#maxlamb

Step into the studio of renowned designer Max Lamb, where the idea of the Prøve Light came to life, showcased as part of the 100R exhibition in Milan and London this year. Full story in bio. #maxlamb

MAX LAMB & 1882 LTD. CROCKERY 11.09 - 30.09 Join us for the private view of ‘Crockery’ on Thursday 11 September 6 - 9 PM—RSVP through link in bio. Functional furniture in ceramic is a feat, a first, a frontier. The success of these works hinged upon both Lamb’s immunity to deterrence when courting a question of materiality and 1882 Ltd.’s unflinching willingness to push their mastery of ceramics not only to but past its assumed limits. Every element of these works bears the imprint of collaboration, evidence of co-conspirators both daring and undaunted. Crockery presents not only chairs and stools, but a bold statement on craftsmanship and collaboration. Video by Fitzbrien. Cover image by Leroy Boateng.

Unboxing @wastedbypotatohead 🪑 #Max Lamb

Sophie Dries may not describe herself as a collector but there are pieces she can’t resist. A peek round her Parisian home confirms it: a squiggly Max Lamb chair here, a colourful Gaetano Pesce vase there. Perhaps most fascinating is the synergy these pieces enjoy with her own designs — freethinking, experimental objects which revel in the alchemy of making. Follow the link in our bio to watch the full episode. And head to invisiblecollection.com to shop all of the #AD100 architect’s signature designs. #WhyWeCollect #CollectibleDesign #ParisianStyle 🎥 @theinvisiblecollection @rodrigorize

Extremely into the theater of Bottega Veneta’s AW26 show space, wbu?? @newbottega @louise_trotter_ Chairs by Max Lamb Set imagery by Chris Rhodes #dreamspaces #bottegaveneta #newbottega #aw26 #setdesign

Looking at 𝗦𝗲𝗲𝘁𝗮𝗹 𝗦𝗼𝗹𝗮𝗻𝗸𝗶’s (@seetalsolanki) Material Advisory 𝗠𝗮-𝘁𝘁-𝗲𝗿 (@ma_tt_er), we want to highlight her collaboration with 𝘗𝘰𝘵𝘢𝘵𝘰 𝘏𝘦𝘢𝘥 𝘉𝘢𝘭𝘪 𝘏𝘰𝘵𝘦𝘭 (@potatoheadbali) and a collaboration she initiated between them and designer #MaxLamb. __ You can read the ꜰᴜʟʟ ɪɴᴛᴇʀᴠɪᴇᴡ and see the London Home Visit on our website. (𝘭𝘪𝘯𝘬 𝘪𝘯 𝘣𝘪𝘰) __ #sayhito_ #sayhito_studiovisits #sayhito_UnitedKingdom #sayhito_london #seetalsolanki #londondesign #materialresearcher #matter #functionalart #newmaterials #sustainablematerials

MAX LAMB & 1882 LTD. CROCKERY OPENING 11.09 Join us for the private view on Thursday 11 September 6 - 9 PM — RSVP through link in bio The result of a creative dialogue between Max Lamb and 1882 Ltd., Crockery is a groundbreaking new series of chairs and stools conceptualised to challenge our inherent understanding of clay’s material and functional possibilities. In all its undertakings, 1882 Ltd. has a firm foothold in the overlap between industrial craftsmanship and innovative design, a positioning they share with Lamb. Under the directorship of Em Johnson, the multi-generational expertise of 1882 Ltd. offers the foundation essential to enable Lamb’s material provocations. Video courtesy of @fitzbrien

Thankful to our many visitors, friends and family from our Max Lamb carpeted elevator! His Space Dyed Carpets started in Yorkshire- a rich woolen industry, for a project at Robert Mallet Stevens’ Villa Noailles in Hyères, France. He collaborated with local artisans—scourers, spinners, dyers, and tufters—to create 100 square meters of rugs using 300kg of New Zealand wool yarn. Custom-made for our elevator, these three rugs traveled far- and found a perfect home with us at 89th street! #maxlamb Happy Thanksgiving 🦃 🤎 📸 @jeannegr @jackie__greenberg @fabiennestephan @iosonoiljewpacabra @ben_blumberg @gotranggo @gocitroengo @cowboyemojii @coldbrewaddict

Let’s discover more collectible design at @designmiami 🪑 As the official restorer for this premier design fair, I’m excited to continue my tour from a more technical angle with a spotlight on the @gallery_fumi ’s booth, showcasing extraordinary works that blend innovation with craftsmanship. Watch as I highlight standout pieces from visionary artists redefining design today. Curious about the creators? Check out their profiles below and dive deeper into their world! Which piece stands out to you? Let’s talk about it in the comments! 👇 🎥 Featuring works by: @francescoperiniofficial @tuomasmarkunpoika @charlottekingsnorth @casey__mccafferty #maxlamb #DesignMiami #CollectibleDesign #GalleryFumi #FurnitureDesign #ArtInFocus #DesignRestoration #CreativeCraftsmanship

Surface contributor @emcho41 breaks down some of the most exciting exhibitions, events, and happenings this week in L.A. ⚡️ Highlights include #MaxLamb’s Box 2 at @gallery_fumi and @sized_ltd’s exploration of L.A. car culture in collaboration with @usmmodularfurniture, @willoperron, @basic.space, and @we.are.ona. We’re also excited about @lunaluna’s capsule afterparty and @newimageart’s celebration of 30 years. More details in the video, and stay tuned here and in Design Dispatch for updates and discoveries from L.A. Art Week. 💥

In this video produced by Dezeen, designer Rachel Griffin (@earnest_studio) discusses designing for aluminium producer Hydro’s 100R exhibition (@shapesbyhydro). 100 R was on show at the Material Matters fair during the 2024 London Design Festival. Griffin was one of seven designers featured in Hydro’s 100R exhibition, including Max Lamb, Inga Sempé and Philippe Malouin. Directed and conceived of by Norwegian designer Lars Beller Fjetland, the exhibition challenged the featured designers to make a furniture or lighting piece using soley Hydro’s Circal 100R extruded aluminium. According to Hydro, Circal 100R is the first aluminium product made entirely from post-consumer scrap that can be mass-produced on an industrial scale. Find out more at the link in the bio. #paidpartnership

Salon 94 Design, currently showing — the Max Lamb Inventory, Jay Sae Jung Oh, and Hella Jongerius. An amazing space, currently filled with boundary pushing pieces from these three artists. Read into the details below 🫶🏼 Max Lamb Inventory — Inventory, as the title suggests, is a survey of experiments with materials, techniques, and forms that designer Max Lamb has realized over the past seventeen years. Outstanding in breadth and scope, it is an extraordinary opportunity to explore the creative output of a designer known primarily for working one piece at a time. It’s a record of not only how prolific and hardworking Lamb is—and he is both—but of how many different types of materials and production methods he has charged himself with learning and refining over the span of his career to date. Jay Sae Jung Oh — Jay Sae Jung Oh’s career began in a moment of mounting alarm. A relatively recent arrival in the USA, she was pursuing her MFA at the Cranbrook Academy of Art, with its famously beautiful Eliel Saarinen–designed campus. In response to tidal waste, Oh conceived her Salvage series, wrapping jumbled-together found objects in a fine jute cord. The process enacts a sort of reverse archaeology, gradually immuring objects within a mute topology, at once erasing and monumentalizing them. Withdrawn from view yet still more or less recognizable, they serve as stand-ins for things of their general type. In this way, Oh hoped to convey a simple message: with sufficient effort and imagination, rubbish can be redeemed — made not just useful, but drop-dead gorgeous. Hella Jongerius + Nymphenburg “Generation T” is an initiative by Porzellan Manufaktur Nymphenburg and designer Hella Jongerius against the waste of valuable resources - both material and human - which are becoming increasingly precious in the process of manufacturing porcelain. Exhibits available through April 20th, 2024 — this is a must see collection of artwork 🤍 #salon94 #salon94design #MaxLamb #furnituredesign #museum