#Soundengineer
Fader mendekati nol bukan berarti suara mati. Jon Burton, sound engineer yang pernah menangani The Prodigy, menjelaskan mengapa ia memilih area sekitar 0 dB sebagai posisi kerja: penyesuaian level lebih halus, masih ada ruang untuk menaikkan suara, dan posisi awal mudah dikenali.
Angka 0 dB pada fader berarti unity gain: bagian fader tidak menambah atau mengurangi level sinyal. Ini berbeda dari 0 dBFS pada meter digital, dan tidak berarti semua instrumen sama keras.
Fader juga tidak wajib selalu sejajar. Ini pendekatan kerja Jon, bukan aturan mutlak. Menyesuaikan preamp gain tetap perlu memperhatikan headroom serta pengaruhnya terhadap monitor dan jalur lain yang memakai preamp tersebut.
Untuk mengendalikan beberapa kanal bersama-sama, Jon menggunakan VCA atau subgroup. VCA mengendalikan level kanal yang ditugaskan, sedangkan subgroup menjumlahkan audio melalui sebuah bus. DCA pada mixer digital menyediakan fungsi pengendalian kelompok yang serupa.
Pembahasan diadaptasi dari Soulsound, “Mixing Front Of House: Mixing at Zero”, bersama Jon Burton.
Kamu lebih nyaman mengatur kanal satu per satu, memakai VCA/DCA, atau subgroup? Ceritakan alasanmu di komentar!
#soundsystem #soundengineer #livesound #audioengineering #foh
Katanya soundman cuma naik-turunin fader? 😭
Padahal di balik suara ibadah yang enak, ada banyak hal yang harus diperhatikan. Dari cek mic, gain, EQ, monitor, sampai menghadapi masalah dadakan saat ibadah berlangsung.
Yang penting tetap tenang, walaupun dalam hati: “Ini channel yang mana lagi?!“ 🫠
Karena soundman bukan cuma mengatur suara, tapi juga menjaga ketenangan di balik mixer. 😂
Soundman lainnya, pernah mengalami kejadian apa yang bikin panik tapi harus tetap terlihat santai?
Tag teman soundman kamu di kolom komentar! 👇
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Steal my stuff? lol Try these drum EQs 🥁 lmk how they work out! #mixingtips #dlive #soundengineer #soundguy #livemixing
Left, right, sub, fill loom checked ✅ ..in fact, right, sub, fill, left? Or was it fill, sub, right, left? 🤔
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🎚️ “Oh, you’re a sound engineer, you must have some really cool photos?!”
Yeah… sure. Just 6,000 pictures of patch sheets, gain settings, stage plots, and blurry FOH selfies at 2 AM 😅
We might not have the most glamorous camera rolls, but the mixes? 🔥 every time.
Happy #FaderFriday, friends 🎛️
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Di balik penampilan yang enak didengar, ada kerja sama antara musisi dan sound engineer. Kalau salah satunya nggak sinkron, hasilnya pasti terasa.
Menurut kalian, siapa yang lebih sering disalahkan saat sound di panggung bermasalah? 👇
#soundman #soundengineer #musisi
This is one of the things we do best. SOUND PRODUCTION🎤🔊
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SYSTEM ENGINEER things 🎚️🔊
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🎥 @joelalexander___
🎚️ Great sound doesn't happen by accident — it's engineered! 🔊🔥
Yesterday’s event was all about getting the sound right. From tuning the speakers with EQ to balancing frequencies and shaping the sound for clarity, punch, and definition — every adjustment matters.
It’s not just about making noise; it’s about making every sound count. 🎶🎛️
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STOP Stage Feedback! The Monitor Placement Formula Every Sound Engineer Must Know.
Most stage feedback isn't caused by bad EQ—it's caused by poor monitor placement. Learn the exact monitor positioning formulas, angles, spacing, and distance calculations used by professional live sound engineers to achieve maximum gain before feedback without a feedback destroyer.
This quick guide will transform the way you set up your stage monitors.
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