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Simplicity takes center stage. Introducing Layout View in Sidus Link Pro 2.2 Layout view is a spatial interface that lets you arrange lights in a grid for easier selection. This feature allows users to mirror how lighting is placed in the real world, making control faster, and more accurate. Layout View enhances Sidus Link Pro’s powerful control system, combining visual programming with cueing and real-time previews for instant triggering of complex lighting changes. Learn more about this powerful new tool and other DMX enhancements in the link in bio. #SidusLinkPro #aputure #aputurelighting
Simplicity takes center stage. Introducing Layout View in Sidus Link Pro 2.2 Layout view is a spatial interface that lets you arrange lights in a grid for easier selection. This feature allows users to mirror how lighting is placed in the real world, making control faster, and more accurate. Layout View enhances Sidus Link Pro’s powerful control system, combining visual programming with cueing and real-time previews for instant triggering of complex lighting changes. Learn more about this powerful new tool and other DMX enhancements in the link in bio. #SidusLinkPro #aputure #aputurelighting
Simplicity takes center stage. Introducing Layout View in Sidus Link Pro 2.2 Layout view is a spatial interface that lets you arrange lights in a grid for easier selection. This feature allows users to mirror how lighting is placed in the real world, making control faster, and more accurate. Layout View enhances Sidus Link Pro’s powerful control system, combining visual programming with cueing and real-time previews for instant triggering of complex lighting changes. Learn more about this powerful new tool and other DMX enhancements in the link in bio. #SidusLinkPro Video Credit - @aputure.lighting #aputure #tiyana #sidu #siduslinkpro
Simplicity takes center stage. Introducing Layout View in Sidus Link Pro 2.2 Layout view is a spatial interface that lets you arrange lights in a grid for easier selection. This feature allows users to mirror how lighting is placed in the real world, making control faster, and more accurate. Layout View enhances Sidus Link Pro’s powerful control system, combining visual programming with cueing and real-time previews for instant triggering of complex lighting changes. Learn more about this powerful new tool and other DMX enhancements in the link in bio. #SidusLinkPro Video Credit - @aputure.lighting #aputure #tiyana #sidu #siduslinkpro
Simplicity, redefined. Meet Layout View in Sidus Link Pro 2.2. Layout View introduces a spatial workspace where you can position your lights exactly how they exist on set. Instead of scrolling through lists, you see your setup making selection faster, more intuitive, and closer to the way you actually work. Designed to speed up your workflow, this feature bridges the gap between real-world lighting and digital control. Combined with visual programming, cueing, and real-time previews, Layout View lets you trigger complex lighting changes with precision and ease. Discover how Layout View and the latest DMX upgrades can elevate your control. Link in bio. . . . . . . . #filmmaking #cinematography #filmlighting #aputure #aputurelighting #siduslink #DiagramMaster
Simplicity, redefined. Meet Layout View in Sidus Link Pro 2.2. Layout View introduces a spatial workspace where you can position your lights exactly how they exist on set. Instead of scrolling through lists, you see your setup making selection faster, more intuitive, and closer to the way you actually work. Designed to speed up your workflow, this feature bridges the gap between real-world lighting and digital control. Combined with visual programming, cueing, and real-time previews, Layout View lets you trigger complex lighting changes with precision and ease. Discover how Layout View and the latest DMX upgrades can elevate your control. Link in bio. . . . . . . . #filmmaking #cinematography #filmlighting #aputure #aputurelighting #siduslink #DiagramMaster
ProTools 60 Linear Studio Downlight is a solution for environments that require precise light distribution and no glare. Studio delivers exact beam control through a discreet, field-adjustable linear louver system with exceptionally sharp cutoff. Learn more at inter-lux.com/studio
ProTools 60 Linear Studio Downlight is a solution for environments that require precise light distribution and no glare. Studio delivers exact beam control through a discreet, field-adjustable linear louver system with exceptionally sharp cutoff. Learn more at inter-lux.com/studio
Whether the wall is installed in our studio or brought to your location, our team focuses on getting it assembled efficiently and ready for production. Once everything is set, we can remain on-site to support playback and operations, or train your team to run the playback system themselves. Every production is different, so the goal is simple: provide the support you need — whether that’s hands-on assistance or a quick handoff so your crew can take over. Production always needs to stay flexible. “LED walls allow filmmakers to capture the world as they imagine it — in real time, in camera.” — Jon Favreau #absen #led #ledwall #commercialproduction #virtualproduction
Whether the wall is installed in our studio or brought to your location, our team focuses on getting it assembled efficiently and ready for production. Once everything is set, we can remain on-site to support playback and operations, or train your team to run the playback system themselves. Every production is different, so the goal is simple: provide the support you need — whether that’s hands-on assistance or a quick handoff so your crew can take over. Production always needs to stay flexible. “LED walls allow filmmakers to capture the world as they imagine it — in real time, in camera.” — Jon Favreau #absen #led #ledwall #commercialproduction #virtualproduction
You know something’s wrong… • No depth • Distracting light • Flat presence Here’s what designed lighting looks like. #StudioBDC #LightingMatters #VideoProduction
You know something’s wrong… • No depth • Distracting light • Flat presence Here’s what designed lighting looks like. #StudioBDC #LightingMatters #VideoProduction
Stop going for « good enough » footage. The setup: - 6K Open Gate for total framing freedom. - 10-bit V-Log for that cinematic color grade. - Layered Lighting: FS300B for the keylight, C100 for the backlight, and RS60R for the halo. Don’t forget the haze. Gear doesn’t make the shot, but knowing how to use it does.
Stop going for « good enough » footage. The setup: - 6K Open Gate for total framing freedom. - 10-bit V-Log for that cinematic color grade. - Layered Lighting: FS300B for the keylight, C100 for the backlight, and RS60R for the halo. Don’t forget the haze. Gear doesn’t make the shot, but knowing how to use it does.
Using Assimilate Live FX together with a lighting console opens up a powerful workflow for Image-Based Lighting. Recently updated both MA3 and Live FX systems, so I repatched the Robe house rig from scratch: 16 × LEDWash 300, 6 × LEDWash 150, 6 × DL4S, 4 × DLS That gives a 10 × 10 m lighting surface with 32 pixels to work with, and Robe’s LED engines translate beautifully for IBL. Treat the rig as a pixel canvas, but keep the flexibility of a console: switch between IBL and traditional programming, or blend the two depending on the creative needs on stage. @assimilateinc @robelighting @lumenradio @ma_lighting_international @luminexnetworkintelligence #imagebasedlighting #lightdesign #mediaserver #virtualproduction #assimilatelivefx
Using Assimilate Live FX together with a lighting console opens up a powerful workflow for Image-Based Lighting. Recently updated both MA3 and Live FX systems, so I repatched the Robe house rig from scratch: 16 × LEDWash 300, 6 × LEDWash 150, 6 × DL4S, 4 × DLS That gives a 10 × 10 m lighting surface with 32 pixels to work with, and Robe’s LED engines translate beautifully for IBL. Treat the rig as a pixel canvas, but keep the flexibility of a console: switch between IBL and traditional programming, or blend the two depending on the creative needs on stage. @assimilateinc @robelighting @lumenradio @ma_lighting_international @luminexnetworkintelligence #imagebasedlighting #lightdesign #mediaserver #virtualproduction #assimilatelivefx
Lighting to the world
Lighting to the world
Huge thanks to the @aputure.lighting team for stopping by the shop to spec out the new Nova II 1x1 and 2x1. Seeing these in person really shows off the jump in build quality. The new Sidus NFC is going to be a game changer for quick pairing. #rentalhouse #gripandelectric #setlife #cinematography #losangeles
Huge thanks to the @aputure.lighting team for stopping by the shop to spec out the new Nova II 1x1 and 2x1. Seeing these in person really shows off the jump in build quality. The new Sidus NFC is going to be a game changer for quick pairing. #rentalhouse #gripandelectric #setlife #cinematography #losangeles
A lot of people ask me what LUT I use or what camera I shoot on, but honestly… those aren’t the most important parts. Lighting and how you color grade your footage make a much bigger difference. Over time I’ve built my own PowerGrade in Davinci Resolve by watching hundreds of tutorials and experimenting with different workflows. I’m not a professional colorist by any means, but I really enjoy the process of taking flat log footage and turning it into something that looks good to me. What’s funny is the setup I’m using is actually pretty simple: a Sony ZV-E10 (mk1) paired with the Sirui Sniper 23mm. Nothing crazy or expensive. That’s why I like this grade so much. The look you’re seeing here can be achieved with a beginner setup, but it’s flexible enough that it still works on more advanced cameras too. If you’d be interested in trying the PowerGrade I built, let me know in the poll.
A lot of people ask me what LUT I use or what camera I shoot on, but honestly… those aren’t the most important parts. Lighting and how you color grade your footage make a much bigger difference. Over time I’ve built my own PowerGrade in Davinci Resolve by watching hundreds of tutorials and experimenting with different workflows. I’m not a professional colorist by any means, but I really enjoy the process of taking flat log footage and turning it into something that looks good to me. What’s funny is the setup I’m using is actually pretty simple: a Sony ZV-E10 (mk1) paired with the Sirui Sniper 23mm. Nothing crazy or expensive. That’s why I like this grade so much. The look you’re seeing here can be achieved with a beginner setup, but it’s flexible enough that it still works on more advanced cameras too. If you’d be interested in trying the PowerGrade I built, let me know in the poll.
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