instagram story viewer > #jennyholzer

#jennyholzer

Posts
Jenny Holzer had no gallery. No name. No money. One night in 1977 she went out and pasted papers on the walls of Manhattan with phrases that made people think. No signature. Just words on the street. Years later those same words made it to Times Square, to the biggest museums in the world, and to the Venice Biennale where she won the most important prize in art. It all started with paper and glue. #artgalleries #art #museums #artandculture #jennyholzer #contemporaryart
Jenny Holzer had no gallery. No name. No money. One night in 1977 she went out and pasted papers on the walls of Manhattan with phrases that made people think. No signature. Just words on the street. Years later those same words made it to Times Square, to the biggest museums in the world, and to the Venice Biennale where she won the most important prize in art. It all started with paper and glue. #artgalleries #art #museums #artandculture #jennyholzer #contemporaryart
Jenny Holzer Truisms series in Time Square, 1982. #art #sfmoma #jennyholzer
Jenny Holzer Truisms series in Time Square, 1982. #art #sfmoma #jennyholzer
@serralves @jennyholzer 💡 Language is not neutral. Every sentence carries a position. Every scroll carries a pressure. Every light carries an authority. Jenny Holzer uses the LED ticker — the language of markets, airports, newsrooms and public warning systems — and fills it with statements that cannot be consumed passively. The words move, vanish, return. They behave like information in public life: urgent, fragmented, impossible to hold all at once. #compulsivecontents #jennyholzer #textart #ledart #contemporaryart Credit/source: @serralves @jennyholzer
@serralves @jennyholzer 💡 Language is not neutral. Every sentence carries a position. Every scroll carries a pressure. Every light carries an authority. Jenny Holzer uses the LED ticker — the language of markets, airports, newsrooms and public warning systems — and fills it with statements that cannot be consumed passively. The words move, vanish, return. They behave like information in public life: urgent, fragmented, impossible to hold all at once. #compulsivecontents #jennyholzer #textart #ledart #contemporaryart Credit/source: @serralves @jennyholzer
⏰ Closing 21 October, don’t miss your chance to experience ‘READY FOR YOU WHEN YOU ARE  Jenny Holzer’ at @hauserwirthlosangeles’ West Hollywood gallery. This exhibition marks Holzer’s first major show in Los Angeles since 2012 and the first time she has employed artificial intelligence (AI) technologies in her text-based practice. 🗓️ Special extended hours will be hosted this Thursday from 6 – 8 pm. This is a special opportunity to view the paintings and robotic LEDs at night. Tap 🔗 the link in bio to plan your visit. @jennyholzerstudio #JennyHolzer
⏰ Closing 21 October, don’t miss your chance to experience ‘READY FOR YOU WHEN YOU ARE  Jenny Holzer’ at @hauserwirthlosangeles’ West Hollywood gallery. This exhibition marks Holzer’s first major show in Los Angeles since 2012 and the first time she has employed artificial intelligence (AI) technologies in her text-based practice. 🗓️ Special extended hours will be hosted this Thursday from 6 – 8 pm. This is a special opportunity to view the paintings and robotic LEDs at night. Tap 🔗 the link in bio to plan your visit. @jennyholzerstudio #JennyHolzer
Jenny Holzer uses language as a provocation. ⚡ She encourages viewers to react emotionally and critically to her work. Laughter, agreement, anger, and frustration are welcome reactions as Holzer offers scrolling statements addressing sexism, mortality, consumerism, and the often-questionable position governing forces take in relation to social, cultural, and political realities. The sculptural installation HEAP, 2012, comprises 7 scrolling LEDs featuring excerpts from some of the artist’s most powerful texts, including TRUSIMS (1977-79), INFLAMMATORY ESSAYS (1979-1882) and SURVIVAL (1983-1985). Notable texts from the SURVIVAL series include: YOU ARE TRAPPED ON THE EARTH SO YOU WILL EXPLODE; MEN DON’T PROTECT YOU ANYMORE; and IT IS IN YOUR BEST INTEREST TO BE VERY TENDER. See it on view in Breaking the Mold on the 4th floor. 🎨 Jenny Holzer (@jennyholzerstudio). HEAP, 2012. © 2025 Jenny Holzer, member Artists Rights Society (ARS), New York #WomensHistoryMonth #JennyHolzer #BkM200 #BrooklynMuseum
Jenny Holzer uses language as a provocation. ⚡ She encourages viewers to react emotionally and critically to her work. Laughter, agreement, anger, and frustration are welcome reactions as Holzer offers scrolling statements addressing sexism, mortality, consumerism, and the often-questionable position governing forces take in relation to social, cultural, and political realities. The sculptural installation HEAP, 2012, comprises 7 scrolling LEDs featuring excerpts from some of the artist’s most powerful texts, including TRUSIMS (1977-79), INFLAMMATORY ESSAYS (1979-1882) and SURVIVAL (1983-1985). Notable texts from the SURVIVAL series include: YOU ARE TRAPPED ON THE EARTH SO YOU WILL EXPLODE; MEN DON’T PROTECT YOU ANYMORE; and IT IS IN YOUR BEST INTEREST TO BE VERY TENDER. See it on view in Breaking the Mold on the 4th floor. 🎨 Jenny Holzer (@jennyholzerstudio). HEAP, 2012. © 2025 Jenny Holzer, member Artists Rights Society (ARS), New York #WomensHistoryMonth #JennyHolzer #BkM200 #BrooklynMuseum
Completely stunned by Jenny Holzer’s The Line Light 💬Standing there, reading her words scroll across the rotunda, I couldn’t move! Totally immersive, totally unforgettable travel memory #immersiveart #words #frankloydwright #jennyholzer
Completely stunned by Jenny Holzer’s The Line Light 💬Standing there, reading her words scroll across the rotunda, I couldn’t move! Totally immersive, totally unforgettable travel memory #immersiveart #words #frankloydwright #jennyholzer
Language as architecture. Text wraps the spirals of the Guggenheim Museum, turning the building itself into a medium. This exhibition by Jenny Holzer uses LED texts to address power, control, violence, and responsibility. Messages repeat, interrupt, and confront visitors as they move through the space. The museum is not just a container here. It becomes part of the work. 📍 Guggenheim Museum, New York ⸻ Credits: @contemporarycool • TikTok #jennyholzer #guggenheimmuseum #architecturesociety #interiordecor #architectsofinstagram
Language as architecture. Text wraps the spirals of the Guggenheim Museum, turning the building itself into a medium. This exhibition by Jenny Holzer uses LED texts to address power, control, violence, and responsibility. Messages repeat, interrupt, and confront visitors as they move through the space. The museum is not just a container here. It becomes part of the work. 📍 Guggenheim Museum, New York ⸻ Credits: @contemporarycool • TikTok #jennyholzer #guggenheimmuseum #architecturesociety #interiordecor #architectsofinstagram
We're celebrating #JennyHolzer's birthday today. Enjoy this timelapse installation video from the 2009 exhibition Jenny Holzer: PROTECT PROTECT at the Whitney's Madison Avenue building. Whether she is using her own idiomatic texts, borrowing the words of international poets, or citing formerly classified materials containing policy debates, Holzer works between the public and private, the body politic and the body, the universal and the particular. Always timely, she provides a range of opinions, attitudes, and voices in works infused with formal beauty, sensitivity, and power.
We're celebrating #JennyHolzer's birthday today. Enjoy this timelapse installation video from the 2009 exhibition Jenny Holzer: PROTECT PROTECT at the Whitney's Madison Avenue building. Whether she is using her own idiomatic texts, borrowing the words of international poets, or citing formerly classified materials containing policy debates, Holzer works between the public and private, the body politic and the body, the universal and the particular. Always timely, she provides a range of opinions, attitudes, and voices in works infused with formal beauty, sensitivity, and power.
Jenny Holzer crea arte imposible de ignorar, desde pantallas montadas en camiones hasta palabras desplegadas en las calles. Desde niña, se interesó por la “escritura extasiada” y deseaba escribir palabras poderosas. Esta instalación proyecta más de 40 activistas y líderes climáticos, inspirando acción colectiva contra el #CambioClimático presentada en el @tate en el 2021. HURT EARTH de Jenny Holzer © 2021 Jenny Holzer, miembro de Artists Rights Society (ARS), NY / DACS, Reino Unido. Video por Adam Kenrick. —— #contemporyart #jennyholzer #tate #inspiration #creator #arteEXCLAMA #London #EXCLAMA
Jenny Holzer crea arte imposible de ignorar, desde pantallas montadas en camiones hasta palabras desplegadas en las calles. Desde niña, se interesó por la “escritura extasiada” y deseaba escribir palabras poderosas. Esta instalación proyecta más de 40 activistas y líderes climáticos, inspirando acción colectiva contra el #CambioClimático presentada en el @tate en el 2021. HURT EARTH de Jenny Holzer © 2021 Jenny Holzer, miembro de Artists Rights Society (ARS), NY / DACS, Reino Unido. Video por Adam Kenrick. —— #contemporyart #jennyholzer #tate #inspiration #creator #arteEXCLAMA #London #EXCLAMA
Jenny Holzer no tenía galería. No tenía nombre. No tenía dinero. Una noche de 1977 salió a pegar papeles en las paredes de Manhattan con frases que hacían pensar. Sin firma. Solo palabras en la calle. Años después esas mismas palabras llegaron a Times Square, a los museos más grandes del mundo y a la Bienal de Venecia donde ganó el premio más importante del arte. Todo empezó con papel y pegamento. #galeriasdearte #arte #museos #arteycultura #jennyholzer #artecontemporaneo
Jenny Holzer no tenía galería. No tenía nombre. No tenía dinero. Una noche de 1977 salió a pegar papeles en las paredes de Manhattan con frases que hacían pensar. Sin firma. Solo palabras en la calle. Años después esas mismas palabras llegaron a Times Square, a los museos más grandes del mundo y a la Bienal de Venecia donde ganó el premio más importante del arte. Todo empezó con papel y pegamento. #galeriasdearte #arte #museos #arteycultura #jennyholzer #artecontemporaneo
"If you are trusting, you have confidence in yourself." - Jenny Holzer's "Truisms" (1983). @jennyholzerstudio #JennyHolzer #SanFrancisco #BayArea #Weekend
"If you are trusting, you have confidence in yourself." - Jenny Holzer's "Truisms" (1983). @jennyholzerstudio #JennyHolzer #SanFrancisco #BayArea #Weekend
How does 💡light💡 change the way we experience language? Jenny Holzer’s bright LEDs hang along the edge of the spiraling ramp, facing the center, disrupting the otherwise soft, natural light entering the space from the oculus and ground-floor windows. Holzer’s writings, from her 1977–1979 series “Truisms” to later texts exploring the implications of violence and living with loss, highlight the enduring power of language. As the LED light cuts through the space, it draws attention to her words in a new way, forcing viewers to pause and reconsider their meaning, amplifying the tension between the physical and emotional weight of her texts. ⭐️There are only a few days left to see #JennyHolzerLightLine! ⭐️ ___ Jenny Holzer, (@jennyholzerstudio), Detail of “Installation for the Solomon R. Guggenheim,” 1979/2024. © 2024 Jenny Holzer, Artists Rights Society (ARS), New York. #JennyHolzer
How does 💡light💡 change the way we experience language? Jenny Holzer’s bright LEDs hang along the edge of the spiraling ramp, facing the center, disrupting the otherwise soft, natural light entering the space from the oculus and ground-floor windows. Holzer’s writings, from her 1977–1979 series “Truisms” to later texts exploring the implications of violence and living with loss, highlight the enduring power of language. As the LED light cuts through the space, it draws attention to her words in a new way, forcing viewers to pause and reconsider their meaning, amplifying the tension between the physical and emotional weight of her texts. ⭐️There are only a few days left to see #JennyHolzerLightLine! ⭐️ ___ Jenny Holzer, (@jennyholzerstudio), Detail of “Installation for the Solomon R. Guggenheim,” 1979/2024. © 2024 Jenny Holzer, Artists Rights Society (ARS), New York. #JennyHolzer
back to up