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Who gets to be remembered? “Joan Mitchell—one of the top five female artists at auction—still has far fewer museum shows than her male peers. There has not been a museum show of Mitchell’s in New York for over 25 years.”—@christablatchford Now on our YouTube channel, watch “Changemaker – Living Legacies” at the #MakingTheirMark Forum, featuring Christa Blatchford Executive Director of the Joan Mitchell Foundation @joanmitchellfdn. Framing legacy as an active, living practice, Blatchford considers how artists can be better supported in building from their past for their futures, and the critical role foundations play in sustaining artists’ living legacies. Link in bio 📺 #JoanMitchell
Who gets to be remembered? “Joan Mitchell—one of the top five female artists at auction—still has far fewer museum shows than her male peers. There has not been a museum show of Mitchell’s in New York for over 25 years.”—@christablatchford Now on our YouTube channel, watch “Changemaker – Living Legacies” at the #MakingTheirMark Forum, featuring Christa Blatchford Executive Director of the Joan Mitchell Foundation @joanmitchellfdn. Framing legacy as an active, living practice, Blatchford considers how artists can be better supported in building from their past for their futures, and the critical role foundations play in sustaining artists’ living legacies. Link in bio 📺 #JoanMitchell
💎 The “Abstract Impressionism” of Joan Mitchell and Claude Monet 💎 This breathtaking exhibition, ‘Monet - Mitchell,’ @fondationlv establishes an unprecedented ‘dialogue’ between the immersive paintings of acclaimed artists Claude Monet (1840-1926) and Joan Mitchell (1925-1992). We loved the pairing of these two artists’ work, it powerfully showcased their shared interpretation of landscape (the banks of the Seine) through the interplay of light and color. Their similar pictorial approach, which Monet defined as ‘sensation’ and Mitchell as ‘feelings,’ really come through in this show. An enchanting exhibition ✨ ‘Monet - Mitchell,’ Fondation Louis Vuitton, Paris, through 27 Feb 2023 📹: By us @lssartadvisory #joanmitchell #claudemonet #artoftheday #abstractimpressionism #arthistory @joanmitchellfdn @davidzwirner @the_apaa
💎 The “Abstract Impressionism” of Joan Mitchell and Claude Monet 💎 This breathtaking exhibition, ‘Monet - Mitchell,’ @fondationlv establishes an unprecedented ‘dialogue’ between the immersive paintings of acclaimed artists Claude Monet (1840-1926) and Joan Mitchell (1925-1992). We loved the pairing of these two artists’ work, it powerfully showcased their shared interpretation of landscape (the banks of the Seine) through the interplay of light and color. Their similar pictorial approach, which Monet defined as ‘sensation’ and Mitchell as ‘feelings,’ really come through in this show. An enchanting exhibition ✨ ‘Monet - Mitchell,’ Fondation Louis Vuitton, Paris, through 27 Feb 2023 📹: By us @lssartadvisory #joanmitchell #claudemonet #artoftheday #abstractimpressionism #arthistory @joanmitchellfdn @davidzwirner @the_apaa
Social Media Manager Service available link on Bio. The Joan Mitchell exhibition it was at the baltimoremuseumofart includes a "soundscape" experience that brings to life Mitchell’s words, woven together with the music and surroundings that influenced her creative practice. As you pass from one gallery to the next, advancing through the chronology of Mitchell's work, you reach new soundscape "stops" that include music, poetry, ambient sounds, and readings—all of which evoke the artist's influences and frame of mind at the time the paintings were created. In this excerpt, which accompanies a gallery of paintings from the mid-1970s, the sounds of a rainstorm combine with Mitchell's words to evoke her experience in the French countryside of Vétheuil, where she lived and worked from 1968 until her death in 1992. The effect is immersive and transporting, adding context and depth to the exhibition. --- Credits: Excerpt from Joan Mitchell Soundscape, Stop 6. Audio produced by the Baltimore Museum of Art. Video by Joan Mitchell Foundation, showing installation view of "Joan Mitchell" at the Baltimore Museum of Art. Voice actor Nadine Malouf reads quotes from Joan Mitchell: “The greens are trees. Marvelous trees... And that was the beginning.” [Source: Eleanor Munro, “Joan Mitchell,” in Originals: American Women Artists (New York: Simon and Schuster, 1979), 238.] “I can’t quote van Gogh but it’s in . . . one of his so many beautiful letters, where he says he gives gratitude to the sunflower because it exists. And I give gratitude to trees because they exist and that’s all my painting is about.” [Source: Joan Mitchell, interviewed in “Joan Mitchell à Vétheuil,” in American Artists in Europe, directed by Angeliki Haas, 1976.] #joanmitchell #soundscape #artexhibition #painting #abstractpainting #baltimoremuseumofart #abstract_buff #abstractart #artcollector #artcurator #abstractarts
Social Media Manager Service available link on Bio. The Joan Mitchell exhibition it was at the baltimoremuseumofart includes a "soundscape" experience that brings to life Mitchell’s words, woven together with the music and surroundings that influenced her creative practice. As you pass from one gallery to the next, advancing through the chronology of Mitchell's work, you reach new soundscape "stops" that include music, poetry, ambient sounds, and readings—all of which evoke the artist's influences and frame of mind at the time the paintings were created. In this excerpt, which accompanies a gallery of paintings from the mid-1970s, the sounds of a rainstorm combine with Mitchell's words to evoke her experience in the French countryside of Vétheuil, where she lived and worked from 1968 until her death in 1992. The effect is immersive and transporting, adding context and depth to the exhibition. --- Credits: Excerpt from Joan Mitchell Soundscape, Stop 6. Audio produced by the Baltimore Museum of Art. Video by Joan Mitchell Foundation, showing installation view of "Joan Mitchell" at the Baltimore Museum of Art. Voice actor Nadine Malouf reads quotes from Joan Mitchell: “The greens are trees. Marvelous trees... And that was the beginning.” [Source: Eleanor Munro, “Joan Mitchell,” in Originals: American Women Artists (New York: Simon and Schuster, 1979), 238.] “I can’t quote van Gogh but it’s in . . . one of his so many beautiful letters, where he says he gives gratitude to the sunflower because it exists. And I give gratitude to trees because they exist and that’s all my painting is about.” [Source: Joan Mitchell, interviewed in “Joan Mitchell à Vétheuil,” in American Artists in Europe, directed by Angeliki Haas, 1976.] #joanmitchell #soundscape #artexhibition #painting #abstractpainting #baltimoremuseumofart #abstract_buff #abstractart #artcollector #artcurator #abstractarts
Repost @tate 🎨 Katy Wan, the Managing Curator of the D.Daskalopoulos collection gift at Tate, guides us through Joan Mitchell’s expansive display at Tate Modern, shedding light on the artist’s work and practice. Watch the full reel at @tate.✨

#JoanMitchell’s free display can be found in #TateModern’s Natalie Bell Building, Level 2 in Room 8 and 9.📍On view through February 2025.
Repost @tate 🎨 Katy Wan, the Managing Curator of the D.Daskalopoulos collection gift at Tate, guides us through Joan Mitchell’s expansive display at Tate Modern, shedding light on the artist’s work and practice. Watch the full reel at @tate.✨

#JoanMitchell’s free display can be found in #TateModern’s Natalie Bell Building, Level 2 in Room 8 and 9.📍On view through February 2025.
Our October 22 Prints & Multiples Signature® Auction explores the spirit of Abstract Expressionism through works by Joan Mitchell, Helen Frankenthaler, and Robert Motherwell. Each artist brings a distinct visual language to the page, transforming spontaneity and feeling into compositions of remarkable intensity. Discover these works and bid now at ha.com/8280. #AbstractExpressionism #JoanMitchell #HelenFrankenthaler #RobertMotherwell #HeritageAuctions
Our October 22 Prints & Multiples Signature® Auction explores the spirit of Abstract Expressionism through works by Joan Mitchell, Helen Frankenthaler, and Robert Motherwell. Each artist brings a distinct visual language to the page, transforming spontaneity and feeling into compositions of remarkable intensity. Discover these works and bid now at ha.com/8280. #AbstractExpressionism #JoanMitchell #HelenFrankenthaler #RobertMotherwell #HeritageAuctions
Check out some amazing art and tasty wines @cuginiwineroom in #lakeworth. My new “Kaleidoscope Series” Is on display too!
Check out some amazing art and tasty wines @cuginiwineroom in #lakeworth. My new “Kaleidoscope Series” Is on display too!
After a couple weeks I was able to finish this piece. This new collection has been, and continues to be so much fun. I’m looking forward to seeing how it develops. Check out my website to see the collection at www.lloydtabingart.com. #contemporyart #abstractexpression #konst #artcollector #jkpgcity #dekooning #artforthehome #larrypoons @wetterlinggallery @art_nordic #joanmitchell #artandarchitecture #konstverk
After a couple weeks I was able to finish this piece. This new collection has been, and continues to be so much fun. I’m looking forward to seeing how it develops. Check out my website to see the collection at www.lloydtabingart.com. #contemporyart #abstractexpression #konst #artcollector #jkpgcity #dekooning #artforthehome #larrypoons @wetterlinggallery @art_nordic #joanmitchell #artandarchitecture #konstverk
Joan Mitchell - “I don’t think when I paint” In this brief interview, Joan Mitchell pointedly sidesteps attempts to anchor her abstractions in anecdote or portraiture, refusing the idea that her canvases are illustrations of people or events. She casts painting instead as a non-discursive practice, where gesture, color, rhythm, and the sheer material drag of paint on canvas precede and undermine any stable “aboutness.” What the clip reveals is an artist for whom abstract painting is a form of embodied thought that happens in the work itself, not in explanation after the fact. ___ #JoanMitchell #AbstractExpressionism #AbstractPainting #ModernArt #ArtInterview ArtDocumentary WomenInArt
Joan Mitchell - “I don’t think when I paint” In this brief interview, Joan Mitchell pointedly sidesteps attempts to anchor her abstractions in anecdote or portraiture, refusing the idea that her canvases are illustrations of people or events. She casts painting instead as a non-discursive practice, where gesture, color, rhythm, and the sheer material drag of paint on canvas precede and undermine any stable “aboutness.” What the clip reveals is an artist for whom abstract painting is a form of embodied thought that happens in the work itself, not in explanation after the fact. ___ #JoanMitchell #AbstractExpressionism #AbstractPainting #ModernArt #ArtInterview ArtDocumentary WomenInArt
Joan Mitchell’s work holds immense value due to her significant contributions to Abstract Expressionism and her distinctive lyrical and gestural style. Her pieces often capture intense emotional and visual experiences, making them highly sought after. Mitchell’s reputation as a leading female artist in a male-dominated movement enhances the historical and cultural significance of her work. Additionally, her paintings’ scarcity and the increasing demand in the contemporary art market contribute to their escalating value, making her works a prudent and prestigious investment for collectors. #artcollector #artist #joanmitchell #art
Joan Mitchell’s work holds immense value due to her significant contributions to Abstract Expressionism and her distinctive lyrical and gestural style. Her pieces often capture intense emotional and visual experiences, making them highly sought after. Mitchell’s reputation as a leading female artist in a male-dominated movement enhances the historical and cultural significance of her work. Additionally, her paintings’ scarcity and the increasing demand in the contemporary art market contribute to their escalating value, making her works a prudent and prestigious investment for collectors. #artcollector #artist #joanmitchell #art
David Zwirner Highlights Joan Mitchell’s Transformative Years of 1960-1965 🌊 Joan Mitchell’s years between 1960 and 1965 were filled with movement, between cities, seasons, and states of mind. Living between Paris and the Mediterranean, she produced works that reflect the sea’s turbulence, personal loss, and a relentless push toward new painterly forms. This focused presentation at David Zwirner captures one of the most charged and experimental periods in her practice. 🎥 by @adamgreenartadvisory #adamgreenartadvisory #artadvisor #joanmitchell
David Zwirner Highlights Joan Mitchell’s Transformative Years of 1960-1965 🌊 Joan Mitchell’s years between 1960 and 1965 were filled with movement, between cities, seasons, and states of mind. Living between Paris and the Mediterranean, she produced works that reflect the sea’s turbulence, personal loss, and a relentless push toward new painterly forms. This focused presentation at David Zwirner captures one of the most charged and experimental periods in her practice. 🎥 by @adamgreenartadvisory #adamgreenartadvisory #artadvisor #joanmitchell
JOAN MITCHELL Subscribe and support the channel to post even more great art🖼️ #joanmitchell #abstractpainters #apg #abstractpaintersgallery #fblifestyle
JOAN MITCHELL Subscribe and support the channel to post even more great art🖼️ #joanmitchell #abstractpainters #apg #abstractpaintersgallery #fblifestyle
Joan Mitchell described herself as being two people: “little Joan” and “big Joan.” “Little Joan” was the creative child that toiled alone in her studio and “big Joan” went out into the world to protect “little Joan.”⁠ ⁠ When we look at a Joan Mitchell painting we are looking at an image of liberty. We are looking at abandon made palpable. Mitchell approached the act of painting from a place of total freedom, without a blueprint going in, or a definitive plan. Whatever ended up on the canvas came from her intuition, and was an immediate reflection of her truth. ⁠ ⁠ It may be joy that she felt, or anger, or fear; it may be an image formed from bits and pieces of a memory she was holding in her head, or a beloved landscape she was holding in her heart. When we encounter her paintings, in the midst of a quick or casual glance, we may or may not feel what Mitchell felt. We may or may not recognize the exact meaning she hoped to convey. But the energy that flowed through her with every brushstroke screams at us. ⁠ ⁠ It arrests us in space and speaks to whatever primal stuff inside of us recognizes it for what it is: the vibrant, timeless, universal echo of love, loss, joy, fear, pride and pain.⁠ .⁠ .⁠ .⁠ .⁠ .⁠ .⁠ .⁠ #joanmitchell #abstractart #abstractexpressionism #artlover #artlovers #artstudio #artprocess⁠
Joan Mitchell described herself as being two people: “little Joan” and “big Joan.” “Little Joan” was the creative child that toiled alone in her studio and “big Joan” went out into the world to protect “little Joan.”⁠ ⁠ When we look at a Joan Mitchell painting we are looking at an image of liberty. We are looking at abandon made palpable. Mitchell approached the act of painting from a place of total freedom, without a blueprint going in, or a definitive plan. Whatever ended up on the canvas came from her intuition, and was an immediate reflection of her truth. ⁠ ⁠ It may be joy that she felt, or anger, or fear; it may be an image formed from bits and pieces of a memory she was holding in her head, or a beloved landscape she was holding in her heart. When we encounter her paintings, in the midst of a quick or casual glance, we may or may not feel what Mitchell felt. We may or may not recognize the exact meaning she hoped to convey. But the energy that flowed through her with every brushstroke screams at us. ⁠ ⁠ It arrests us in space and speaks to whatever primal stuff inside of us recognizes it for what it is: the vibrant, timeless, universal echo of love, loss, joy, fear, pride and pain.⁠ .⁠ .⁠ .⁠ .⁠ .⁠ .⁠ .⁠ #joanmitchell #abstractart #abstractexpressionism #artlover #artlovers #artstudio #artprocess⁠
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