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#TheatreShunno #PaschimbangaNatyaAkademi National School of Drama Sangeet Natak Akademi Ezcc Kolkata Ministry of Culture, Government of India thirdbell.in #EvamIndrajit #Theatre #Work Play NewPlay ClassicPlay ClassicText BengaliTheatre IndianTheatre SudiptaMandal
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ā§Ļā§Ģ.ā§Ļā§Š.⧍ā§Ļ⧍ā§Ŧ āĨ¤āĨ¤ āϏā§āĻĻā§āĻĒā§āϤ āĻŽāĻŖā§āĻĄāϞ
REVIEW- THE AUDITION - direction/music/design: #vinaysharmatheatre
Playwright: #thomas j hubschmann
On stage: avishek maulik & rupsha bhattacharjee
A #padatiktheatre & rikh- production
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#theatre #theatregroups #theatrereview #kolkatatheatre #indiantheatre #englishlanguagetheatre #stage #theatre #reelsindia #reelsviral #actor #actorlife #reelskolkata #bhfyp
"āĻĻā§āϰāύā§āϤ āώāĻžāĻā§ā§āϰ āĻā§āĻžāĻā§ āĻŦā§āĻāϧā§āĻāĻŋ āϞāĻžāϞ āĻāĻžāĻĒā§
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āĻāĻāύā§āĻž āϏ⧠āϝ⧠āĻā§āĻžāύ āύāĻžāϰ⧠!"
āĻāĻāĻāĻŋ āĻāϰāĨ¤
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āĻāϰ āĻāĻā§ āĻāĻāĻāĻž āĻā§āĻāĻ...
"In 'The Date Before Date', a solitary figure awaits an unseen rendezvous, ensnared by the invisible walls of their own psyche. As memories of love, doubt, and separation swirl, the boundaries between reality and the inner world blur. Is this character a prisoner of their past, or a seeker of liberation? The play masterfully probes the labyrinth of human fear, memory, and silent resistance ."
Bose Creative & Performing Arts present
THE DATE BEFORE DATE
SCENOGRAPHY - Rahul Bose
LIGHT- Saikat Manna
STORY, SCRIPT, DIRECTION ACTING - Tukai Kaushik Chatterjee
TIME - 35MIN
CONTACT FOR SHOWS - 91239 76021 , 8100503912
#ezcckolkata #SangeetNatakAkademi #nonfollowerseveryone #theatrelife
Suvojit Bandyopadhyay Sougata Ghosh Soumen Chakrabortty Souvik Bhattacharjee Sarmila Basu Rajat Mallik āϏā§āĻāύ⧠āĻāĻžāĻā§āĻā§āϞ⧠Sen D Srijani Ganguly Gaurav Das Mrinal Kanti Das Tapas Chatterjee Anamika Bhattacharya Mainak Monk Kundu Souvik Ganguly Asish Goswami āϏ⧠āĻ āϤ Maller Kundu Rahul Dash Debasish Ray Debasish Raju Dhar #artpractice #Callshow #artist #performance #theatrefestival #NSD
On this World Theatre Day, Natyabhumi Group Theatre presents a stimulating, cerebral performance rooted in the spirit of Third Theatre.
Join us for an evening of thought, emotion, and engagement.
đ Rabindra Satabarshiki Bhavan, Agartala
đ 27th March | Evening
Play: Bindoo... the dot
Group: Sehar
Written & Directed by: Mrityunjay Prabhakar
Another steller performance of their theatre 'Samne Somuddur' by Spotlight Theatre Foundation directed by Kabir Sen on 09th March 2026 at LTG Auditorium, Mandi House, New Delhi on the occasion of National Bengali Theatre Festival organised by New Delhi Kali Bari. #longlivetheatre #bengalitheatre #theatreatdelhi #fyp
Last Saturday we witnessed a beautiful Bengali play "Namkaran" at Prayogshala.
Thank you everyone who joined us and made it more special.
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#fypppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp #bengali #theatreplay #ahmedabadevents
āĻāĻ āύāϤā§āύ āĻ
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âāĻāĻžāĻāĻĻā§āϰ āĻšāĻžāϏāĻŋ āĻŦāĻžāĻāϧ āĻā§āĻā§āĻā§â đ
āϝā§āĻāĻžāύ⧠āύā§āϰāĻŦāϤāĻžāĻ āĻāĻĨāĻž āĻŦāϞāĻŦā§,
āĻāϰ āĻĒā§āϰāϤāĻŋāĻāĻŋ āĻŽā§āĻšā§āϰā§āϤ āĻā§āĻā§ā§ āϝāĻžāĻŦā§ āĻšā§āĻĻā§âĻ
āĻā§āĻŦ āĻļāĻŋāĻāĻāĻŋāϰāĻ āĻĻā§āĻāĻž āĻšāĻŦā§ āĻāĻĒāύāĻžāĻĻā§āϰ āϏāĻžāĻĨā§....đ
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#TheatreLife #BengaliTheatre #TheatreArtist #StageProduction #LiveTheatre TheatreLovers DramaLife IndianTheatre
đđĨ "āĻāĻŦāĻ āĻāύā§āĻĻā§āϰāĻāĻŋā§"
āύāĻžāĻāĻ: āĻŦāĻžāĻĻāϞ āϏāϰāĻāĻžāϰ
āύāĻŋāϰā§āĻĻā§āĻļāύāĻž: āϏā§āĻĻā§āĻĒā§āϤ āĻŽāĻŖā§āĻĄāϞ
āĻĒā§āϰāϝā§āĻāύāĻž: āĻĨāĻŋāϝāĻŧā§āĻāĻžāϰ āĻļā§āύā§āϝ
đāϰāĻŦā§āύā§āĻĻā§āϰ āϏāĻĻāύ, āĻāϞāĻāĻžāϤāĻž (āύāύā§āĻĻāύ)
Theatre Shunno #PaschimbangaNatyaAkademi National School of Drama Sangeet Natak Akademi Ezcc Kolkata Ministry of Culture, Government of India thirdbell.in #EvamIndrajit #TheatreShunno #Theatre #Work Play NewPlay ClassicPlay ClassicText BengaliTheatre IndianTheatre SudiptaMandal
@nsd_official_
@ezcckolkata
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@ministryofculturegoi
⧍ā§Ģ.ā§Ļā§Š.⧍ā§Ļ⧍ā§Ŧ āĨ¤āĨ¤ āϏā§āĻĻā§āĻĒā§āϤ āĻŽāĻŖā§āĻĄāϞ
Play: Bindoo... the Dot
Group: @studio_sehar
Text, Design & Direction: Mrityunjay Prabhakar
Performer: @s_srijita
'Bindoo âĻthe Dot' is a gripping tale of a woman who has gone through a roller coaster ride in her life due to her family circumstances, love affair and subsequent marriage with the person she loved and longed for. But, when the reality of life intersects with the affair of romance, the life she imagined as a bed of roses all together turns into misery she didnât even dream of. She struggles really hard to sustain the marriage as it was her dream and choice but at the end after a lot of suffering she gives up. Later, she finds solace in living alone and takes very good care of her emotional, financial, mental and physical health and leads a life without complaint. The play is inspired from Pratap Sehgalâs solo play âKoi Aur Rasta,â written in Hindi.