on Saturday 3rd December, follow the link in bio. The exhibition continues until 15 January 2023 @camdenartcentre #forrestbess #camdenartcentre #stuartshavemodernart #martinclark #casparheinemann #cylemetzger #chucksmith #archiesquire #markturner
‘Inside though, it was beautiful’, a day of academic, artistic and curatorial reflections on the life and work of Forrest Bess, organised by Camden Arts Centre. The director, Martin Clark, will be joined by Caspar Heinemann, Cyle Metzger, Chuck Smith, Archie Squire and Mark Turner to share presentations, talks and screenings. To book a ticket for the symposium at 1pm on Saturday 3rd December, follow the link in bio. The exhibition continues until 15 January 2023 @camdenartcentre #forrestbess #camdenartcentre #stuartshavemodernart #martinclark #casparheinemann #cylemetzger #chucksmith #archiesquire #markturner
The Forrest Bess ‘Stories told in the dark’ @camdenartcentre was one of my favourite exhibitions this year. So pleased I made it for a second visit. If you’re in London it’s definitely worth a visit! #forrestbess
The Forrest Bess ‘Stories told in the dark’ @camdenartcentre was one of my favourite exhibitions this year. So pleased I made it for a second visit. If you’re in London it’s definitely worth a visit! #forrestbess
Kali2 ngebul boleh lah Sambil menikmati udara segar dan dingin😁 #reels #nature #meditation #relaxtime #relaxation #forrest #forrestbess #vidioe#naturelovers #nature_perfection #santuy #ngopisantuy #keluarbentar #croot #😂😂😂
Kali2 ngebul boleh lah Sambil menikmati udara segar dan dingin😁 #reels #nature #meditation #relaxtime #relaxation #forrest #forrestbess #vidioe#naturelovers #nature_perfection #santuy #ngopisantuy #keluarbentar #croot #😂😂😂
Remember your roots, always. . . . . #reelsinstagram #feelitreelit #artofvisuals #analogshooters #videography #exploretocreate #reels #thecreatorclass #indiaphotoconcept #indiaphotoproject #indianvisuals #of2humans #peoplescreatives #shutterhubindia #forrestbess #conceptshoir #cinema #dailylife #routine
Remember your roots, always. . . . . #reelsinstagram #feelitreelit #artofvisuals #analogshooters #videography #exploretocreate #reels #thecreatorclass #indiaphotoconcept #indiaphotoproject #indianvisuals #of2humans #peoplescreatives #shutterhubindia #forrestbess #conceptshoir #cinema #dailylife #routine
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